Ivan Klima - Waiting for the Dark, Waiting for the Light

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Ivan Klima was in the United States when Russian tanks entered Prague in 1968 but, against the advice of friends, he returned home. He became a dissident, writing books (never published) that were invariably inspired by Czechoslovakia's repressive regime. But what happens to a rebel artist when there is nothing left to rebel against? This question informs Klima's powerful novel, "Waiting for the Dark, Waiting for the Light," which describes life before, during, and after the Velvet Revolution of 1989. It is the story of Pavel, a middle-aged television cameraman working uneasily within the boundaries set by the regime, who dreams of one day making a film — a searing portrait of his times — that the authorities will never allow. But after the collapse of communism, Pavel finds he is unprepared for this new world of unlimited freedoms. He never quite gets around to making that film; his time is taken up instead with lucrative small jobs — a TV spot, a commercial, a porn film. This is a masterful novel that focuses on the most pressing issue confronting the individual in the former Soviet bloc countries today: how to live one's life when one is truly free.

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The path led through the woods. There wasn't a soul around. If he were to put his arms around her now and kiss her, she probably wouldn't object, but what then?

Bare branches, trees with their crowns lopped off stretched towards the sky. The wire fence was quite near now, and he even glimpsed a soldier in a green uniform on patrol.

'Oh, look at the poor thing!' she cried suddenly. A jay was hopping about on the path waving a single wing in a vain attempt to fly.

The poor bird was being punished for the sins of others. Too bad he didn't have his camera with him. He would have liked to film the jay. A ghastly bird in a ghostly wood. If he ever made a film about the end of civilization, or about the world after some great catastrophe, the image might come in handy. But he would never make a film like that now. He would end up like this bird first.

He wanted a drink. He'd ask her to take him into one of the company canteens and buy her one to thank her for her company and then, then he would see. He really should have tried to remember.

She bent over and picked up the bird. 'Oh, you poor little thing. Are you afraid? Do you see that?' she said, turning to him. 'Do you see that?'

'It won't survive,' he said, 'unless you want to take it home.'

She shook her head. 'There's no point. I can't take them all home.'

'Let me have it.' He took the bird out of her hand and ended its suffering with a single twist. Then he kicked aside some leaves with his shoe, put the bird's dead body in the depression and covered it with leaves.

This factory, he realized, was a microcosm of the whole country: shabby, decaying structures surrounded by a double wire fence. Life is dying off, and not even the birds will survive, but there's something explosive in the air. All it needs is a spark, and everything will blow up.

Who will strike the spark? Who will survive the explosion?

'All the same,' she said, 'I envy you. By evening you'll be gone and you'll never have to come back.'

4

It was shortly after noon when he turned off the main highway and followed a road that rose gently through a wood. He still did not really know where he was going, but he needed to drive somewhere. He couldn't just stay put or return to a place where he'd persuaded himself he had a reason to be, where he thought he was at home.

Yesterday, when the meeting with the predetermined outcome was over, he had invited the secretary for a drink, and afterwards she took him to a party in a large house. Outside, to his surprise, several luxurious western cars were parked. Indoors, their owners were getting drunk. Though he drank a lot too, he was aware of how alien these faces marked by life under a volcano seemed to him. The secretary was pleased to have him as her guest, and she introduced him to people who had no desire whatsoever to know him, and whose names and positions he had no need to remember.

There were also many strikingly or scantily dressed women at the party, but they all seemed to be with someone. He listened to several stories from lives which, except for occasional explosions and premature deaths, were much like the lives people lead anywhere else. Here, however, the line between being and non-being had been blurred. Wherever this happens, other lines become easier to cross as well: lines marking greed, dishonesty, dishonour, shamelessness and the despair which probably lies behind all the rest.

What was greed, and dishonour? What was wretchedness?

Greed was a finger down the throat of the satiated, an extra room for useless junk, an unloved lover in one's arms.

As the night wore on, inhibitions vanished and, again without his camera, he watched a young man with trembling hands trying to give himself an injection, unable to find a vein. He saw a couple dance half-naked into the corner of a room and sink to the floor in an amorous embrace, and a man vomiting into a large Chinese vase through a cluster of red asters.

Dishonour was a substitute for honour which had exhausted itself in a vain attempt to bind someone to itself.

Then his attention was caught by a red-haired woman who appeared to be there alone. For some time now she had been gazing at him mistily. Her eyes were red, either from the smoke in the air or from crying. He invited her to dance. She shook her head, but then she stood up with great difficulty. 'Don't be angry,' she warned him, 'I probably won't be a very good partner tonight.'

'You mean a dance partner?'

'Isn't that all you want me for?'

'We don't have to dance if you don't feel like it.'

Wretchedness was the lot of those who hadn't the strength to be honourable nor the courage to be dishonourable. Wretchedness was the lot of those who, under all circumstances, remain in the middle.

She led him away to a room that was empty except for a solitary drunk who had fallen asleep in a leather armchair. She poured two glasses of cognac from a bottle that had been put there for guests who knew their way around. Five years ago, she said, she had married the marketing director of the company. She was a lawyer and had worked in his department. Her husband travelled a lot and had taken her on some of his trips. She had visited many countries and had seen a lot of exotic cities — Tripoli, Dakar, Amman, Lagos — but the names don't tell you anything. If you haven't been there, it's hard to imagine the atmosphere. The sea; the dark, narrow streets; hotels with swimming-pools on the roof; that strange light that makes everything seem to glow; those magnificent carpets in the mosques; the palm groves; the tiny villages with houses that look like brightly painted termite mounds; markets and bazaars where you can wander for hours, haggle with merchants and buy everything from magnificent embroideries, gold, precious stones and beaten copper to miraculous amulets, rattles, marimbas. You can't imagine those sounds, shouts, the music and the whistling, the different smells, and then evenings in sterile hotel rooms, negotiations in which millions change hands. You have no idea what an incredible demand there is in the world for a cheap

explosive with no taste and no smell. They haggle over the price, of course, not like in the souk, but for millions. They stick envelopes into each other's pockets with cheques for amounts you can't even begin to imagine. .

'Where's your husband now?'

'With some slut. Where else? He can buy any woman he feels like. He's thrown me off even though he pretends that he can't live without me. But he knows that he has to be careful, because if I wanted to talk about those business deals of his, nothing could save him, not even the fact that he's politically reliable. . ' 'Have you ever been afraid?'

'Afraid of what?'

'Of what you know.'

She shrugged her shoulders. 'The worst they could do is kill me. I have to die some day anyhow.'

But she didn't seem afraid to him. She was probably politically reliable too', enough at least to go on the record.

'Would you like to talk about this?'

'Maybe some day, maybe to someone, but not now, not to you.'

She knew the house well even in her drunken state. She found an empty room with a key on the inside, so they could lock themselves in. There were no couches, not even a bed, so they made love on the floor. She probably did it to get back at her husband who was big, powerful and rich enough to buy any whore he wanted.

Why did he do it? Because she was pretty and a little sad, because she had tried so hard to persuade him how exceptional she was, how far her experiences were beyond the reach of his imagination. And because he didn't know her name and because he thought he would never see her again.

He drove out of the wood and emerged on one side of a deep valley with a river winding through it. For a second, it flashed through his mind that instead of turning the wheel to follow the asphalt, he could drive straight on, and the car would fly off the road, Hollywood style, turn slowly over in the air and then plunge down into the rocks, the roar and crashing of metal on stone, the explosion and fire. The end at last. Going nowhere, expecting nothing, meeting no one,

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