Brad Watson - Last Days of the Dog-Men

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Winner of the Sue Kaufman Prize for First Fiction from the Academy of Arts and Letters and the Great Lakes Colleges Association New Writers Award. In each of these "weird and wonderful stories" (
), Brad Watson writes about people and dogs: dogs as companions, as accomplices, and as unwitting victims of human passions; and people responding to dogs as missing parts of themselves. "Elegant and elegiac, beautifully pitched to the human ear, yet resoundingly felt in our animal hearts" (
), Watson's vibrant prose captures the animal crannies of the human personality — yearning for freedom, mourning the loss of something wild, drawn to human connection but also to thoughtless abandon and savagery without judgment. Pinckney Benedict praises Watson's writing as "crisp as a morning in deer season, rife with spirited good humor and high intelligence," and Fred Chappell calls his stories "strong and true to the place they come from." This powerful debut collection marks Brad Watson's introduction into "a distinguished [Southern] literary heritage, from Faulkner to Larry Brown to Barry Hannah to Richard Ford" (
, Columbia, South Carolina).

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“Well, he hollered like he was dying,” Bailey said. “I imagine it hurt, wax or not, and scared the holy shit out of him. It was loud as hell. I saw these dark blotches blossom on his skin. You know Reid always was a pale motherfucker. When he saw the blood, his head fell back onto the beach sand.

“Maryella said, ‘You killed him.’ By God, I thought I had, too. I thought, Jesus Christ, I am so addled I forgot to use the blanks, I have shot the son of a bitch with real bullets. I jumped down there and took a look, and in a minute I could see that I hadn’t done that. The pieces of wax had pierced the skin, though, and he was bleeding from these superficial wounds. He’d fainted.

“And Maryella panicked then. She started to run away. I tackled her and dragged her back to Reid to show her he was all right, but she wouldn’t quit slapping at me and screaming, ‘You killed him, you killed him!’ over and over again. She said she loved him, and she’d never loved me. I shoved her head under the shallow water there at the beach, but when I pulled her up again she just took a deep breath and started screaming the same thing again, ‘You killed him, I hate you!’ And that’s when Reid jumped onto my back, and shoved me forward. I still had a hold on Maryella’s neck, see, and my arms were held out stiff, like this,” and he held his arms out, his hands at the end of them held in a horseshoe shape, the way they would be if they were around a neck. Bailey looked at his hands held out there, like that.

“I felt her neck crack beneath my hands,” he said. “Beneath our weight, mine and Reid’s.” He didn’t say anything for a minute. I heard his boy, Lee, calling him from down at the lake. No one answered him or looked up. We were all staring at Bailey, who wasn’t looking at anything in particular. He looked tired, almost bored.

“Anyway,” he said then, “I couldn’t let Reid get away with causing that to happen. I found the gun and hit him over the head with it. And then I held him under until he drowned.”

Bailey swirled what was left in his mint julep cup, looking down into the dregs. He turned it up and sucked at the bits of ice and mint and the soggy sugar in the bottom. Then he sat back in his chair, poured more bourbon into the cup, and said in a voice that was chilling to me, because I recognized the method of manipulation behind it, taking the shocked imagination and diverting it to the absurd: “So when I brought them back here, that’s when Russell’s boys skinned ’em up and put ’em over the coals.”

There was silence for a long moment, and then McAdams, Bill Burton, Hoyt, Titus, and Skeet broke into a kind of forced, polite laughter.

“Shit, Bailey,” McAdams said. “You just about tell it too good for me.”

“So gimme some more of that human barbecue, Russell,” Titus said.

“ ‘Long pig’ is the Polynesian term, I believe,” Skeet said.

Their laughter came more easily now.

The boy, Lee, came running up to the porch steps.

“Daddy,” he said. He was crying, his voice high and quailing. Bailey turned his darkened face to the boy as if to an executioner.

“Daddy, Junior’s trying to hurt old Buddy.”

