Benjamin Hale - The Fat Artist and Other Stories

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Prize-winning author Benjamin Hale’s fiction abounds with a love of language and a wild joy for storytelling. In prose alternately stark, lush and hallucinatory, occasionally nightmarish and often absurd, the seven stories in this collection are suffused with fear and desire, introducing us to a company of indelible characters reeling with love, jealousy, megalomania, and despair.
As in his debut novel,
, the voices in these stories speak from the margins: a dominatrix whose longtime client, a US congressman, drops dead during a tryst in a hotel room; an addict in precarious recovery who lands a job driving a truck full of live squid; a heartbroken performance artist who attempts to eat himself to death as a work of art. From underground radicals hiding in Morocco to an aging hippy in Colorado in the summer before 9/11 to a young drag queen in New York at the cusp of the AIDS crisis, these stories rove freely across time and place, carried by haunting, peculiar narratives that form the vast tapestry of American life.
Hale’s work has earned accolades from writers as disparate as novelist Jonathan Ames, who compared discovering his work to watching Mickey Mantle play ball for the first time;
critic Ron Charles, who declared him “fully evolved as a writer,” and bestselling author Jodi Picoult, who simply called him “brilliant.” Pairing absurdity with philosophical musings on the human condition and the sway our most private selves and hidden pasts hold over us, the stories in
reside in the unnerving intersections between life and death, art and ridicule, consumption and creation.

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“What the fuck is that?” Fred whispered.

Fred and Lana stood there in the grass without moving or speaking. The screaming had stopped, but there were some faraway but audible voices somewhere.

Amid a mumble of things they couldn’t understand, a male voice shouted: “Let go of her.”

Neither of them spoke. Fred and Lana listened to each other’s breathing.

The voices came closer. There were at least two male voices, talking. It sounded like the two men were angry at each other. Or Fred thought so, anyway.

Then they saw, a little ways off, maybe two hundred feet or so, the yellow light of a flashlight traveling along the ground, and they saw the shadows of legs, a few people walking up the path to the parking lot. Fred wasn’t sure how much time had passed.

“Fred?” Lana whispered. “I’m kind of freaked out now.”

Fred shushed her. “Let’s just be quiet and wait for them to go.”

They couldn’t hear what was being said, but the dominant voice was of a man who sounded angry. There was a woman, and it sounded like she was crying. They watched the beam of the flashlight move along the ground, up the path and into the parking lot. The light shut off, and after what felt like a very long time, they finally heard car doors slamming. The white pickup truck in the parking lot. Then somebody trying to start an engine. It took four or five attempts, four or five times the truck made an ugly chattering noise and died before they heard the froom of the engine coming on. Then there was the sound of heavy tires rolling on gravel.

“Huh,” said Fred. “Weird.”

Silence.

“I think we should go,” said Lana. “Actually, yeah. I want to go.”

Silence.

“Actually I want to go right now, Fred.”

“Yeah. Fine, okay,” said Fred. “Okay. Right. Yeah. Let’s go.”

They had trouble finding the path again, though. They had wandered farther into the woods than Fred had thought, and while Lana had been running around in the grass and he was busy taking pictures, it turned out neither of them had been paying much attention to where they were. After walking for a while in the general direction of where they thought the path was, they realized they were in a place neither of them recognized. The trees were closer together here. It didn’t look familiar. Fred was shining the flashlight on the ground as they walked and Lana kept close beside him, behind him. They walked for a while more before they came into a small clearing in the woods where there was a man lying in the dirt in a puddle of blood. There was blood trickling freely from the man’s head. He had spat out some teeth, which were lying next to his head. Fred trained the flashlight on his head, framing it in the annulus of pale yellow light, and they saw that his eyes were open, though one of them was caked in blood and swollen almost shut. He was alive, and awake, and breathing, though there was a sort of gargling noise in the back of his throat as air whistled in and out of it. He was a big guy, tall and thick, probably weighed more than two fifty, could have been three hundred easily. His lower jaw hung open. The man pushed the blood out of the corner of his mouth with his tongue. He tried to speak, but whatever he was trying to say came out unintelligible. He coughed on the effort to force up words and spat some blood. He was wearing yellow rubber boots.

“Can you. Um. Jesus, dude.” Fred cleared his throat. “Can you move?”

The man shook his head, slightly: No.

