Shawn Vestal - Daredevils

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Daredevils: краткое содержание, описание и аннотация

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From the winner of 2014’s PEN Robert W. Bingham Prize, an unforgettable debut novel about Loretta, a teenager married off as a “sister wife,” who makes a break for freedom. At the heart of this exciting debut novel, set in Arizona and Idaho in the mid-1970s, is fifteen-year-old Loretta, who slips out of her bedroom every evening to meet her so-called gentile boyfriend. Her strict Mormon parents catch her returning one night, and promptly marry her off to Dean Harder, a devout yet materialistic fundamentalist who already has a wife and a brood of kids. The Harders relocate to his native Idaho, where Dean’s teenage nephew Jason falls hard for Loretta. A Zeppelin and Tolkien fan, Jason worships Evel Knievel and longs to leave his close-minded community. He and Loretta make a break for it. They drive all night, stay in hotels, and relish their dizzying burst of teenage freedom as they seek to recover Dean’s cache of “Mormon gold.” But someone Loretta left behind is on their trail…
A riveting story of desire and escape,
boasts memorable set pieces and a rich cast of secondary characters. There’s Dean’s other wife, Ruth, who as a child in the 1950s was separated from her parents during the notorious Short Creek raid, when federal agents descended on a Mormon fundamentalist community. There’s Jason’s best friend, Boyd, part Native American and caught up in the activist spirit of the time, who comes along for the ride, with disastrous results. And Vestal’s ultimate creation is a superbly sleazy chatterbox — a man who might or might not be Evel Knievel himself — who works his charms on Loretta at a casino in Elko, Nevada.
A lifelong journalist whose Spokesman column is a fixture in Spokane, WA, Shawn has honed his fiction over many years, publishing in journals like McSweeney's and Tin House. His stunning first collection, Godforsaken Idaho, burrowed into history as it engaged with masculinity and crime, faith and apostasy, and the West that he knows so well. Daredevils shows what he can do on a broader canvas-a fascinating, wide-angle portrait of a time and place that's both a classic coming of age tale and a plunge into the myths of America, sacred and profane.

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“Only thing is, you were not that smart,” Baker says now, waving his index finger back and forth like a windshield wiper. “There was a flaw in the design. Can you tell me what it was?”

“No.”

“Guess.”

“I don’t know,” Jason says, holding wadded-up toilet paper from the Stockmen’s against his ear.

“Jesus, you’re a baby.” He says this the way he’s been saying everything, as though nothing could puncture his happy mood. “I’d have guessed you were a little tougher.”

A thin, cold draft whines in along the door. The rearview mirror blazes with reflected sun, and the Nova’s shadow races ahead of them on the pale asphalt, veined and crossed with black tar. It will take seven hours or so, Jason knows, to get to Short Creek.

“The fatal error,” Baker says, “was the checks.”

“The checks?”

“The checks.”

“What do you mean?”

Baker laughs out loud.

“Are you shitting me?” He looks at Jason again with that screwed-in focus, as though he could auger the truth out of him, and then relaxes and laughs, deep and real. “Lori, Lori.”

“What?”

“Let me tell you something about our Loretta,” he says. He cocks his head and looks at the road thoughtfully. He smiles, starts to speak, then stops, frowns, smiles, scratches his jaw. “Naw. Never mind.”

“No, what?”

“Naw. So. They really ditched you. Just split.”

Jason doesn’t answer.

“That is unfortunate. That does suck.”

He hasn’t stopped smiling. He fidgets, snaps his fingers. He lifts a silver flask from his shirt pocket, unscrews, tips it, and gasps happily.

“She ain’t so great with the promises, little Loretta,” he says. “So, yeah, that does suck. But your deal was gonna go bad eventually, one way or another.”

Jason thinks about checks. Dean’s checks? Tries to piece it together.

“So you’re here for Dean?” he asks.

“Some for him, some for me.”

They drive. They pass West Wendover, a tiny town before the Utah border, and as they come to the state line, a white, flat plain opens, a cracked moonscape running so far and so flat that Jason thinks he can see the earth curve. It could be purgatory, with Baker as guide. Jason has died and is being ferried to hell.

A sign says: BONNEVILLE SALT FLATS VISITORS CENTER 1.

“I love this place,” Baker says. “This is where the Donner Party got itself shitwise. Didn’t bring enough water. Lost livestock. Got weak and sick. Took too long crossing, so they were still in the mountains when winter came.”

He laughs. They round a bend and town lights appear, yellow in the dusk.