We looked up. Out in the lake, Buddy swam with the ball in his mouth. Junior was trying to climb up onto Buddy’s back. Both dogs looked tired, their heads barely clearing the surface. Junior mounted Buddy from behind, and as he climbed Buddy’s back the older dog, his nose held straight up and the ball still in his teeth, went under.

He didn’t come back up. We all of us stood up out of our chairs. Junior swam around for a minute. He swam in a circle one way, then reversed himself, and then struck out in another direction with what seemed a renewed vigor, after something. It was the blue ball, floating away. He nabbed it off the surface and swam in. He set the ball down on the bank and shook himself, then looked up toward all of us on the veranda. He started trotting up the bank toward the boy standing stricken in the yard.

Bailey had gone into the house and come out with what looked like an old Browning shotgun. He yanked it to his shoulder, sighted, and fired it just over the boy’s head at the dog. The boy ducked down flat onto the grass. The dog stopped still, in a point, looking at Bailey holding the gun. He was out of effective range.

“Bailey!” Skeet shouted. “You’ll hit the boy!”

Bailey’s face was purplish and puffed with rage. His eyes darted all over the lawn. He saw his boy Lee lying down in the grass with an empty, terrified look in his eyes. He lowered the barrel and drew a bead on the boy. The boy, and I tell you he looked just like his mother, was looking right into his father’s eyes.He will never be just a boy again. There was a small strangled noise down in Bailey’s chest, and he swung the gun up over the grove and fired it off, boom , the shot racing out almost visibly over the trees. The sound caromed across the outer bank and echoed back to us, diminished. Junior took off running for the road, tail between his legs. The boy lay in the grass looking up at his father. Titus stepped up and took the shotgun away, and Bailey sat down on the pinewood floor of the veranda as if exhausted.

“Well,” he said after a minute. His voice was deep and hoarse and croaky. “Well.” He shook with a gentle, silent laughter. “I wonder what I ought to do.” He cleared his throat. “I don’t know who else to ask but you boys.” He struggled up and tottered drunkenly to the barbecue table, put together a sandwich of white bread and meat, and began to devour it like a starving man. He snatched large bites and swallowed them whole, then stuck his fingers into his mouth, sucking off the grease and sauce. He gave that up and wiped his hands on his khakis, up and down, as if stropping a razor. “Russell,” he said, looking around, seeming unable to focus on him, “get another round, some of that Mexican beer, maybe. We need something light to wash down this meal.” He ran his fingers through his hair.

Old Russell glided up like a shadow then, taking plates, stacking them in one broad hand, smiling with his mouth but his eyes as empty and blank as the sky, “Heah, sah,” he said, “let me take your plate. Let me help you with that. Let one of my boys bring your car around. Mr. Paul,” he said to me, “I guess you’ll be wanting to stay.”

There was little more to say, after that. We formalized the transfer of deed for the old place in Brazil, along with the title to Bailey’s Winnebago, to Russell. By nightfall he and his clan had slipped away on their long journey to the old country, stocked with barbecue and beer and staples. The women left the kitchen agleam. Bailey and I sat by the fire in the den. They’d lain Reid Covert and Maryella on the hickory pyre that, reduced to pure embers, had eventually roasted our afternoon meal. There was nothing much left there to speak of, the coals having worked them down to fine ash in the blackened earth. I could hear a piece of music, though the sound system was hidden, nowhere to be seen. It sounded like Schubert, one of those haunting sonatas that seem made for the end of the day. In his hand Bailey held a little bundle of cloth, a tiny palm-sized knapsack that Russell had given him before he left. A little piece of the liver, sah, to keep the bad souls from haunting your dreams. A little patch of this man’s forehead, who steal his own best friend’s wife. This light sap from her eyes, Mr. Bailey, you hardly see it, where the witch of beauty live in her, them eyes that could not lie to you. You take it, eat, and you don’t be afraid. He walked silently out the front door and disappeared. Bailey placed the little knapsack on the glowing coals in the hearth, watched the piece of cloth begin to blacken and bum, and the bits of flesh curl and shrink into ash. He was calm now, his boy asleep fully clothed and exhausted up in his room.

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