Conrad Aiken - The Collected Short Stories of Conrad Aiken

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This indispensable volume, which includes the classic stories “Silent Snow, Secret Snow” and “Mr. Arcularis,” is a testament to the dazzling artistry of one of the twentieth century’s most influential writers. A young woman passes through the countryside to visit her dying grandmother for a final time. A cabbie, exhausted from a long day’s work, fights to get an intoxicated woman out of his taxi. A man on his way to a bachelor party tries to come to grips with the brutishness that lies within every gentleman—and finds that Bacardi cocktails do nothing to help. 
A master craftsman whose poetry and prose offer profound insight into the riddle of consciousness, Conrad Aiken thrills, disturbs, and inspires in all forty-one of these astute and eloquent tales.

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(Miss Buell was telling them about the search for the Northwest Passage, about Hendrik Hudson, the Half Moon .)

This had been, indeed, the only distressing feature of the new experience; the fact that it so increasingly had brought him into a kind of mute misunderstanding, or even conflict, with his father and mother. It was as if he were trying to lead a double life. On the one hand, he had to be Paul Hasleman, and keep up the appearance of being that person—dress, wash, and answer intelligently when spoken to—; on the other, he had to explore this new world which had been opened to him. Nor could there be the slightest doubt—not the slightest—that the new world was the profounder and more wonderful of the two. It was irresistible. It was miraculous. Its beauty was simply beyond anything—beyond speech as beyond thought—utterly incommunicable. But how then, between the two worlds, of which he was thus constantly aware, was he to keep a balance? One must get up, one must go to breakfast, one must talk with Mother, go to school, do one’s lessons—and, in all this, try not to appear too much of a fool. But if all the while one was also trying to extract the full deliciousness of another and quite separate existence, one which could not easily (if at all) be spoken of—how was one to manage? How was one to explain? Would it be safe to explain? Would it be absurd? Would it merely mean that he would get into some obscure kind of trouble?

These thoughts came and went, came and went, as softly and secretly as the snow; they were not precisely a disturbance, perhaps they were even a pleasure; he liked to have them; their presence was something almost palpable, something he could stroke with his hand, without closing his eyes, and without ceasing to see Miss Buell and the schoolroom and the globe and the freckles on Deirdre’s neck; nevertheless he did in a sense cease to see, or to see the obvious external world, and substituted for this vision the vision of snow, the sound of snow, and the slow, almost soundless, approach of the postman. Yesterday, it had been only at the sixth house that the postman had become audible; the snow was much deeper now, it was falling more swiftly and heavily, the sound of its seething was more distinct, more soothing, more persistent. And this morning, it had been—as nearly as he could figure—just above the seventh house—perhaps only a step or two above; at most, he had heard two or three footsteps before the knock had sounded.… And with each such narrowing of the sphere, each nearer approach of the limit at which the postman was first audible, it was odd how sharply was increased the amount of illusion which had to be carried into the ordinary business of daily life. Each day, it was harder to get out of bed, to go to the window, to look out at the—as always—perfectly empty and snowless street. Each day it was more difficult to go through the perfunctory motions of greeting Mother and Father at breakfast, to reply to their questions, to put his books together and go to school. And at school, how extraordinarily hard to conduct with success simultaneously the public life and the life that was secret! There were times when he longed—positively ached—to tell everyone about it—to burst out with it—only to be checked almost at once by a far-off feeling as of some faint absurdity which was inherent in it—but was it absurd?—and more importantly by a sense of mysterious power in his very secrecy. Yes; it must be kept secret. That, more and more, became clear. At whatever cost to himself, whatever pain to others—

(Miss Buell looked straight at him, smiling, and said, “Perhaps we’ll ask Paul. I’m sure Paul will come out of his daydream long enough to be able to tell us. Won’t you, Paul?” He rose slowly from his chair, resting one hand on the brightly varnished desk, and deliberately stared through the snow toward the blackboard. It was an effort, but it was amusing to make it. “Yes,” he said slowly, “it was what we now call the Hudson River. This he thought to be the Northwest Passage. He was disappointed.” He sat down again, and as he did so Deirdre half turned in her chair and gave him a shy smile, of approval and admiration.)

