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Amy Greene: Long Man

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Amy Greene Long Man

Long Man: краткое содержание, описание и аннотация

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From the critically acclaimed author of Bloodroot, a gripping, wondrously evocative novel drawn from real-life historical events: the story of three days in the summer of 1936, as a government-built dam is about to flood an Appalachian town-and a little girl goes missing. A river called Long Man has coursed through East Tennessee from time immemorial, bringing sustenance to the people who farm along its banks and who trade between its small towns. But as Long Man opens, the Tennessee Valley Authority's plans to dam the river and flood the town of Yuneetah for the sake of progress-to bring electricity and jobs to the hardscrabble region-are about to take effect. Just one day remains before the river will rise, and most of the town has been evacuated. Among the holdouts is a young mother, Annie Clyde Dodson, whose ancestors have lived for generations on her mountaintop farm; she'll do anything to ensure that her three-year-old daughter, Gracie, will inherit the family's land. But her husband wants to make a fresh start in Michigan, where he has found work that will secure the family's future. As the deadline looms, a storm as powerful as the emotions between them rages outside their door. Suddenly, they realize that Gracie has gone missing. Has she simply wandered off into the rain? Or has she been taken by Amos, the mysterious drifter who has come back to town, perhaps to save it in a last, desperate act of violence? Suspenseful, visceral, gorgeously told, Long Man is a searing portrait of a tight-knit community brought together by change and crisis, and of one family facing a terrifying ticking clock. It is a dazzling and unforgettable tour de force.

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The woman clutched the child against her legs. “You’re trespassing.”

He slipped the corn into his pocket and took her in, the thin smock hanging at her knees, the white feather clinging to her shoulder, the flour on her hands. She must have been frying chicken. He knew her, even as long as it had been since he’d seen her. She was the daughter of the farmer and his second wife, a woman from the hollow that Amos had played with as a boy. The last time he visited the apple tree the farmer’s daughter was an awkward girl wandering among the haystacks behind the barn, chewing on straws, letting ladybugs crawl over her knuckles. He remembered asking her to fetch him a drink but she had run off and not come back with it. “I believe I knew your mama,” he said. “We used to swim in the river together.”

She went on glaring at him. “You didn’t know my mama.”

“You look like her.” He glanced at the child. “You and your little girl both.”

“Get off my property,” she said.

He tipped back his hat to see her better. “Why are you still here? The water will be at your doorstep before you know it.”

Her face flushed. “You got yourself some dinner. Now go on.”

Amos kept still. “If you’re waiting on a fair price for your land, you might as well move. They don’t have to give you one.”

She backed away with the child. “My husband’s at the barn. If I holler, he’ll come with his gun.” Amos could tell that she was lying. Her husband was nowhere around.

“Your land is worthless to them,” he went on. “So are you and your little girl.”

The woman had begun to tremble, unable to bluff any longer. In that moment he felt kin to both of them, standing close as the storm moved in, their bodies patterned by the same shade. He glanced again at the child, still holding the kaleidoscope top. Thunder rolled, cornstalks bent and shuffled as if waiting to see what would happen. At last Amos stepped forward until he was close enough to count the beats of the young woman’s pulse in her neck. When he reached out to pluck the feather from her shoulder, she flinched as if he had struck her. He closed his fingers around it and took up his bindle. That’s when the dog lunged snapping at his shins. Amos felt the bite of the hound’s teeth but he didn’t let on. He backed down the row without a sound, keeping his eye on the woman’s face. When he reached the fence he raised himself up on the bottom rail, pausing as if he might change his mind. Then he turned and climbed over into the road, leaving the woman and her child alone, in a field that would soon lie hundreds of feet underwater.

At half past eleven o’clock on that morning, three days before Annie Clyde Dodson was to be forced off her land, she ran through the corn with her daughter on her hip. Gracie clung tight with her legs locked around Annie Clyde’s waist, the dog rushing ahead of them toward the house. Above, the sky looked like a bruised skin barely holding back the rain. The wind blew Annie Clyde’s dress up and whirled through the trees, shaking the cornstalks like something chasing her. As if Amos had only fooled her into thinking he was gone. She didn’t let herself look back until they emerged from the corn. When she saw nothing besides the green field behind her she stopped running but still hurried around the side of the house with Gracie jostling in her arms. Standing at the bottom of the stoop she threw open the kitchen door with a bang, letting in the stormy gloom, and set Gracie inside on the linoleum. “You stand still while I tend to Rusty,” she said, smoothing the tangled curls out of her daughter’s face. “I’ll be right back.” She turned around to catch the dog by the scruff of his neck and led him to the elm tree shading the barn lot. She meant to tether him by the chain wrapped around the base of the trunk. She hated to do it, but she would feel better with him tied close to the house in case the drifter came into the yard.

