Stephen O'Connor - Thomas Jefferson Dreams of Sally Hemings

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A debut novel about Thomas Jefferson and Sally Hemings, in whose story the conflict between the American ideal of equality and the realities of slavery and racism played out in the most tragic of terms. Novels such as Toni Morrison’s
by Edward P. Jones, James McBride’s
and
by Russell Banks are a part of a long tradition of American fiction that plumbs the moral and human costs of history in ways that nonfiction simply can't. Now Stephen O’Connor joins this company with a profoundly original exploration of the many ways that the institution of slavery warped the human soul, as seen through the story of Thomas Jefferson and Sally Hemings. O’Connor’s protagonists are rendered via scrupulously researched scenes of their lives in Paris and at Monticello that alternate with a harrowing memoir written by Hemings after Jefferson’s death, as well as with dreamlike sequences in which Jefferson watches a movie about his life, Hemings fabricates an "invention" that becomes the whole world, and they run into each other "after an unimaginable length of time" on the New York City subway. O'Connor is unsparing in his rendition of the hypocrisy of the Founding Father and slaveholder who wrote "all men are created equal,” while enabling Hemings to tell her story in a way history has not allowed her to. His important and beautifully written novel is a deep moral reckoning, a story about the search for justice, freedom and an ideal world — and about the survival of hope even in the midst of catastrophe.

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ELIZABETH: Why do you say Sarah?

Q: [Silence.]

ELIZABETH: Nobody ever called her Sarah. I didn’t name her Sarah. Jack— Well, it’s true that Jack wanted to name her Sarah, after his daughter who died. But I wouldn’t hear of that. I thought that was bad luck. So the closest I would come was Sally. So that’s what her name was, and nobody ever called her different.

Q: Sorry.

ELIZABETH: That’s all right. I was just wondering.

Q: I just thought—

ELIZABETH: That’s okay. I was just… you know…

Q: Still… can we go on?

Elizabeth: Sure.

Q: So… one thing I’ve been… uh… that I think people will be curious about is… uh… why you encouraged your daughter to continue her affair—

ELIZABETH: Did she tell you that?

Q: Yes. I’d have to take a look at my notes, but… well, yes.

ELIZABETH: That’s not how it was. No. I don’t remember that.

Q: What do you remember?

ELIZABETH: Maybe I just didn’t want her to feel bad. It wasn’t like she had a whole lot of choice.

Q: Do you mean that Mr. Jefferson… Thomas forced himself on her?

ELIZABETH: No. Well… at first I guess he did. But it wasn’t really like that.

Q: What do you mean?

ELIZABETH: Things were just different in those days. Men just presumed.

Q: Presumed?

ELIZABETH: Right. If you were a woman— especially if you were colored — you didn’t have a choice. Men just presumed you were there for whatever they wanted.

Q: That can’t always have been true. What about courtship? I mean, at least for the upper classes… for white—

ELIZABETH: Oh, yeah. Men had to do their song and dance. There was always a little bit of song and dance. But basically they just presumed. And the women presumed they presumed. So that made it easier for everybody.

Q: For the women?

ELIZABETH: Absolutely. Take, for example, Martha Jefferson. Martha Wayles , I mean. Sally’s sister. She used to talk like she wished she had absolutely nothing between her legs. Just blank there, like a field on a snowy day. But, of course, she didn’t really want anything like that at all. So it made her happy that Mr. Jefferson presumed. That way she could just lie back and enjoy it and feel like it was all his doing.

Q: So what you mean is that Sarah, Sally felt that way, too?

ELIZABETH: No. Not really. Well, maybe a little bit, but not really.

Q: I don’t understand.

ELIZABETH: Well, it was easier for all women, sometimes, to just put it on the man. But Sally wasn’t really like that.

Q: [Silence.]

ELIZABETH: She wasn’t really like Mrs. Martha.

Q: I guess what I still want to know is if Thomas forced himself upon Sally.

ELIZABETH: Of course. But not really. He wasn’t really the forcing kind.

Q: I’m still confused.

ELIZABETH: Well… look at it this way: Jack — now he was the kind of man who forced a woman. I had been married for eight years when his third wife died. And one day he called me in and he told me he was going to sell Lonny. (Lonny was my husband.) He was going to sell Lonny to Bath Skelton. (That was his ex-brother-in-law. And later on he married Mrs. Martha, before Mr. Jefferson.)