At whatever pain to others.

This part of it was very puzzling, very puzzling. Mother was very nice, and so was Father. Yes, that was all true enough. He wanted to be nice to them, to tell them everything—and yet, was it really wrong of him to want to have a secret place of his own?

At bed-time, the night before, Mother had said, “If this goes on, my lad, we’ll have to see a doctor, we will! We can’t have our boy—” But what was it she had said? “Live in another world”? “Live so far away”? The word “far” had been in it, he was sure, and then Mother had taken up a magazine again and laughed a little, but with an expression which wasn’t mirthful. He had felt sorry for her.…

The bell rang for dismissal. The sound came to him through long curved parallels of falling snow. He saw Deirdre rise, and had himself risen almost as soon—but not quite as soon—as she.

II.

On the walk homeward, which was timeless, it pleased him to see through the accompaniment, or counterpoint, of snow, the items of mere externality on his way. There were many kinds of brick in the sidewalks, and laid in many kinds of pattern. The garden walls, too, were various, some of wooden palings, some of plaster, some of stone. Twigs of bushes leaned over the walls: the little hard green winter-buds of lilac, on gray stems, sheathed and fat; other branches very thin and fine and black and desiccated. Dirty sparrows huddled in the bushes, as dull in color as dead fruit left in leafless trees. A single starling creaked on a weather vane. In the gutter, beside a drain, was a scrap of torn and dirty newspaper, caught in a little delta of filth; the word ECZEMA appeared in large capitals, and below it was a letter from Mrs. Amelia D. Cravath, 2100 Pine Street, Fort Worth, Texas, to the effect that after being a sufferer for years she had been cured by Caley’s Ointment. In the little delta, beside the fan-shaped and deeply runneled continent of brown mud, were lost twigs, descended from their parent trees, dead matches, a rusty horse-chestnut burr, a small concentration of eggshell, a streak of yellow sawdust which had been wet and now was dry and congealed, a brown pebble, and a broken feather. Farther on was a cement sidewalk, ruled into geometrical parallelograms, with a brass inlay at one end commemorating the contractors who had laid it, and, halfway across, an irregular and random series of dog-tracks, immortalized in synthetic stone. He knew these well, and always stepped on them; to cover the little hollows with his own foot had always been a queer pleasure; today he did it once more, but perfunctorily and detachedly, all the while thinking of something else. That was a dog, a long time ago, who had made a mistake and walked on the cement while it was still wet. He had probably wagged his tail, but that hadn’t been recorded. Now, Paul Hasleman, aged twelve, on his way home from school, crossed the same river, which in the meantime had frozen into rock. Homeward through the snow, the snow falling in bright sunshine. Homeward?

Then came the gateway with the two posts surmounted by egg-shaped stones which had been cunningly balanced on their ends, as if by Columbus, and mortared in the very act of balance; a source of perpetual wonder. On the brick wall just beyond, the letter H had been stenciled, presumably for some purpose. H? H.

The green hydrant, with a little green-painted chain attached to the brass screw-cap.

The elm tree, with the great gray wound in the bark, kidney-shaped, into which he always put his hand—to feel the cold but living wood. The injury, he had been sure, was due to the gnawings of a tethered horse. But now it deserved only a passing palm, a merely tolerant eye. There were more important things. Miracles. Beyond the thoughts of trees, mere elms. Beyond the thoughts of sidewalks, mere stone, mere brick, mere cement. Beyond the thoughts even of his own shoes, which trod these sidewalks obediently, bearing a burden—far above—of elaborate mystery. He watched them. They were not very well polished; he had neglected them, for a very good reason: they were one of the many parts of the increasing difficulty of the daily return to daily life, the morning struggle. To get up, having at last opened one’s eyes, to go to the window, and discover no snow, to wash, to dress, to descend the curving stairs to breakfast—

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