John Powys - Rodmoor

Permitted for a brief moment to catch a glimpse of that white figure, an intruder, if possessed of the smallest degree of poetic fancy, would have been tempted to dream that the dust of the centuries had indeed been quickened and some delicate evocation of perverse pagan desire restored to breath and consciousness.

Such a dream would not, perhaps, have survived a glance at the girl’s face. With distended pupils and irises so large that they might have been under the influence of some exciting drug, her eyes had that particular look, sorrowful and heavy with mystery, which one feels could not have been in the world before the death of Christ.

With her epicene figure, she resembled some girl-priestess of Artemis invoking a mocking image of her own defiant sexlessness. With her sorrowful inhuman eyes she suggested some strange elf-creature, born of mediæval magic.

Turning away from the mirror, Philippa Renshaw blew out the candles and flung open the curtains. Standing thus for a moment in the presence of the vague starless night full of chilly earth odours, she drew several long deep breaths and seemed to inhale the very essence of the darkness as if it had been the kiss of some elemental lover. Then she shivered a little, closed the window and began hurriedly to dress herself by the fire-light. Bare-headed, but with a dark cloak reaching to her feet, she softly left her room and crept silently down the staircase. One by one she drew the heavy bolts of the hall door and turned the ponderous key.

Letting herself out into the night air with the movements of one not unaccustomed to such escapades, she hurried down the stone pathway, passed through the iron entrance gates, and emerged into the park. Catching up the skirt of her cloak, and drawing it tightly round her so that it should not impede her steps, she plunged into the wet grass and directed her course towards the thickest group of oak trees. Between the immense trunks and mossy roots of these sea-deformed and wind-stunted children of the centuries she groped her way, her feet stumbling over fallen branches and her face whipped by the young wet leaves.

A mad desire seemed to possess her, to throw off every vestige and token of her human imprisonment and to pass forth free and unfettered into the embrace of the primeval powers. One would have thought, to have watched her as she flung herself, at last, on her face under one of the oldest of the trees and liberating her arms from her cloak, stretched them round its trunk, that she was some worshipper of a banished divinity invoking her god while her persecutors slept, and passionately calling upon him to return to his forsaken shrine. Releasing her fierce clasp upon the rough bark of the tree, not however before it had bruised her flesh, the girl dug her nails into the soft damp leaf-mould and rubbed her forehead against the wet moss. She shuddered as she lay like this, and as she shuddered she clutched yet more tightly, as if in a kind of ecstasy, the roots of grass and the rubble of earth into which her fingers dug.

Meanwhile, within the house, another little drama unrolled itself. In the old-fashioned library collected by many generations of Renshaws, where the noble Rabelaisian taste of the eighteenth century jostled unceremoniously with the attenuated banalities of a later epoch, there sat, at the very moment when the girl descended the stairs, a tall powerfully built man in evening dress.

Brand Renshaw was a figure of striking and formidable appearance. Immensely muscular and very tall, he carried upon his massive shoulders a head of so strange a shape that had he been a mediæval chieftain he would doubtless have gone down to posterity as Brand Hatchet-pate, or Brand Hammer-skull. His head receded from a forehead narrow and high, and rose at the back into a dome-like protrusion which, in spite of the closely-clipt, reddish hair that covered it, suggested, in a manner that was almost sinister, the actual bony substructure of the cranium beneath.

The fire was out. The candles on the table were guttering and flickering with little spitting noises as their wicks sank and the cold hearth in front of him was littered with the ashes of innumerable cigarettes. He was neither reading nor smoking them. He sat with his hands on the arms of his chair, staring into vacancy.

Brand Renshaw’s eyes were like the eyes of a morose animal, an animal endowed perhaps with intellectual powers denied to the human race, but still an animal, and when he fixed his gaze in his concentrated manner upon the unknown objects of his thought there was a weight of heavily focussed intensity in his stare that was unpleasantly threatening.

He was staring in this way at the empty grate when, in the dead silence of the house, he caught the sound of a furtive step in the hall without, and immediately afterwards the slight rasping noise of bolts carefully shot back.

In a flash he leapt to his feet and extinguished the guttering candles. Quietly and on tip-toe he moved to the door and soundlessly turning the handle peered into the hall. He was just in time to see the heavy front door closed. Without the least token of haste or surprise he slipped on an overcoat, took his hat and stick and went forth in pursuit of the escaped one.

At first he saw only the darkness and heard no sound but the angry flutterings of some bird in the high trees, and — a long way off, perhaps even beyond the park — the frightened squeal of a hunted rabbit. But by the time he got to the gate, taking care to walk on the flower-beds rather than on the stone pathway, he could make out the figure of the girl no great way in front of him. She ran on, so straight and so blindly, towards the oak trees that he was able without difficulty to follow her even though, every now and then, her retreating figure was absorbed and swallowed up by the darkness.

When at last he came up to her side as she lay stretched out at the foot of the tree, he made no immediate attempt to betray his presence. With his arms folded he stood regarding her, a figure as silent and inhuman as herself, and over them both the vague immensities and shadowy obscurities of the huge earth-scented night hung lowering and tremendous, like powers that held their breath, waiting, watching.

At intervals an attenuated gust of wind, coming from far away across the marshes, moved the dead leaves upon the ground and made them dance a little death dance. This it did without even stirring the young living shoots on the boughs above them.

The darkness seemed to rise and fall about the two figures, to advance, to recede, to dilate, to diminish, in waves of alternate opacity and tenuity. In its in-drawings and outbreathings, in the ebb and flow of its fluctuating presence, it seemed to beat — at least that is how Brand Renshaw felt it — like the pulse of an immense heart charged with unutterable mysteries.

This illusion, if it were an illusion, may have been due to nothing more recondite than the fact that, in the silence of the heavy night, the sound of the tide on the Rodmoor sands was the background of everything.

It was not till the girl rose from the ground that she saw him standing there, a shadow among the shadows. She uttered a low cry and made a movement as if to rush away, but he stepped quickly forward and caught her in his arms. Tightly and almost savagely he held her, pressing her lithe body against his own and caressing it with little, deep-voiced mutterings as if he were soothing a desperate child. She submitted passively to his endearments and then, with a sound that was something between a moan and a laugh, she whispered brokenly into his ear, “Let me go, Brand, I was silly to come out. I couldn’t help it. I won’t do it again. I won’t, I swear.”

“No, I think you won’t!” the man muttered, keeping his arm securely round her waist and striding swiftly towards the house. “No, I think you won’t!”