Annie Proulx - Barkskins

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Barkskins: краткое содержание, описание и аннотация

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From Annie Proulx — the Pulitzer Prize — and National Book Award-winning author of
and “Brokeback Mountain,” comes her masterwork: an epic, dazzling, violent, magnificently dramatic novel about the taking down of the world’s forests.
In the late seventeenth century two penniless young Frenchmen, René Sel and Charles Duquet, arrive in New France. Bound to a feudal lord, a “
,” for three years in exchange for land, they become wood-cutters — barkskins. René suffers extraordinary hardship, oppressed by the forest he is charged with clearing. He is forced to marry a Mi’kmaw woman and their descendants live trapped between two inimical cultures. But Duquet, crafty and ruthless, runs away from the seigneur, becomes a fur trader, then sets up a timber business. Proulx tells the stories of the descendants of Sel and Duquet over three hundred years — their travels across North America, to Europe, China, and New Zealand, under stunningly brutal conditions — the revenge of rivals, accidents, pestilence, Indian attacks, and cultural annihilation. Over and over again, they seize what they can of a presumed infinite resource, leaving the modern-day characters face to face with possible ecological collapse.
Proulx’s inimitable genius is her creation of characters who are so vivid — in their greed, lust, vengefulness, or their simple compassion and hope — that we follow them with fierce attention. Annie Proulx is one of the most formidable and compelling American writers, and
is her greatest novel, a magnificent marriage of history and imagination.

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“Winter. Winter is the correct time to cut the forest. Today is the time for removing stumps and burning.” It was also the time, he added, for René to begin to fulfill his other duties.

“For three days a week your labor is mine. As part of your work,” said Monsieur Trépagny, “you are to supply my table with fish.” The more immediate work involved preparing the gardens for Mari. The oxen, Roi and Reine, pulled Monsieur Trépagny’s old plow sullenly. A savage fly with a green head battened on their blood. Monsieur Trépagny smeared the animals with river clay, which hardened into dusty clots but could do nothing about the clustering gnats. But Mari, the Indian woman, steeped tamarack bark in spring water and twice daily sluiced their burning eyes. In the long afternoons, with many sighs, she planted the despised garden. One day that summer she sent her two young sons to a place called Odanak, where remnants of her people had fled.

“Goose catch learn them. Many traps learn. Good mens there hunting. Here only garden, cut tree learn.”

Monsieur Trépagny said acidly that what they would learn would be rebellion against the settlers and warfare.

• • •

Mindful of his fishing duties René went to the river. Monsieur Trépagny had given him a knife, fishhooks, a waxed linen line and a large basket for the fish. In the river fish were large and angry and several times the linen line parted and he lost a precious hook. But Mari was scornful. “Small fish,” she said. “Good fisherman not Lené. My people make weirs, catch many many. Big many.”

To divert her irritation he pointed at a stinging nettle in the garden. “We have those in France,” he said.

“Yes. Bad plant grow where step whiteman people — those ‘Who is it Coming’— Wenuj.

Mari asked him to leave the fish intact — she would clean them herself. She buried the entrails in the garden and when René asked her if that was the Indian way she gave him a look and said it was a common practice for all fools who grew gardens instead of gathering the riches of the country.

“Eels!” she said. “Eels catch. Eels liking us. We river people.”

She wove three eel traps for him and gave him fish scraps for bait, went with him to the river and showed him likely places to try. Almost every day thereafter he brought her fat eels. She said the Mi’kmaq had many ways to catch eels and that the traps were best for him. When her sons came back from the Abenaki village of Odanak they could show him other ways.

• • •

In early July the pine trees loosed billows of pollen, yellow plumes like citrine smoke drifting through the forest, mixing with the smoke from burning trees. One morning an old man, his back bent beneath a bundle, his glaring eyes roving left and right, came ricketing out of the pollen clouds from the west trail, which led, as far as René knew, to the end of the world. Above the little mouth stretched a grey mustache like a bit of sheep’s wool caught on a twig. The eyes were like Monsieur Trépagny’s eyes, black and white and rolling. Chamailleur looked at René, who was preparing to go fishing, and started in at once.

Salaud! You bastard! Why are you not working?”

