Annie Proulx - Barkskins

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Barkskins: краткое содержание, описание и аннотация

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From Annie Proulx — the Pulitzer Prize — and National Book Award-winning author of
and “Brokeback Mountain,” comes her masterwork: an epic, dazzling, violent, magnificently dramatic novel about the taking down of the world’s forests.
In the late seventeenth century two penniless young Frenchmen, René Sel and Charles Duquet, arrive in New France. Bound to a feudal lord, a “
,” for three years in exchange for land, they become wood-cutters — barkskins. René suffers extraordinary hardship, oppressed by the forest he is charged with clearing. He is forced to marry a Mi’kmaw woman and their descendants live trapped between two inimical cultures. But Duquet, crafty and ruthless, runs away from the seigneur, becomes a fur trader, then sets up a timber business. Proulx tells the stories of the descendants of Sel and Duquet over three hundred years — their travels across North America, to Europe, China, and New Zealand, under stunningly brutal conditions — the revenge of rivals, accidents, pestilence, Indian attacks, and cultural annihilation. Over and over again, they seize what they can of a presumed infinite resource, leaving the modern-day characters face to face with possible ecological collapse.
Proulx’s inimitable genius is her creation of characters who are so vivid — in their greed, lust, vengefulness, or their simple compassion and hope — that we follow them with fierce attention. Annie Proulx is one of the most formidable and compelling American writers, and
is her greatest novel, a magnificent marriage of history and imagination.

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“I have to back up,” he said to McErlane. “I don’t know what I need to know. I have to go to forestry school. I think we can keep the greenhouses running as they are for the clients that still depend on us until I learn enough to map out a new plan. One thing is sure. Seedlings are the best way to keep forests alive.”

That night he made a list of questions. What would be the needs of future seedling buyers? McErlane had been raising and selling “will grow anywhere” pine and spruce bare-root seedlings, but there was evidence that most of these died when planted on rough logged-over sites. Site preparation would help, but what companies could afford the labor and machinery in these times? He strained to put his mind into the future, when the need for timber would press harder. Which species would timbermen demand, what were the diseases, what were the best planting sites and how should the sites be prepared? Nature’s most dramatic way of replenishing the forest was fire. Loggers could duplicate such sites by clear-cutting and burning the slash. But which species did well in burned-over land? Which would suffer from possible invasion by wild grasses and plants?

He enrolled in forestry school, and as he studied he saw more and more difficulties. The real knot was the timber industry. He would have to persuade logging companies and lumbermen that their future was linked to his; if they wanted trees to cut in the future, they would have to plant new seedlings among the stumps. They would have to learn to think in decades and hundreds of years. They could not depend on leaving a few wild trees to seed the barren cuts — experience showed there was poor regeneration. Again and again, as he asked questions of college experiment stations and men who had tried reseeding, he came back to the same difficulty — site preparation was vital; timbermen had to see that doing the work and paying the costs was to their benefit. Conrad made a decision. Breitsprecher would offer site preparation as a service.

In the forestry school he heard of someone who had made kraft paper cylinders, filled them with soil and planted a seed in each. These seedlings did better than those with bare roots when set out on the same site. But was it practical to grow seedlings this way? Practical matters demanded experimentation. He had to include research in his plans. And there were costs. A square foot of nursery space could produce how many seedlings of what species with what labor and time and maintenance? Were there optimum or minimum sizes for seedlings? Were there limits? Yes, there were always limits — he had to find them. Finally, could the seedlings be priced to allow some profit or should he just hope to break even? For already he was inclining toward philanthropy, using his uncle Charley’s legacy.

