Ramona Ausubel: Sons and Daughters of Ease and Plenty

Fern waited to go inside. It was such a beautiful family and she wanted to hold the picture still.

The man stood up from the table after a while, and he was unsteady. The eldest child went to him, gave him her wrist to hold and walked him through the house. Though he was being led, this man did not look lost — maybe he never was.

—

Fern and Edgar, awake late that night, would begin to sort through their things to see what they could sell for money. Fern would walk him through the house, describing the offerings. “What about the oak bookshelf? It’s the one piece of furniture we kept from Tennessee.” They went to the kitchen. “I think your mother gave us this crystal bowl. We’ve never used it. Here is the cutting board with our wedding date on it, and the candlesticks. These ivory-handled scissors — careful, here is the safe end — belonged to someone in one of our families, but I don’t remember who.” Edgar could see if he held the objects close enough. In doing so, he looked ancient.

In the yellow kitchen light, she handed him the tiny silver spoon his parents had sent when Cricket was a baby. Edgar pressed his thumb into the cool curve. He remembered that little mouth mashing at a banana, taking one more step towards humanness. On the handle was a small ruby. James’s spoon had a sapphire and Will’s an emerald. Edgar had hated these gifts for their grotesque indulgence: Shouldn’t the babies have been treasure enough?

“I still think my parents were wrong about the objects, the things. But they were right about time. They were right about pleasure. We should go to the Caribbean with them. Before we have to sell the summerhouse we should stay for the year even if we never leave the bedroom with the woodstove in it.”

Fern thought of their own big country, the way her pulse had changed the moment she was outside the range of home. “Are you afraid of losing your parents when your book comes out?”

He was quiet for a long time. “It might not be worth it to publish the book,” he said. He was afraid that Fern would be angry — all those years she had taken care of their life so that he could write his novel. “They are my parents.”

“You spent so long.” It was the last thing she expected him to give up.

“There are more stories,” he said. “There is other work to do.”

He opened a drawer and put his hand inside tentatively, unsure what it contained. It was full of collars. Together, they remembered each one. Rosie and Rufus, both hit by cars; Marty, given away when he could not be housebroken; Lucy, sweet, droop-eyed Lucy, the only one to get old before she died; Tex, Bessie, Flower.

“Maggie did not get lost,” he said, offering her a chance to explain.

Fern told him that she had thought Maggie had been miserable, aged. “Bad hips, bad eyes. I wanted to save her from that.”

“Bad eyes,” he repeated.

Edgar looked older too. His hair had the first grey in it and his eyebrows were longer. “Can I do something?” Fern asked.

Edgar expected to feel her lips on his. He waited for it. His breath changed. They would kiss eventually, but she did not feel ready to give it yet. Instead, she put her hand on his cheek and said, “Careful. Don’t move.” She took something out of the drawer and he heard the high whine of a pair of small scissors, closing over his eyebrow. She blew on his forehead to clear the trimmed hairs and did the other side.

“I thought I could solve everything difficult by loving you,” Fern said.

“I thought I could solve everything difficult by trying to understand it.” They were both half right.

From the back of her closet, Fern produced the small box in which she kept the things she had always been most afraid to lose: locks of her children’s hair, her brother’s last note to her, a photo of her and Edgar on the night they had first danced. He touched them. That was all she wanted from him — to take what mattered to her into his hands.

The things that Edgar wanted to keep, Fern taped a note to. Edgar , the notes said. All over the house, his name. The bookshelf was Edgar, the glass vase — Fern was surprised by the things he cared about, by the resting places for his nostalgia. The bedside table was Edgar, the coatrack, the crystal bowl, two old milk-crates that they had stored magazines in. The collars.

“We can throw them away,” Fern said.

“You don’t want them?”

Fern did not. It was safe to be less loveable now. “The animals are for the children. You all are the ones I’m here to take care of. And myself.”

She took a few steps away from him, let him stand there alone in the house in which they had lived, one of the many attempts they had made at their marriage. She watched her husband, her love, nearly sightless. He looked like a headless flower, just a stem. She forgave him and did not yet. She was more his and less than she had been. Ahead of them were years of pulling closer and years of pushing away and years of pulling closer again. The children would grow up and maybe they would talk every day or maybe years would pass between calls. Will and James would become two men and lead two lives and yet they would always be twins. That was what it was to love someone across the duration, for the entirety.

“Fern?” Edgar asked. She had backed far enough away that he couldn’t see her.

She did not answer him right away. She went to the light switch and flicked it off so that the two of them were standing in the same darkness. She let him ask the question again, until she could tell that it hurt him to say her name, so badly did he want her on the other end of it.

My boundless, heartswollen, jumping-up-and-down thanks to:

My teachers, who are never not with me when I write: Michelle Latiolais, Ron Carlson, Geoffrey Wolff, Christine Schutt, Brad Watson, Amy Gerstler, Doug Anderson and Jackie Levering-Sullivan.

My editor, Sarah McGrath, whose insights opened this novel up. Thank you for taking such ridiculously good care of my work.

PJ Mark, who is always exactly the person I want on the other end of a draft (and a question and a joke and an idea, etc., etc.) and to Marya Spence for smarts and welcome.

Matt Sumell, Michael Andreason, Marisa Matarazzo: mighty indeed.

Elliot Holt for being a gatherer of writers, just when I most needed it.

Everyone at Riverhead, especially: Claire McGinnis and Katie Freeman (!!), Geoff Kloske, Danya Kukafka, Kate Stark, Jynne Martin, and Glory Plata.

Glenn Schaeffer, the International Center for Writing and Translation at UC Irvine, the Squaw Valley Community of Writers, the Tin House Writers’ Conference, the Bread Loaf Writers’ Conference, the Sewanee Writers’ Conference for generous and much appreciated support.

Jon Davis and the faculty and students at Institute of American Indian Arts for infusing my year with wisdom, humor, stories and conversations about stories.

Several books were especially helpful in the writing of this novel: Sailing Alone Around the World by Joshua Slocum, Class: A Guide Through the American Status System by Paul Fussell and Old Money by Nelson W. Aldrich, Jr.

The Ragdale Foundation, for continuing to be a place where art is made.

My unimaginably great family: my parents for forever-faith, my dear sister, my amazing in-laws, my uncles and aunts and cousins and cousin-lets.

My friends, especially the lifelong variety: Melissa McNeely, Phoebe Waldendziak, Kari Hennigan, Byron Thayer, Ashby Lankford, Lauren Coleman and Margaux Sanchez.

Teo: for every mega-good thing you do every day forever, whoa.

Clay: for providing gorgeous, unflagging gusto.

Prairie: you were my inside companion while I finished this book and I feel sure that you made magic happen. This one is for and because of you, Miss Lemon Pie.