She was fumbling with the chain when the blackbirds flocked down on the hayfield behind the barn. They came in the hundreds, rustling through the weeds and roosting in the apple tree, milling over the winey fruit underneath. It was the wind that brought them. Her father used to say storms bothered birds’ ears and made them fly close to the ground. The rain hadn’t started, but it soon would. Water stood ankle deep in the grass, mist hanging over the valley and ringing the crests of the mountains. It had been raining all spring and summer. Now she had something else to worry about. As soon as she saw the blackbirds she knew that she couldn’t hold Rusty. He was still strung up from what had happened in the corn, hackles raised and tail high. He gave a sudden lurch and Annie Clyde lost her grip on him. She snatched after him but he was too quick. She watched helpless, a hand to her forehead, as he dashed off barking. Then she glanced over her shoulder at the house. There was a plucked chicken in the basin and apples to be peeled for the last pie she would make Gracie. The last one from their tree. She’d meant to bring in a few roasting ears as well before Gracie took off. She was always running away like that, tagging after the dog. “I swear,” Annie Clyde would tell her. “You’ll be the death of me.” But at night she smiled to reach in Gracie’s pockets and find the treasures she’d wandered off to collect. Forked twigs, buttercups, crawdad claws, rocks of all kinds. Annie Clyde cursed Rusty under her breath. Any other time she would have let him alone. But her husband James was gone off to Sevierville and there was no telling when he’d get home. The dog was the only protector she and Gracie had.

She headed back to the kitchen door, tripping up the stoop. Gracie was still holding the tin top the drifter had given her. Annie Clyde’s stomach turned at the sight of it, but there was no time to throw it away. She swung Gracie onto her hip again and went running with her, out past the elm and the charred trash barrels standing amid puddles floating with cinders, inside them heaps of ash wetted to gray lumps from the storms. As she cut through the blowing hayfield weeds the blackbirds lifted off together in a train the way they had landed. Rusty gave chase, tracking the rash they made across the overcast sky. By the time Annie Clyde and Gracie reached the apple tree Rusty had disappeared into the woods at the end of the field. She put Gracie down among the fallen fruits, pecked and streaked with droppings. She whistled and Gracie shouted for Rusty but he wouldn’t come, not even to the one he loved most.

Annie Clyde didn’t like the thought of taking Gracie back to the house without the dog around to bark. She couldn’t stop seeing Amos’s one dead eye. He used to come into the yard when she was a girl, asking for water and apples. Over the last decade many had knocked on their door looking for work or food. When Annie Clyde’s mother was alive she gave what she could spare, even to Amos, but she had mistrusted him. Annie Clyde didn’t trust him either. But she couldn’t deny what he’d said in the cornfield. The power company didn’t care about her or Gracie. Her neighbors didn’t understand why she wouldn’t move. She wanted to tell them, but she was too used to keeping to herself. The farm was part of her. She knew the lay of its land like her tongue knew the back of her teeth. On the east side of the house was the field her father had planted with alfalfa and the slope at the verge of the hollow where he’d grown tobacco. On the west was another field where he’d sown wheat and beyond that a stand of pine timber. Below the house were several roadside acres of corn and behind it this hayfield at the foot of the mountain with this apple tree rooted in the weeds. As a child she’d walked among the stobs of the tobacco field after the harvest, touching the teepees the bundled stalks made. She’d stood in the shed under curing leaves, hiding in shadows the same brownish color the wrinkled tobacco was turning. She would pry up flat limestone rocks that her father said were made from the beds of evaporated seas, marked with the fossils of ancient mollusks, and bang them together to hear their echoes. Her father was called Clyde and after three stillborn babies, his wife vowed to give the next one his name whether it was a son or not. Losing the farm would be like losing him all over again.

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