“I am. It is part of my duty to supply the house with fish for the table.”

“What! With a string and a hook? You must use a net. Have the woman make a net. Or a basket trap. Or you must use a spear. Those are the best ways.”

“For me the line and hook are best.”

“Stupid and obstinate! — oui, stupide et obstiné! I know what is best and you do not. It is good I came. I can see you need correction. My nephew is too easy.”

René continued stubbornly with his hooks and twisted linen line. But he thought about nets. A net might be better, for the fish were so thick in the river he might get several large ones at the same time. As for Mari’s insufferable speechifying on the ways the Mi’kmaq built different kinds of weirs, how they hunted esturgeon at night with blazing torches and spears — he ignored all she said. He did use the eel traps she had made, excusing himself on the ground that eels were not fish.

Searching for land to claim when his servitude ended, he discovered Monsieur Trépagny’s secret. He had walked far upstream. Recent rains had enlarged the river to a bounding roar over its thousands of rocks. He thought it might be best to choose land not too close to the river, but something with a spring or modest stream. He made his way through an old deadfall where in between the fallen trees millions of saplings grew, as close together as broom straws. Twice he heard a great crashing and saw a swipe of black fur disappear into the underbrush. In early afternoon he came onto a wide but faint trail trending east-west and wondered if it might connect to Monsieur Trépagny’s clearing to the east. Instead, with the afternoon before him, he turned west. He saw traces of old ruts that could only have been made by a cart. It was not an Indian trail. Now he was curious.

In midafternoon the trail divided. He followed the wagon ruts. The way became markedly different in character than the usual forest path. Trees had been carefully cleared to create the effect of an allée, the ground thinly spread with thousands of broken white shells. He saw this allée ran straight, a dark tunnel of trees with a pointed cone of light at the end. He had seen these passageways in France leading to the grand houses of nobles, although he had never ventured into one. And here, in the forests of New France, was the blackest, harshest allée of the world, the trees like cruel iron brushes, white shells cracked by deer hooves. The end of the allée seemed filled with light, a void at the limit of the tilting earth.

A massive pale thing loomed up, a whitewashed stone house, almost a château, that might have been carried on the sea winds from France and dropped in place. René knew that this was Monsieur Trépagny’s domus, the center of his secret world. There were three huge chimneys. The windows were of glass, the roof of fine blue slate, and a slate walkway curved around the building, leading to a fenced enclosure. The fence was tall, formed of ornate metal rods. Everything except the stone had come from France, he knew it. It must have cost a fortune, two fortunes, a king’s ransom. It was the proof of the seigneur ’s madness, his mind clotted with old heretic ideas of clan and domus, himself the king of an imaginary world.

Disturbed, René cut back to the main trail and followed it east. Dusk was already seeping in. Night came quickly in the forest, even in the long days. As he had guessed, the trail ended in Monsieur Trépagny’s clearing. He went straight to the cabin he now shared with Chama, who was rolled up in Duquet’s old beaver robe, snoring and mumbling.

• • •

The summer months went on. Chama, bossy and cursing, decided where they would cut. They cleared trees, dragging stumps into line to form a bristled root fence. René fished for the table, listened to Mari tell Mi’kmaw stories to Elphège, Theotiste and Jean-Baptiste about beaver bone soup and rainbow clothes and the tiny wigguladumooch, and as he absorbed that lore he watched Monsieur Trépagny and wondered about his secret house, which later he learned the seigneur had named Le Triomphe. He had the coveted particule and could call himself Claude Trépagny du Triomphe.

The heat of summer disappeared abruptly. Overnight a wedge of cold air brought a new scent — the smell of ice, of animal hair, of burning forest and the blood of the hunted.

3. Renardette

Violent maples flared against the black spruce. Rivers of birds on their great autumnal journeys filled the skies — Hudsonian godwits, whole nations of hawks, countless black warblers— paruline rayée —looking like tiny men with their black berets, chalky faces and dark mustache streaks, cranes, longspurs, goldeneyes, loons, sparrows, flycatchers, warblers, geese. The first ice storm came one night in October. Then the world pressed flat, snow hissing in the spruce needles, the sun dimmed by a grisaille wash. The forest clenched into itself as though inhaling a breath.

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