Conrad Aiken - The Collected Short Stories of Conrad Aiken

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This indispensable volume, which includes the classic stories “Silent Snow, Secret Snow” and “Mr. Arcularis,” is a testament to the dazzling artistry of one of the twentieth century’s most influential writers. A young woman passes through the countryside to visit her dying grandmother for a final time. A cabbie, exhausted from a long day’s work, fights to get an intoxicated woman out of his taxi. A man on his way to a bachelor party tries to come to grips with the brutishness that lies within every gentleman—and finds that Bacardi cocktails do nothing to help. 
A master craftsman whose poetry and prose offer profound insight into the riddle of consciousness, Conrad Aiken thrills, disturbs, and inspires in all forty-one of these astute and eloquent tales.

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The newspaper was the Christian Science Monitor; she took it, not because she was a Scientist, though she had an open mind, but because it was so “cultured.” She liked to read about books and music and foreign affairs, and it frequently gave her ideas for little talks to the Women’s Club. She had talked about the dole in England, and its distressing effect on the morals of the young men, and she had made a sensation by saying that she thought one should not too hastily condemn the nudist cult in Germany. Everyone knew that the human body craved sunlight, that the ultra-violet rays, or was it the infra-red, were most beneficial, so the idea was at least a healthy one, wasn’t it? And the beautiful purity of Greek life was surely an answer to those who thought the human body in itself impure. It raised the whole question of what was purity, anyway! Everyone knew that purity was in the heart, in the attitude, and not really in the body. She thought the idea of playing croquet in the nude, queer as it might seem to us in Fitchburg, most interesting. One ought to think less about the body and more about the mind.

IV.

The towel-supply man seemed to have disappeared; perhaps he was getting a cup of coffee at the Waldorf next door. Or making a round of several of the adjacent restaurants all at once. The horse waited patiently, was absolutely still, didn’t even stamp a foot. He looked as if he were thinking about the rain. Or perhaps, dismayed by the senseless noise of all the traffic about him, he was simply thinking about his stall, wherever it was. Or more likely, not thinking anything at all. He just stood.

To her friends, of course, and to her sister Emma (who was her chief reason for living in Fitchburg) she posed as a woman with a broken heart, a woman tragically disillusioned, a beautiful romantic who had found that love was dust and ashes and that men were—well, creatures of a lower order. It was all very sad, very pitiful. One ought to have foreseen it, perhaps, or one ought not to have been born so sensitive, but there it was. If you had a soul, if you had perceptions, and loved beautiful things, and if you fell in love while you were still inexperienced and trusting, while you still looked at a world of violets through violet eyes, this was what happened. You gave your heart to someone who didn’t deserve it. But what man ever did deserve it? Only the poets, perhaps, or the composers, Chopin for instance, those rare creatures, half angel and half man (or was it half bird?), who had great and deep and tender souls. And how many such men could one find in Massachusetts? It was all so impossible, it was all so dreadful. Everyone knew that in America the women were infinitely more refined and sensitive than the men, you had only to look about you. What man ever wanted to talk about poetry with you, or listen to an evening of the Preludes, or to a lecture about the love affair of George Sand and Alfred de Musset? They wouldn’t know what you meant; they wanted to go to the bowling alley or talk about the stock market; or else to sit in the front row of the Follies and look at the legs. They were vulgar, they had no imaginations. And she remembered that time at Emma’s when Sidney had got so angry and gone on so in that common and vulgar way and made such a scene—whenever she thought of it she got hot all over. Absolutely, it was the most vulgar scene! And done deliberately, too, just because he was so jealous about their having a refined conversation. And when she tried to stop him talking about it, he just went on, getting stubborner and stubborner, and all simply to make her feel ashamed. As if any of them had wanted to hear about those cheap drinking parties of his in Ohio. And that dreadful word, burgoo, that was it, which they had all laughed at, and tried to shame him out of, why what do you mean, burgoo, why Sidney what are you talking about, who ever heard such a word as burgoo, burgoo! And even that hadn’t been enough, he got red and angry and went on saying it, burgoo, what’s wrong with burgoo, of course there is such a word, and damned fine parties they were, too, and if they only had burgoos in Massachusetts life here would be a damned sight better. The idea! It served him right that she got mad and jumped up and said what she did. If you can’t talk politely like a gentleman, or let others talk, then I think you had better leave those who will. Why don’t you go back to your hardware shop, or back to Ohio, it doesn’t seem this is the right environment for you. Or anywhere where you can have your precious burgoo.

