A. Barrett - Blackass

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Blackass: краткое содержание, описание и аннотация

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Furo Wariboko, a young Nigerian, awakes the morning before a job interview to find that he's been transformed into a white man. In this condition he plunges into the bustle of Lagos to make his fortune. With his red hair, green eyes, and pale skin, it seems he's been completely changed. Well, almost. There is the matter of his family, his accent, his name. Oh, and his black ass. Furo must quickly learn to navigate a world made unfamiliar and deal with those who would use him for their own purposes. Taken in by a young woman called Syreeta and pursued by a writer named Igoni, Furo lands his first-ever job, adopts a new name, and soon finds himself evolving in unanticipated ways.
A. Igoni Barrett's
is a fierce comic satire that touches on everything from race to social media while at the same time questioning the values society places on us simply by virtue of the way we look. As he did in
, Barrett brilliantly depicts life in contemporary Nigeria and details the double-dealing and code-switching that are implicit in everyday business. But it's Furo's search for an identity-one deeper than skin-that leads to the final unraveling of his own carefully constructed story.

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‘I’ll get the passport this month,’ Furo said. And he added: ‘Thank you, Abu.’

‘Perfect,’ Arinze said. ‘Now let me show you to your office.’

After Arinze left him alone, Furo strode around his office, acquainting himself with his new status. The austere, white-walled room was furnished with a wood-laminate desk, a steel-legged plastic chair, a foot-flip trash can, an air conditioner whose remote control was the only item on the desk’s surface, and a single-tiered pinewood shelf that was affixed to the wall across from the desk. The shelf was lined with books whose spines bore titles such as The Rules of Wealth and Defying the Odds and The Leader Who Had No Title. Adjacent to the shelf was the room’s only window, underneath which stood two cardboard boxes, and when Furo opened their flaps, he found that both were packed full of new-smelling books. After closing the boxes, he rose from his squat, then raised his hand to the window and wedged open the slats of the venetian blind. He gazed through the glass into the front of the compound, where he saw that four cars were parked, a black Mercedes jeep and three sedans. The jeep had to be Arinze’s, and since he couldn’t hope for that, Furo imagined that the least punished-looking of the sedans, a red Kia, was his.

His fantasies were interrupted by a knock on the door. He edged away from the window before calling out, ‘Come in,’ and the door swung open to reveal Tetsola, the IT man, at full size. He looked seven feet tall. When seated in his office he had appeared uncommonly large, but then Furo had also felt Brobdingnagian in the cramped space. What he now felt was embarrassment at his own puniness; and some confusion over his gut-deep stirrings of inadequacy. Everything about Tetsola — his basketballer limbs and those heroic shoulders, but also the commando jut of his chin — were exaggerations of the human form. The stares he must draw , Furo thought with a rush of resentment as unexpected as it was strong. He knew very well how it was to be stared at by everyone; he knew the price he paid for the loss of his anonymity. Yet he still envied Tetsola for standing out from the crowd. Or, nearer the truth, standing above it.

‘Come in,’ Furo said again, to break the cycle of his thoughts.

Tetsola ducked into the doorway and loped forwards. Standing closer, he towered over Furo like a father figure. In his raised palm was balanced a black Zinox. Furo guessed that the laptop was the reason for the visit, and he waited for Tetsola, who was glancing around the room with a smile that showed his bovine teeth, to confirm this, and just as he began to speculate that his visitor might be mute, Tetsola confounded him by saying in the wrong voice, a voice right for an eunuch but too feeble, too squeak-squeak, for a giant’s maw: ‘I’ve brought your lappy.’

For the next half-hour, while seated at his desk and facing the laptop screen, Furo listened in mute wonder to that nasal tone as Tetsola ran him through all his improvements to the laptop. He had upgraded functions, partitioned hard discs, and installed the latest versions of the best programs for any task Furo would ever need to perform on a machine of such limited processing power, limited not because the Zinox was bad, but because, didn’t Furo agree, Mac was the greatest. Much of this geeky lecture, on account of the terminology as well as the R2-D2 inflections of Tetsola’s voice, was unintelligible to Furo, and the torrent of information only succeeded in making his buttocks sweat. He kept adjusting himself to find a less pinching position in the chair, but he kept on listening, he kept on looking, he wanted to understand everything there was to know about the first computer he could call his own.

At long last Tetsola announced his duty ended and exited the office. Alone with the laptop, Furo opened a browser and signed into his Yahoo mailbox. It was over two weeks since he’d last been online, and though he suspected — or, rather, knew — what awaited him there, he still had to see for himself that he was right. He was, of course: there was indeed something to see: a digital influx of panic and grief. His mailbox had three hundred and seventeen unread emails, many of them newsletters from the job-listing websites he was subscribed to; but he noted one email from his mother, several from his father and his sister, and countless Facebook and Twitter notifications from friends, relatives, and total strangers. He was tempted to dip into all these messages addressed to someone he no longer was, but he realised the cruel folly of that action, as already he could feel his resolve crumbling under the weight of the subject line of his mother’s email, sent on 22 June, which read: ‘MY SON WHERE ARE YOU???’ Furo’s struggle with himself was rife with sighs, and in the end, by the simple trick of averting his eyes from the screaming caps, the hook-like question marks, the words fatted on desperation, he succeeded in withstanding the Pandora pull of his mailbox. He did not succumb to his mother’s email nor to any of the others, not a single one. Instead, upon returning his gaze to the screen, he opened the mailbox settings, scrolled down until he found the option he sought, and deleted his account.

Logging into Facebook, he found the message icon red with alerts. As for the friend requests, they ran into hundreds. His wall was taken over by postings about his disappearance, ladders of comments in unreadable net lingo, sunny emoticons depicting horror, and video clips of green pastures and floating clouds set to cantatas. Also photos. It seemed every group photo he had ever appeared in was tagged on to his wall. By long-forgotten relatives, unrecognisable childhood playmates, and unknown people whose names he found impossible to pronounce. Chinese names with their Xs, Russian names spelled in Cyrillic; and the trendy idiocy of misspelled Nigerian names, those Yehmeesees and Kaylaychees; and also names that seemed like noms de guerre for child stalkers. It was alarming: the scale of the uproar, the scope of his celebrity. All this time the whole of Facebook was searching for him and yet he had no idea, he hadn’t heard a thing.

Getting off Facebook was a hassle, as the deactivation process was so well hidden that he was forced to Google it and follow the instructions he found in a Vice article. Facebook defeated, he turned his avenging fury on the newest and least utilised of his online platforms, his Twitter account. He signed in to find a string of mentions from @pweetychic_tk, whom he suspected was his sister and thus didn’t read her tweets before deleting the account. Then he picked up the notepad sheet on which Tetsola had scribbled ‘frank.whyte@gmail.com’ and ‘habanigeria789’, his official email address and his temporary password. He logged into the brand-new mailbox and changed his password without trouble, then read his first email, a welcome from Gmail. He was busy with customising the look of the mailbox when he heard from down the hallway the approach of feet, and sure enough, the footsteps stopped at his door. ‘Come in,’ he said in response to four loud knocks, made with a fist.

He recognised the shoes first. The pointed toes, the age-softened oxblood leather, the carelessly knotted laces. Then the face with its prominent cheekbones and that stuck fruit of an Adam’s apple. It was the man he had met on the day of his interview, the one who spat as he spoke, whose brother was married to a white woman in Romania. Or was it Poland?

You! ’ they burst out together, their gazes meeting across the room. The man broke the look as he turned to close the door, and then, covering the distance to the desk with quick strides, he said with a grin, ‘Didn’t I say you would get the job! So you are my new oga?’

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