Benjamin Hale - The Fat Artist and Other Stories

“Maybe somebody just left it here,” said Lana. “It looks like a piece of shit.”

“Well, I don’t see anybody.”

Fred’s camera dangled from a leather strap that cut into the thick flesh of his neck. He got the bag containing the film and his camera equipment out of the car and slung it over his shoulder, stuck the tripod under his arm, its telescoping legs contracted and folded together, and clicked on the flashlight. Fred started plodding down the narrow trail that wound out of the parking lot, down the hill and into the woods. Lana followed. Fred’s pink plastic flip-flops slapped against his heels. Together they scrabbled a little ways down the trail, then turned off of it into the grass and brush. Tall sprays of grass thrashed all around them.

“All right,” said Fred, turning around to Lana. “Let’s take some shots here.”

Fred aimed the camera at her and took a picture with the flash. Slackit . The flashbulb spat a piercing blank field of light at her, and for a fraction of a second her monstrous shadow stretched high up into the trees. The light of the flashbulb bounced off the paint on her skin; it made her shine with false light, the stolen light of a reflective surface — a mirror, a moon, a satellite.

At first it looked like Lana didn’t know what to do with herself. Her skinny adolescent body was positioned in an awkward, unattractive way, her arms cradled against her torso like she wanted something to hold on to.

“What should I do?”

Fred ratcheted back the lever to advance the film, sank a finger into the shutter-release button — flash, slackit .

“Just, uh, I dunno. Do whatever,” he said. “Relax. Pretend you’re a… Pretend you’re a wild animal or something.”

As Fred took more pictures Lana appeared to gradually loosen up and get into it. She started to become comfortable with being his model, with being naked, being vulnerable, on display, outside, in a place she’d never been before in her life, with him. She was hopping around, thrashing around in the grass, being a bunny, being a fox, being a deer. Slackit, slackit . Again, Fred was sinking into that trance of concentration that he went into when he was working intently on something, and he began thinking exclusively in images, or how to capture the images. He was thinking about lines, framing, exposures, depths of field, and the distribution of light, and in his mind this stuff pushed away all the thoughts about all the things he hated in the world, and all his problems, and all his troubles: troubles with money, troubles with drugs, not having health insurance, forgetting to pay his bills or brush his teeth or clip his toenails or reregister his car, the government, people who don’t love music or art or any of the other things that make life worth living, being an adult in general.

At some point Lana said: “Look.”

She was pointing up. Fred followed her finger, looked where she was pointing. An object, like a tiny, dim moving star, was scrolling slowly across the sky. The light moved in a shallow arc, gathering in brightness until it became a bright white flash, and then the light, though still moving in the same direction and at the same speed, began to fade, until it disappeared from the sky.

They were still and silent for long enough that the crickets forgot them and started chirping again.

“ Whoa! ” Fred whispered, awed. “Was that a fucking UFO?”

Lana rolled her eyes.

“No, Fred,” she said. “I think it was like a satellite or something.”

Then they heard someone, someone not too far away, screaming in the dark.

• • •

“Jesus, dog, why you gotta go all psycho on the motherfucker,” said Jackson. “I mean you just fucked him up bad , dog. I seen some shit before but I ain’t never seen ’at much blood come out of a motherfucker’s head like ’at.”

Maggie squirmed out of Jackson’s hold, kneeled down on the ground and hugged Caleb Quinn. She was crying. Jackson picked up the flashlight.

“Let’s get the fuck out of here. I can’t fuckin’ believe you brung the bitch with you, dog. You wanna look like a cowboy and shit in front of her? Is that it? Fucking stupid, dog.”

Jackson pointed the flashlight at Kelly, who looked down at himself and saw that his clothes were covered in blood. Maggie was still hugging Caleb, and now she was also covered in blood.

“What time you reckon it is?” said Kelly, trying to sound casual.

Jackson pointed the flashlight at his watch.

“Eleven thirty.”

“Shit. I gotta get to work. I should’ve brung a change of clothes.”

“We gotta get this motherfucker off the trail,” said Jackson.

“Get off him, Maggie,” said Kelly.

“Fuck you,” she said.

“Get off him or I’m gonna smack the teeth out of your head, bitch,” said Jackson.

Maggie looked at Kelly. Kelly mumbled something too quiet or unintelligible to hear. Maggie stood up. Her face was wet. She was soaked in Caleb’s blood.

“Pick up that end of him, I’ll get this end,” said Jackson.

Jackson picked him up by the legs and Kelly grabbed his limp arms. They were able to pick him up and move him, but he was heavy. It was kind of like moving a couch. They were forced to look at each other. Jackson’s eyes glowed pale blue in the dark. They struggled to carry him off the path and into the woods. They carried him about twenty feet through the grass and into a dirt clearing where the trees around were thick, and dumped him there. In the process Jackson got a lot of blood on him as well. Maggie remained on the trail with the flashlight and refused to follow them, so they had to do it all in the dark. They walked back to the trail with the tall grass thrashing all around them. Up above, the sky swarmed with stars. When they got back to the trail they saw that the place where they’d been was covered in blood.

“That was some bad shit, Kelly,” said Jackson. “You fucked that dog up real bad. We’re gonna have to lay real low, you understand? I mean I just got done doing time for my drug shit and I’m still on probation, so I can’t be goin’ around being accomplice to no goddamn murder and get sent away till I’m an old man. And you too, dog, you understand?”

“What do you mean murder? He’s not dead.”

Jackson snatched the flashlight out of Maggie’s hands like you’d snatch something dangerous out of the hands of a child.

Maggie was crying again.

“Kelly, you have got to shut up your bitch, dog. I can not fucking think straight with all this bawling.”

“Please be quiet, Maggie.”

“Please be quiet? ‘Please be’? What the fuck kind of shit is that? ‘Please be quiet.’ If you don’t shut your bitch up I’m gonna have to shut her up.”

“Don’t you fucking touch her.”

“Oh, what, so killer here goes all batshit on some motherfucker with a crowbar and now all of a sudden he thinks he can take me? Fuck you. Don’t insult me, dog.”

Kelly didn’t say anything to that. He reached out to touch Maggie — just to touch her — and she flinched and shivered and flicked her hands like she’d been touched by something so loathsome she’d have to wash herself later, and she walked faster up the trail away from him.

They made it up the hill and back to the gravel parking lot and scenic overlook at the top of the hill without anyone saying anything to anyone else. Kelly’s truck was parked in the far corner of the parking lot under a tree. A pool cleaning van with a mermaid on it holding a pool net was parked in the opposite corner.

“Fuckin’ A,” said Jackson. “I gotta go back down there and get his goddamn keys off him and move his van. Should’ve took the money he said he got on him, too.”