But of course that was only one incident among so many, it was happening all the time; anybody could see that Sidney was not the man to ever appreciate her. What she always said was that nobody outside a marriage could ever possibly have any real idea of the things that went on there, could they. It was just impossible for them even to conceive of it. All those little things that you wouldn’t think of—like Sidney’s always leaving the dirty lather and little black hairs in the wash-basin after he shaved. Or the way he never noticed when she had on a new hat or ever said anything nice about the meals she got for him, just simply not noticing anything at all. That was a part of it, but much more was his simply not ever being able to talk to her, or to take any interest in intellectual things. And his vulgarity, the commonness of his speech, his manners! Every time she introduced him to somebody he would put his head down and take that ridiculous little confidential step toward them and say, “What was the name? I didn’t get the name?” The idea! And if you told him about it he got mad. And as for the number of times every day that he said “as I live and breathe”—!

V.

It had begun to rain harder. The sound of it rushed through the opening door as a small man, very dark, a Syrian perhaps, came in shaking his sodden hat so that the drops fell in a curve on the floor. A bright spray was dancing on the roof of the towel wagon, and a heavy stream fell splattering from one corner of an awning. People had begun to run, to scurry, in one’s and two’s and three’s, exactly like one of those movies of the Russian Revolution, when invisible machine guns were turned on the crowds. One would not be surprised to see them fall down, or crawl away on their bellies.

Or to see the whole square emptied of human beings in the twinkling of an eye. Nor would one be surprised to see a lightning flash, either, for it had suddenly become astonishingly dark—the whole dismal scene had that ominous look which seems to wait, in a melodrama, for a peal of thunder. The light was sulphur-colored; it was terrifying; and he watched with fascination all the little windshield wipers wagging agitatedly on the fronts of cars—it gave one the feeling that the poor things were actually frightened, and were breathing faster. As for the horse, he stood unmoving, unmoved. His head was down, and he seemed to be studying with an extraordinary concentration the torrent of muddy water which rushed past his feet. Perhaps he was enjoying it; perhaps he even liked to feel all that tropic weight of rain on his back, experiencing in it a renewal of contact with the real, the elemental. Or perhaps he merely enjoyed standing still. Or perhaps he simply was .

But the question arose, ought one now to switch the point of view in the story, and do something more about Sidney? What about Sidney? Where on earth was Sidney all this while? and doing what? Presumably, running his hardware shop—and presumably again in Boston—but this was a little meager, one wanted to know something more than that. One ought to give him a special sort of appearance—a pencil behind his ear, a tuft of white hair over his sallow forehead, sharply pointed brown shoes. Perhaps he was something of a dandy, with a vivid corner of striped handkerchief pointing from his breast pocket; and perhaps he was by no means such a dull fellow as Gladys thought. But this would involve a shift in point of view, which was a mistake; it was no doubt better to stick to Gladys, in Fitchburg, and to see Sidney wholly as she saw him, to think of him only as she thought of him. She would almost certainly, from time to time (self-absorbed as she was, and vain, and vulgar, and with her silly small-town pretensions to culture), she would almost certainly, nevertheless, give him credit for a few virtues. He was generous: he had offered her a divorce, as soon as he knew how she felt about it; and he had behaved like a lamb, really, if she did say so, like a lamb, about the separation. He had done everything he could think of to make it easier for her.

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