Q: That’s terrible!

ELIZABETH: You mean Lonny?

Q: Of course. That must have been awful for you! What did you do?

ELIZABETH: Yeah. It was… in a way. But it’s not like Lonny was a saint among saints. In a lot of ways, selling Lonny was the answer to all my problems. I think Jack knew that. I think that was part of what it was about.

Q: But Jack, Mr. Wayles — you said he was the “forcing kind.” What did you mean by that?

ELIZABETH: Look at it this way: No woman ever has a choice. But the first thing she has to do is make it clear that she does have a choice. For herself, I mean. It’s a matter of dignity.

Q: [Silence.]

ELIZABETH: Dignity’s the most important thing.

Q: So when Mr. Wayles said that he was going to sell Lonny, what did you do?

ELIZABETH: I told him he couldn’t do that. I told him Lonny was the father of my children. You know. The whole song and dance. I told him he couldn’t force me.

Q: What did he say?

ELIZABETH: Oh, just what they always do: I was his property. I didn’t have any more say than a mule. He could do anything he wanted with me.

Q: That’s horrible!

ELIZABETH: [Shrugs.] Yeah.

Q: What did you do?

ELIZABETH: I kicked him. If I was a mule, that meant I was going to kick, so I did. And then I spat in his face.

Q: [Laughs.] Weren’t you afraid?

ELIZABETH: Not really. I knew what he was up to.

Q: What did he do?

ELIZABETH: He pushed me down on the floor and he had me right there.

Q: [Silence.]

ELIZABETH: [Silence.]

Q: I’m sorry… uh… so sorry.

ELIZABETH: It was nothing. I knew he was going to do that.

Q: Nothing? Do you really mean nothing?

ELIZABETH: Oh, course it wasn’t nothing. I just meant it didn’t bother me. I knew he was going to do it. He was just doing his song and his dance.

Q: I… I don’t know…

ELIZABETH: Look, the problem is that you keep thinking there was some sort of better way. That’s not how it was in those days. And the truth is, it’s not that different now. So, you know: You’ve got to keep that in perspective.

Q: Of course—

ELIZABETH: Just think about it from my side. First of all, I knew I was going to be his concubine, or whatever you want to call it, from the minute the last Mrs. Wayles got her fever. I could tell just by the way he was looking at me. Second of all, Lonny presumed all kinds of things. And one of those things was that he could knock me down anytime he got drunk. Which was almost all the time. I’d been trying for two years to figure out how I was going to get away from him, and I didn’t see how I could do it as long as he was at the Forest. Unless I was willing to kill him. Which I wasn’t. But I was thinking about it. I was even talking to one of the old mammies about poison berries, hexes — you know. But I wasn’t really going to do that. I just couldn’t do that. So when Jack did to me what he did, I knew he was just doing his song and dance. Just like I was doing my song and dance. We were just working out the rules of how we were going to be together. And after that we pretty much had it figured out. You have to remember that I had been the maid to all three of his wives. So I knew how he treated a woman. He was English. You know? He lived in England until he was almost a grown man. So he was kind of old-fashioned. He believed in rules. And as long as everybody behaved by the rules, everybody was happy. He wasn’t a cruel man. He wasn’t exactly tenderhearted — though he was that, too, sometimes. But he definitely wasn’t cruel. And, of course, I knew that as his… well, as his wife really, things would get pretty easy for me. And they did. Pretty much. After that, everything was much better than it had been before. Or mostly.

Q: So is that why you encouraged Sally—

ELIZABETH: Of course!

Q: So what did you mean by Thomas not being the “forcing kind”? How was he different?

ELIZABETH: Oh, he and Jack were exactly the opposite kind of people. Exactly the opposite. Jack didn’t apologize for everything. He just assumed he had a right to anything he wanted. Mr. Jefferson — it was like he assumed he didn’t have a right to anything. Sometimes I used to laugh at how afraid of him people were. Most of the people who came to see him, they were so nervous they could hardly talk when he was in the room. I mean, of course Mr. Jefferson was famous and everything, and, you know, once he got started talking, most people felt like they didn’t know anything at all. Like they were just idiots. But inside, he was always saying, “I’m sorry, I’m sorry, I’m sorry.” He kept trying so hard to be a good man because inside he thought he was so bad. That’s the honest truth. That’s how he really was.

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