Raba'i al-Madhoun - The Lady from Tel Aviv

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The Lady from Tel Aviv: краткое содержание, описание и аннотация

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In the economy class of a plane, the lives of two passengers intersect: Walid, a Palestinian writer, is returning to Gaza for the first time in thirty-eight years; Dana, an Israeli actress, is on her way back to Tel Aviv. As the night sky hurtles past, what each confides and conceals will expose the chasm between them in the land they both call home. Walid soon discovers that Gaza has changed beyond all recognition. Yet through the haze of checkpoints and lives lived across borders, he finds a message from Dana that will change the course of his life. The Lady from Tel Aviv is a powerful and poetic story of love, loss and the desire to belong. ‘The Lady from Tel Aviv will take you to the height of reading pleasure’ Elias Khoury ‘Al-Madhoun brings Gaza to life vividly through his characters and his ability to acknowledge the absurd within the tragic.’ Selma Dabbagh

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Another relative joins in the conversation. ‘Last week, a Palestinian from the West Bank came to visit his family in Gaza. The Israelis searched him at the crossing and found that he was carrying a kitten on his body. They took the animal away and warned the man: smuggling is strictly prohibited.’

As we laugh again, my cousin Abu Hatem walks in. Back when he was nine years old, I would send him out to buy Rothmans’ cigarettes for me. I would bribe him with a penny or a falafel sandwich. Now the man is tall — much taller than I am. Here he stands before my eyes. For a while he says nothing, though on his lips plays a bright smile meant specially for me. Meanwhile, all eyes are on us — he and I were the closest of all to one another. In an instant, I am on my feet. I stand there staring in disbelief — that little boy is now a distinguished-looking man in his fifties. He is as handsome and neat as his father was. We rush to embrace each other, shouting.

They make space for him and he sits down by my side. Before he has finished drying his tears, he bellows: ‘What did I miss? What were you talking about before I got here?’

‘We were talking about the al-Puss girl who held me up at the crossing.’

‘Hey — let’s just be grateful she didn’t blow herself up, otherwise we wouldn’t have seen you at all today. Welcome, cousin — glad to see you safe and sound.’

As we talk, one of my relatives hands me a small piece of paper and whispers: ‘This is the public statement that the girl’s family issued.’

I snatch the paper from his hand. What I read is astounding and infuriating. It also makes me want to cry all over again. In the statement, Fida’s family named the organizations that sent their daughter to do it, and they also explained that their daughter is mentally ill and prone to suicide attempts. They said that the Israelis had made arrangements for their daughter to be treated at a hospital in Israel. Because of this, Fida had papers that allowed her to go through the Erez crossing regularly. When they discovered this, Hamas and Fatah wanted to exploit it. The family said that the Israelis had been kinder to their daughter than the people who had tried to use her today.

I fold up the paper and go to the room that Abdelfettah showed me. The room is all prepared for me — my cousins have even delivered my suitcase there. I slip the statement into my backpack as quickly as possible, then go back to sit with the others. One of them speaks up and surprises me by telling me something even worse than what I just read. ‘You know, it was one of your cousins who sent Fida to blow herself up at the crossing.’

‘One of my cousins?’

‘Yes — Hussein al-Hajj Khalil Dahman. Hussein is in the al-Aqsa Brigades. He’s the one in charge of coordinating operations with Hamas. And people are already saying that this was a joint action between them.’

I had never before heard of a Dahman picking up a weapon. Never heard of one of us killing someone. None of us ever joined the military back during Egyptian rule. None of us ever joined the Palestinian liberation army either. Yet now I begin to hear that fourteen Dahmans gave their lives during the Second Intifada. And now the Dahmans have taken up arms. Some of us even staged an armed demonstration in front of the Legislative Council, demanding that a certain execution order be carried out. That has to do with the story of how my cousin Hussein’s brother, Hani, was murdered by a fellow officer in the Preventive Security Force where Hani worked. Dahmans staged another demonstration, demanding that the PA investigate the assassination of Yasser Dahman who taught at the Islamic University. He was killed by an explosive that had been placed in his office at the university, and the family wanted the killers to be brought to justice. I learn that Abu Ahmad, my mother’s cousin, lost his oldest son three years ago. The ten-year-old boy was playing with other kids when he was run over by an Israeli tank.

I go to sleep at about 2 in the morning. I have not been asleep for more than an hour when I am woken by the sounds of dozens of muezzins. Their calls clash and jumble over one another, like a band of musicians warming up before a concert. I mutter to myself and try to go back to sleep. But not half an hour goes by when the calls begin again, now even louder and more cacophonous. It is as if these are not real muezzins, but trainees who have been told to practise all night long. What the hell? Are Gazans now required to perform dawn prayers twice?

Later the next evening, I pose this question to my cousin, sheikh Sobhi, who is an imam steeped in all things Islamic. He answers in the classical Arabic that he believes raises his stature in the eyes of others: ‘What thou heardst at the outset was the invitation to rise. This was not the call to prayer that thou knowst well, but rather an invitation to rise and prepare for the call. And he who wouldst go forth to pray, let him to the mosque nearest his abode.’

‘What? At 3 in the morning? So when do people sleep?’

‘The call that follows is the call to prayer proper.’

But in fact, with so many muezzins, the space between ‘the invitation’ and ‘the call’ gets filled with recitations and prayers. There is literally no audible space — no silence — between the two.

Just before sunrise, I almost get back to sleep when I am roused again, this time by a rooster. The last time I heard a cock crow was years ago — and that was in an old Egyptian soap opera. My eyes open and I can do nothing but laugh. The crow of a live — not prerecorded — rooster is simply amazing to hear. The bird’s swagger is so beautiful and melodious, he is the perfect metaphor for the kind of leaders Palestinians have enjoyed over the years. I imagine the rooster stretching out his body as tall as he can, spreading out his legs, proudly filling himself up with breath, as if air was a spirit that filled his insides to their utmost. He extends his wings and feathers as widely as possible, till his body is bigger than its actual size. Then he unfurls his tail feathers like a peacock strutting over a field of competitors. He raises his head, and his bright red comb goes stiff like a royal crown. And he stays there like that until he decides that the time to rise is at hand and then, for the sake of every hen within earshot, he belts out his warning against those who would still sleep.

I am happy to be here. To be hearing this. But within seconds, my sense of contentment comes to an end, scattered in the darkness of the bedroom by the symphony of dozens of other roosters in the camp who return the rooster’s good deed. They begin to challenge the first rooster, letting it be known that they too have kept vigil all night, watching over the alleys of the camp, and hinting that they would have been the first to crow had not their biological clocks been set to slightly different shades of time. Like the muezzins, these roosters have not agreed to set their clocks to the same hour.

On the roof directly over my head, great celebrations begin — like the shouting festivals of one of the armed factions. As soon as the roosters’ festival starts, here and there on the roof a clucking or two begins as well. At first it is hushed, like a timid confession: ‘Ka-ka-kabak-bak-bak-baak.’ This is followed by a mass chirping, then the cluckings that grow louder and stormier like the singing of men at a wedding — right at that moment when they take the groom off their shoulders and set him down at his door. They stomp on the ground with some envy, but mostly to encourage him to accomplish the heroic feat now facing him. And they sing loudly as they push in the door. Above my head, the hens continue their chorus: ‘Bak-bak-bak-bak, bak-bak-bak-bak!’

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