Fred was kneeling beside the man with the flashlight. He clicked it off and heaved to his feet. He stood the tripod on the ground to rid his arms of it. Fred looked up into the sky. It swarmed with stars.

Fred looked at Lana. She was standing far away from the beaten-up man, eyeing him with terror, and covering her breasts and her crotch with her hands, looking like Eve walking out of Eden. Fred had forgotten about that.

“We have to call nine-one-one,” she said.

“Exactly. That’s a wonderful idea, my dear,” said Fred. “So, just curious, here: What were you doing trespassing in the park in the middle of the night, Fred? Well, you know, Officer, I was just getting my sixteen-year-old niece stoned and drunk and then we came out here to take naked pictures of her. Nothing wrong with that, is there?”

“This is art.”

“This is art, goddamnit . You expect the cops to get that? I can just see it. Oh, I’m sorry, Fred! Here we were gonna book you for supplying drugs and alcohol to a minor, driving drunk, probably, trespassing on government property, and, and, uh, and child pornography! Looks like we can scrap that last charge, boys. We didn’t realize this was just some tasteful erotic art photography you’re doing here.”

“So we should leave him here and not tell anybody?” said Lana.

“Well—” Fred started, and stopped.

“This guy’s head is like, bashed in. He can’t even move. If we leave him here he’ll die. We have to help him.”

At this point the man on the ground tried to say something, but he choked, coughed, spat up a sluice of blood, and was silent. Fred waddled into the middle of the clearing, the flip-flops slapping under his heels. He crossed his arms. He was still holding the flashlight. Fred was thinking. His breathing was pained and heavy. The temperature had dropped a few degrees.

Fred set the flashlight down in the grass, went over to the man on the ground, and grabbed his hands. Fred yanked hard on his arms, trying to move him. The man growled in pain.

“What the fuck are you doing?” Lana said, or more half screamed.

Fred didn’t answer. He yanked on the man’s arms again and succeeded in moving the body an inch or so. The man grunted. A violent convulsion rumbled through him. Fred huffed and blew out some air, looked up at Lana. She looked back at him. Fred sopped his face with the corner of his shirt and blinked a few times.

“Well, princess, you gonna stand there and watch, or help me move him?”

“Move him where ?”

“To. The. Fucking. Car ,” said Fred.

“What?”

Fred dropped the man’s arms to explain. He spoke slowly and melodically because what he was saying was so obvious. “We’re going to drop him off in front of the door at the hospital and then get the fuck out of there.”

Lana laughed, theatrically.

“That,” she said, “is such a bad idea.”

Fred snorted and picked up the man’s arms again.

“We won’t even be able to drag him up there,” she said. “Look at this guy. He’s fucking huge. There’s no way we’ll get him all the way up that hill.”

“Not by myself we’re not. Come on, princess. I get the hands, you get the feet.”

“No,” she said.

Fred dropped the man’s arms again. He’d only been able to drag the man a few inches, and now he seemed to be in much more pain than when they’d found him. The exertion had left Fred out of breath. He braced himself against a tree.

“Fine,” said Fred, turning to her again. “We go home. We clean up. Wash that shit off you, get some clothes on, then we call the cops and give like an, uh. I dunno. Give an, an anonymous tip or something, I guess. I guess that’s the best thing to do.”

Lana nodded.

“Fine,” she said. “But now we’ve still got to get back to the path.”

“Easy, hon. We just follow this trail of blood.”

Fred had meant it as a joke, except it wasn’t a joke. The man on the ground was gurgling and moving around, trying desperately to say something to them as they left the clearing, Fred carrying the camera and flashlight and the bag full of film and camera equipment, Lana carrying the tripod. Fred held the beam of the flashlight shivering on the ground in front of them. There was so much blood on the stalks of grass, it really was easy to see where those people had come from, and whoever that guy’s assailants were, they apparently had a better sense of direction than Fred, because by following the blood they quickly got back on the trail and started back up the hill. Fred walked sluggishly on the way back, snorting and puffing up the trail in his flip-flops, and Lana stayed close by him. They made it back to the parking lot. The white pickup truck was gone, but now there was another car in the lot. It looked like a service van for a pool cleaning company, with a bunch of equipment strapped to the roof rack and a picture of a mermaid holding a pool net on the side. They didn’t comment on it. They got in the car, and shortly after that Fred was piloting the vehicle back down the hill along the narrow dirt road, and again they were shuddering over the washboards.

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