Jean Giono - The Serpent of Stars

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The Serpent of Stars (Le serpent d'étoiles, 1993; reprinted 1999 Grasset) takes place in rural southern France in the early part of the century. The novel’s elusive narrative thread ties landscape to character to an expanse just beyond our grasp. The narrator encounters a shepherding family and glimpse by glimpse, each family member and the shepherding way of life is revealed to us. The novel culminates in a large shepherds’ gathering where a traditional Shepherd’s Play — a kind of creation myth that includes in its cast The River, The Sea, The Man, and The Mountain — is enacted. The work’s proto-environmental world view as well as its hybrid form — part play, part novel — makes The Serpent of Stars astonishingly contemporary. W.S. Merwin’s "Green Fields" begins, "By this part of the century few are left who believe/in the animals for they are not there in the carved parts/of them served on plates and the pleas from slatted trucks…" This novel leaves the reader believing not only in the animals, but the terrain they are part of, the people who tend them, and the life all these elements together compose.

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After a moment, we began to see more clearly in there. A little daylight came through a round window, through the cobwebs. A large hornet swam softly around the stable, effortlessly, carried on the thickness of all that breathing. Bouscarle said one word. All the heads of the sheep turned toward us. In the faint light from the window, the beasts’ eyes began to gleam like stars in the night, and it seemed like I could hear their brains jostling in their skulls.

“Jesus,” said Bouscarle, “is the smallest of all the gods. A shepherd, nothing but a shepherd. First, there was the one whose body we all were, before becoming pieces of it. Jesus was a bigger piece than the others, that’s all. There are big gods, my boy, and those are the ones you’re going to have to get used to.”

As we were going out, Bouscarle said, “Come, I’m going to teach you to play the fife.”

We had to go out to the big strawshed in the open fields, and there, just the two of us played far into the night. He showed me how to place my fingers over the holes. And I tried as hard as I could, but the joints of my fingers needed oiling, and sometimes I let up too soon, sometimes too late. Then he had me learn the art of breathing. First he blew and then he passed the flute, all warm, to me and on the willow reed I tasted garlic and wine, the breath of Bouscarle. The first notes went well, because the shepherd’s breath was still in the flute, and then I was left on my own, alone in a void emptier than the great void of the sea, and it was hard to raise it, the weight of the music, with this little hollow reed.

“You resist, my boy,” said Bouscarle, “you resist and sink to the depths. Let yourself yield; make yourself limp. Let yourself live life without thinking that you’re playing the flute, and then you will play.”

He spoke the truth. Worn out from struggling, at that moment when all the stars sped through the sky like so much grain in the wind, I played. It rose from the heart in a sudden bound, gradually making me lighter. And through the barrel of my flute, I emptied myself, like a good fountain purges itself of its dark water.

OURS WAS a large farm; we had twenty thousand sheep. Five large sheepfolds lined the road to hold them all throughout the winter. At this time of poor grazing in the dry marshes, they would lick the salt at the base of the plants, and nibble the red behen. And knowing that there wasn’t a flower to be found, the bees, who are the flies of the grass, made a leap of more than ten kilometers over our area.

On the day of the great departure, Bouscarle took the reins of the whole farm and began shaking the bit hard. Everyone’s mouth bled, and I myself no longer mattered. Yet he was the one who had guided my fingers over the flute, who had put me, weak as I was, before the gaze of the sheep. But now he gave me no more notice than the hundred other shepherd’s helpers who buzzed around the packed bags. The proprietor approached in a fine flowered waistcoat just at the moment when the animals began to pour out of the first door, which had been raised like a floodgate. There was snorting, galloping, climbing over hedges, and at the far end of the great fields, dogs from distant farms barked. Our boss went straight over to the proprietor. He was glowing black with anger, as fearful to the touch as hot tar. He said some words. I saw them. I didn’t hear them in all that noise; I saw them in the white of his teeth, and the curl of his mustache, and in the disdainful spit that Bouscarle aimed right into the dust. I saw those words, and I also saw the proprietor go off, humbled, his tail between his legs, and the boss whose look was like a knife in his back, that’s all I can say. Each to his own place.

ORDER returned, the foreman bellowing the long cries of the language of sheep the whole length of the sky, and that started the flow, thick and fast. And the road, taken by surprise, had already begun to groan and creak from every one of its stones, and great bands of magpie and hoopoe clattered around us like holiday streamers. A holiday, yes, the long-awaited holiday!

THEN, before taking his first step ahead of the animals, before taking command of that white road, the boss Bouscarle approached the saddle packs where I was tightening up the straps. He rested a heavy hand on my shoulder and I felt the sweat from it through my shirt. I turned my head and looked up at him; this was no longer the same man.

He glowed with the great rays of his sweat.

“My boy,” he said, “don’t think you know everything. You know the sheep, but to know is to be separate from. Now try to love; to love is to join. Then, you will be a shepherd.”

Ah! How well I knew I was only a little apprentice. But among them, I was one of the best, and he had guided my fingers along the length of the flute. I knew well enough that I couldn’t be quickly forgotten, even by the brain that drew forward twenty thousand sheep.

And yet, he did forget me; at least everything led me to believe that.

We moved out for long days across the breadth of a plain as red as raw flesh. I led a pack mule. That is, I just walked along beside him and tapped him on the nose when he sniffed out the shade of some cypress or stretched his mouth toward the nettle. The dust burned my eyes; blood red, it got into my mouth; it stuck to my tongue; deep in my throat, it was mud. I could never count on being able to see the one leading the other mule up ahead, a thousand sheep away, unless I took advantage of a sudden drop in the wind. It was no easier to see the one behind. And soon, the wind itself no longer reached us because the airborne earth that followed us was too thick. Lost, rolled along in the herd like a bit of gravel, I held myself together around this shepherd’s love. I knew he was there, kilometers ahead, leading the way, marking the route. And from time to time, I felt along my thigh the fine roundness of the flute which clacked against the horn handle of my knife. I had a goatskin flask with a little more than a liter of fresh water in it; once in a while, I drank a little. The days stretched out; they extended over the earth. They had to be crossed from one end to the other by putting one foot ahead of the next. From time to time, the great phantom of a cypress appeared in the dust before me. It passed alongside, oblivious, following its own route, and I walked along mine. Sometimes, through the dust we saw a farm, pale and wide. Behind us, the whole country moaned with the moaning of the stragglers. At night, we stopped in little villages, all closed up like startled tortoises. Everything was dead. The one with the pack mule behind and the one with the pack mule ahead came up to me on aching feet. We remained there, listening to the great dust resettling.

The one from up front said, “The boss has passed Villeneuve-les-Orges. That’s what a cart driver told me.”

Or maybe:

“They told me that the boss is farther than Saint-Raphaël-des-Roches, in the Luberon valley.”

And all at once, I despaired of this great land, of all this country that had to pass under our feet. When I slept, I dreamed of the ball of the earth, this great ball of the earth, and I had to straddle it with my legs wide apart like they do with wooden balls in the circus, and I was split in two up through my stomach and chest.

Sometimes, the one from behind said, “The mas! . .”

He said no more, and he kept tasting these words on his lips, because he had left a lover behind there.

And so I thought of the mas as something lost in the depths of time, under layers and layers of rotting forests that had been dead for a hundred million turns of the earth.

Then we set off again, getting underway with no order. Or rather, on a silent order coming on the wings of the air. The sheep rose, the mules rose, we had to follow. And we began walking again over the wide earth in the roiling dust.

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