“Remember this for your next big adventure, kid,” he says. “Things don’t go bad at the end. That’s just when it becomes obvious. First, you cross a desert of salt without enough to drink. Then your oxes die. Your kids get scurvy.”

He laughs again. “Next thing, you’ve eaten all your horses and it won’t stop snowing.”

The lilac light on the salt pan is turning black, grain by grain. The world seems too large, too empty, for them to simply drive a few hours and catch up with Boyd and Loretta, but the car’s velocity and Baker’s focus convinces Jason that they will find them, and that it will be bad for Loretta, maybe very bad, and it will be bad for Boyd and bad for Jason. And that it is entirely Jason’s fault.

Baker says, “You hungry? I could eat the ass out of a cow.”

In the café, Baker gathers huge mouthfuls of hamburger and chews mightily, like he is working a hand crank. Every so often he yawns. The café hums with table noise, plate and fork, the talk of truckers and country people. The waitress tops Baker’s coffee.

“Looks like somebody’s got a long drive,” she says. “You hauling a load?”

“Naw,” he says, and winks. “In a rush to meet a gal.”

Baker looks at Jason’s plate and says, “Your hamburger ain’t gonna eat itself.”

“What happens if we find them?” Jason asks.

When we find them. Think positive.”

He reaches over and grabs Jason’s burger. Bites off a third of it, chews and chews, staring at Jason, then takes another bite, then says, “One step at a time.”

The snow starts as they drive past the southern tip of the Great Salt Lake, which lies like a great blankness under the cloudy night. Everywhere else, the valley between the mountain spines glitters with light, and a thickening layer of white covers the freeway but for the parallel lines of wheel paths. The Nova slides and spins, but Baker doesn’t ease up on the gas. He grips the wheel with both hands and leans forward, as if he can keep them on track with sheer will.

Jason wishes for a crash. He might be praying for one. He’s not sure he really understands the difference between wishing and praying. But he notices — here, where the Mormon Trail ground to a halt, where the pioneer handcarts stopped and Brigham Young declared this was the place, where God sent the seagulls to save the crops, and where a shining new city was built, where the church settled and grew, where the temple and the tabernacle arose, where the Saints gathered twice a year to worship, to separate themselves from the world; here, where his parents would bring him every couple of years, to visit Temple Square and stay at the Hotel Utah, their capital, their Mecca — even here, feeling desperate and forsaken, he is not turning to prayer. Not really. He remembers the long-ago game of Yes or No? Boyd and him playacting at a serious business, and realizes that he has arrived at an answer that is really just a feeling. A guess. Just another kind of faith.

They pass semis in a blind wash of white. Station wagons and pickup trucks. The Nova swishes but stays road bound. Sometimes Baker lets out a little whoop, and sometimes he yawns and then shakes his head violently, as if to drive away his fatigue, but mostly he stays clenched, focused, two hands on the wheel, leading with his chin. The flask stays in his pocket.

An hour south of Salt Lake, the snow stops and the freeway clears. Baker slowly relaxes, sits back, and holds the wheel with one hand, but he still seems agitated. It is past ten.

“So, tell me,” Baker says. “Were you fucking her? Was this other kid fucking her? The Indian? God, let’s hope not. Let’s hope not for her sake. I mean, she’s in a big enough shit storm already without fucking some mongrel dog.”

“Don’t say that,” Jason says — and Baker pounds him on the shoulder, fist like stone driving him into the door.

“Don’t start giving me advice about what to say.”

Jason rubs and rubs his arm, and the moment he releases it, Baker pounds him again. The new pain vacuums up Jason’s breath, leaves him cringing and wincing, close to tears.

“Okay, goddammit?” Baker says.

“Okay.” Jason says. “Okay.”

“So. Who was fucking her? Somebody was fucking her.”

“No.”

“Kid, you must be the stupidest guy on the face of this earth. Your buddy was fucking her. Is fucking her. I mean, that’s the way this works: you ate all your horses, it won’t stop snowing, and somebody else is fucking your girl.”

He pounds the steering wheel with the heel of his hand. Fear seeps through Jason. He tries to sort out the message in the story: Who ate the horses? What was the snow?

“Get it?” Baker says. “You’re fucked, is what it is.”

They pass a sign that glares in the Nova’s headlights: CEDAR CITY 112. Jason knows that is where they will leave the freeway and head down, into the desert, to Short Creek.

Baker yawns — the yawn swamps him, against his will, large and powerful — and then shakes his head violently, as if to drive it away. He sniffs. Nods.

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