• • •

By 1939 he knew enough to work out a long-range plan. He built new greenhouses and set up a seedling experiment with eleven tree species. Al McErlane was busy with two new workers, Pedro Vaca, a young Mexican who told fanciful but amusing tales, and Hank Stone, the son of German immigrant grandparents who had changed their name from Stein during the Great War. A separate building was a small laboratory-office though he had not yet found the research horticulturist or plant breeder that he wanted. He had liked Elsie Guderian, one of the few women enrolled in the forestry school and interested in plant heredities, but she had another year before graduation. “Once I’ve got that degree…” she said, indicating she wanted the job. She was stocky, with hard red cheeks and horse legs, but a true researcher. What he wanted.

War was in the pure air once again, in the inky newspapers. It seemed to older people a continuation of the war they had grown up with, coming to a boil after just enough time to raise a new crop of sacrificial young men. A pattern was emerging — every twenty-five years or so another war would keep the human world stumbling along, a human boom and bust carried to deadly extremes. The Breitsprechers and Dukes had escaped military service for generations, but Conrad was called up. Both Raphael and Claude knew the right people. Conrad knew only Al McErlane and some forestry professors. Growing nursery seedlings was not a vital agricultural occupation.

• • •

He came back from the South Pacific in 1945, face and body damaged and changed, thoughts changed, ideas and beliefs changed. And when once more he shook Al McErlane’s hand and walked through the seedling greenhouses, he thought that the rows of spiky, fresh green sturdy little pines were the most beautiful things he had ever seen.

66. her place in the sun

Plywood and fiberboard kept Breitsprecher-Duke alive. During the Second World War they experimented with interior and exterior hardboard siding, but after two years of moisture problems with different recipes — one unhappy trial involved seaweed and corn husk pulp — they dropped the product and concentrated on their plywood — Brite-Ply, made of culls and forest fire salvage. In the years after the war they caught the tail end of the building boom, but bigger companies supplied by cheaper Canadian wood sent them into decline, although the illusion of a productive, busy wood products company headed by two dynamic men — James Bardawulf Breitsprecher and Andrew Harkiss — persisted. Both men photographed well standing in front of a mountain of logs or the glittering rotary peeler, but like plywood these images were only a surface layer covering inferior material.

The younger generation of Breitsprechers wanted nothing to do with the plywood company. But Sophia Hannah Breitsprecher Harkiss, the youngest of Dieter’s children, had her own idea of a place in the works. She found her brother and her husband annoyingly obtuse.

“Andrew! I do not understand why you and James Bardawulf don’t let me into the company. For God’s sake, it’s the sixties, not the Dark Ages. I have no position.” She had grown up listening to Dieter’s stories of how Lavinia Duke, his first wife, apparently a reincarnation of Elizabeth I, had controlled the lumber business since her youth, and it seemed to Sophia, only vaguely aware of the company’s decline, that she, too, should have a title. Her children were grown, why should she not have a career?

“You are a company director, you sit on the Board,” said Andrew. “Very few companies have women on their boards. You have influence in that way and your comments are taken into consideration. What more do you want?”

“I want a position. I want an office and the responsibility of that office.” She kept banging out this tune for more than a year until Harkiss said he would discuss it with James Bardawulf, who, as president of the company and paterfamilias, had the say. But she could not come up with a specific description of what her position might be.

• • •

“She wants to make a career move,” Harkiss said gloomily to his brother-in-law. “You’d think she’d calm down, now that she’s a grandmother. Instead she is like a rolling cannonball on the deck of a ship. She wants an office and her name on the door, a telephone and probably an expense account. Which she’ll spend on clothes.” He and James Bardawulf were having dinner at the Wild Goose in Sherman Oaks, James Bardawulf slashing at his veal cutlet Oskar, Andrew Harkiss picking gingerly at boned pheasant with a Kahlúa sauce.

“How’s the pheasant?” asked James Bardawulf.

Harkiss made a face. “Unusual. I think I prefer gravy to Kahlúa.” They were silent for a few minutes while the waiter hovered, filled their glasses with a sharp white wine. Harkiss drank greedily to rid his mouth of the Kahlúa.

“But what would Sophia do ?” James Bardawulf wanted to resolve the issue.

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