Tie Ning - The Bathing Women

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The Bathing Women: краткое содержание, описание и аннотация

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Longlisted for the Man Asian Literary Prize and a modern Chinese classic with over one million copies sold.
Sisters Tiao and Fan grew up in the shadow of the Cultural Revolution where they witnessed ritual humiliation and suffering. They also witnessed the death of their baby sister in a tragic accident. It was an accident they could have prevented; an accident that will stay with them forever.
In the China of the 1990s the sisters lead seemingly successful lives. Tiao is a successful children’s publisher but incapable of finding love. Fan has moved to America, desperate to shun her Chinese heritage. Then there is their childhood friend Fei: beautiful, hedonistic and outwardly ambitious.
As the women grapple with love, rivalry and past secrets will they find the freedom and redemption they crave?
Spellbinding, unforgettable, and an important chronicle of modern China, The Bathing Women is a powerful and beautiful portrait of the strength of female friendship in the face of adversity.

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Of course, most of the time I was thinking about our country; we’re too poor. Our people have to get rich as soon as possible. Only then can we genuinely and frankly get along with any of the cities in the world, and genuinely rid ourselves of the sense of inferiority hidden in the depths of our hearts, the sense of inferiority that usually reveals itself strongly in the form of pride. It also exists in me … I think I’ve taken too much of your time. I’ll save many things for when we meet; I’ll tell you more later, little by little. I’ve been feeling that we will have a lot of time together, you and I.

It’s very late at night now. Outside my window, the waves of the Pacific Ocean sound like they’re right in your ears. I hope you receive and read this letter. I’ll be returning to China within the week. If it’s possible, can you please reply? You can send the letter to the movie studio. Of course, this might well be too much to hope for on my part.

Wishing you happiness,

Fang Jing

_____, _______, 1982

3

When she was a senior at a university in Beijing, her roommate in the upper bunk, the one who took her to the conference on Fang Jing’s work later, often returned to the dorm late at night. Everyone knew she was madly in love. Miss Upper Bunk was a plain girl, but love gave her eyes an unusual brightness and made her whole face radiant. One night, when she returned to the dorm on tiptoe in the dark, she didn’t climb into her upper bunk as usual. That night, Tiao in the lower bunk was also awake. From her bed, Tiao quietly watched her roommate walk into the dorm room. She saw Miss Upper Bunk take out a small round mirror from a drawer, raise the mirror towards the window, and study her own face by moonlight. The moonlight was too dim to allow her a good view of her own face, so she tiptoed to the door and gently pushed it open. A beam of yellow light from the hallway shone on her roommate’s body. She stood in the doorway and angled her head and the mirror toward the light. Tiao looked at her face; it was a beautiful face with a hint of drunken flush. She must have been content with herself at that moment. This girls’ dorm, deep in sleep then, had become rich and peaceful. Tiao was touched by the sight, and not just because of her roommate, but why else, then?

Another late night, her roommate tossed and turned in her bed after coming back. She leaned her head down to Tiao’s lower bunk and quietly woke her up. Then she climbed down and lay side by side with Tiao, and began to speak in urgent tones. She said, “Tiao, let me tell you — I have to tell you — I’m finally no longer a virgin. A man loves me, and how wonderful a thing it is you couldn’t possibly understand.” She wanted Tiao to guess who the man was, and Tiao guessed a few boys from their class. Miss Upper Bunk said condescendingly, “Them? You can’t mean them!” She said she never would have anything to do with the men on campus. She said they didn’t have brains and she admired men with avant-garde ideas and a unique insight on society, those forward-thinkers who could enlighten people. She had fallen in love with a forward-thinker and that forward thinker liberated her mind and body, turning her from a virgin into a … a woman. “A woman, do you understand or not, Tiao? You have a right to enjoy this, too, and you’ve had this right for a long time, without realizing.” Her upper-bunk roommate described the experience of being with that forward-thinker. She said, “Do you know who he is? You’ll be shocked if I tell you his name.” She paused as if to let the suspense build for Tiao. Tiao was really excited by her words and couldn’t help asking, “Who is he, who is he?” Her upper-bunk roommate took a deep breath and then breathed out a few words gently as if she were afraid of frightening someone away. “The author of Zero Degree File. ” The name was indeed breathed out, barely formed on the lips. To this day Tiao still clearly remembers the nervous hot breath of her roommate when she said the words: “ Zero Degree File.

Zero Degree File was a work of fiction, representative of the “Scar Literature” school, particularly popular among young people, with whom the author of course had made his reputation. At the time, people followed a novel and author with great sincerity and enthusiasm. The enthusiasm might be naïve and shallow, but it had an innocence and purity that would never come again. Tiao would certainly have envied Miss Upper Bunk had she stopped right there, but she couldn’t. She felt compelled to share her intimate happiness with others. She said, “You have to know he’s not an ordinary person but a writer, a writer overflowing with talent. Tiao, you know, only now do I truly understand what ‘overflowing’ means.” She said, “This writer, overflowing with talent, is so good to me. One night I couldn’t fall asleep and I suddenly had a craving for dried hawthorn berries, so I shook him awake and asked him to go out and buy some for me. He actually got up and biked through the entire city looking for dried hawthorn berries. A writer, overflowing with talent, went to buy me dried hawthorn berries in the middle of the night! Did you hear that, Tiao? Did you hear that? Are you still a virgin? Tiao, are you still a virgin? If you are, then you are really being cheated. Don’t you realize how late it’s getting? You’re really good for nothing until you …”

Tiao didn’t know why her upper-bunk roommate had to associate dried hawthorn fruit with virginity, as if she didn’t deserve to eat dried hawthorn fruit if she were still a virgin. The statement “I’m finally no longer a virgin” jarred Tiao, and made her confused and agitated. In any case, that “finally” shouldn’t be the highest expectation that her roommate should have for her own youth. Maybe she exaggerated. When one era urgently wanted to replace another, everything got exaggerated, everything, from novels to virginity. But the frenzied enthusiasm of her roommate still affected Tiao. When her roommate chattered, she felt like an ignorant moron of a country girl, completely uncultivated, an idiot who’d fallen behind the times and whose youth was flowing away downstream with the current. It was indeed an era of thought liberation, liberation-liberation, and liberation again. The trend swept over Tiao and she felt like she were being dragged along, accused, and ridiculed by her upper-bunk roommate. Her body seemed to be filled with a new and ambiguous desire. She must do something, but even the “must do” was a kind of blind exaggeration. What should she do? She wasn’t dating; there was no man on campus worthy of her attention. Then she should look beyond the campus. One day her roommate said she was going to introduce her to someone. She said, though the guy was neither a writer nor a poet, he was pretty close to poets, an editor for a poetry magazine. She said he was fun to talk to. She said at a literary gathering he read a poem called “My Ass”: “O my ass and this ass of mine, why would I sit down beside the bourgeoisie when I sit down? Stool of the working class, I beg you, I beg you to receive my ignorant ass — even if you are a neglected stool …” Tiao didn’t think it was a poem. Maybe the author was imitating those who did crazy self-denunciations in the denouncement meetings. The “poem” just reminded Tiao of her own butt, making her think about the secret, happy times when she pretended the down pillows were a sofa. She had never realized that one could talk about asses so openly in poetry; after all, very few could have the imposing manner of Chairman Mao, who wrote about asses in his poems. But she went on a date with this editor, deliberately looking for some excitement. After all, she was only a student and the man was the editor of a poetry magazine. An editor was no more than a step below a writer; barely lower than a writer.

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