Ramona Ausubel - Sons and Daughters of Ease and Plenty

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Sons and Daughters of Ease and Plenty: краткое содержание, описание и аннотация

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From the award-winning author of
, an imaginative novel about a wealthy New England family in the 1960s and '70s that suddenly loses its fortune — and its bearings. Labor Day, 1976, Martha's Vineyard. Summering at the family beach house along this moneyed coast of New England, Fern and Edgar — married with three children — are happily preparing for a family birthday celebration when they learn that the unimaginable has occurred: There is no more money. More specifically, there's no more money in the estate of Fern's recently deceased parents, which, as the sole source of Fern and Edgar's income, had allowed them to live this beautiful, comfortable life despite their professed anti-money ideals. Quickly, the once-charmed family unravels. In distress and confusion, Fern and Edgar are each tempted away on separate adventures: she on a road trip with a stranger, he on an ill-advised sailing voyage with another woman. The three children are left for days with no guardian whatsoever, in an improvised Neverland helmed by the tender, witty, and resourceful Cricket, age nine.
Brimming with humanity and wisdom, humor and bite, and imbued with both the whimsical and the profound,
is a story of American wealth, class, family, and mobility, approached by award-winner Ramona Ausubel with a breadth of imagination and understanding that is fresh, surprising, and exciting.

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“Congratulations,” the professor said. For a moment, she thought he might have meant it. Perhaps he saw kinship in their shared adulthood — a person might get tired of looking out at a sea of nineteen-year-olds. But no. “Good for you,” he said, with a skip of mockery to his voice, “you’ve achieved the biological imperative. But here at Radcliffe we have other projects. You can stay in the class provided you stay awake in it, despite your condition.”

The neighbor was watering the hacked-back stubs of rosebushes out front. “Tell me again where you all have come from?” the woman asked when Fern got out of the car.

Fern just wanted to get inside and hate the professor while eating ice cream and sitting in a warm bath. “We lived in the South but we’re from Chicago. The North Shore,” said Fern. Fern knew that this fact, which had been so heavy to carry on the base, would keep her afloat on the sunlit surface of this particular social sea. They were wealthy with other wealthies, all of them having had the same upbringing, the same training, the same assumed values. This was not the whole of it, though — she did not care which wife was at the top of the pyramid, which wives were working their way up and which wives had slipped lower having made the wrong dish for a party, having gotten too drunk, been too honest. The woman sprayed her hose over a new tangle of Princess Graces and Polar Stars and Black Magics. “If you need anything…” she said, but her back was already turned.

That night Edgar put Cricket to bed and came downstairs humming. He had written two thousand words, some of them good. He was reading James Baldwin and wanted Fern to read it too so they could talk about it. He got a drying rag and began to work on the pile of dishes she had amassed in the rack.

“If you want me to say something about ‘the off-modern condition,’ then forget it,” she said.

“What’s wrong with you?” he asked.

“I’m dropping out of school,” she told him. “I’m having a baby — what’s the point of pretending I’m a serious student?”

Edgar went to the freezer and took out a pint of vanilla ice cream. He got two spoons and patted the counter. They hoisted themselves up and ate big scoops.

She told him about the professor and Edgar said, “Don’t drop out. Take a semester off. Take a year off.”

“Do you think it’s lonelier to be a foreigner around people who obviously don’t understand you or to be among people who seem just like you but whom you don’t like?”

He kissed her on the neck. “Both,” he said.

“Maybe we should go far away.”

“I was as far away as a person can be and it didn’t help.”

Edgar would convince Fern not to drop out and give the professor the satisfaction. She would finish the semester with Bs, but she would not reenroll in the spring.

A few weeks later they would learn that Fern was carrying twins, and though twins ran in her family and this set was nothing more than genetics, it would feel to Fern like a direct apology from whatever god had made Ben and taken him again. Replacement plus addition. Fern was afraid and she was hopeful — here was a chance for a twin-pair to be broken up; here was a chance for a twin-pair to remain whole. It made her miss Ben too much. How good it would have felt to sit on a sofa next to her brother, both of them grown, a baby on each of their laps. She imagined the photograph of that day, how they would both smile the particular smile of a twin holding a twin and how she would have pinned the picture beside her vanity so that she could look at it every single day.

Fern remembered when she had first bought a razor and how she had sneaked off with it, embarrassment and excitement humming in her, and how, when she had come out of the steam and wrapped herself in towels Ben had been sitting on the sink and his face was thin and sorry and they both knew that the years when they were the same had just ended. Maybe they will both be boys or girls, Fern thought, rubbing her belly. Maybe they will always be each other’s mirrors.

At night, Fern dreamed about the end of the world, only the dreams were cheerful. It was the end of the world and she had a nice bow and arrow and was an extremely good shot. It was the end of the world and everyone played softball all the time.

The twins kicked her hard from the inside. So many little feet.

All through the fall, winter and spring, Edgar sat at his desk and he tried to explain to the white space of the page what it meant to be a son and a father. He tried to explain to the white page what it meant to have so much and yet to feel mostly the emptiness of desire, unfillable. He tried to explain that there was no life without want. He thought that if he could get these thoughts to make sense in language he himself might make sense in the world. Edgar was trying to write himself a way to exist.

Some days the magic trick almost worked. He got a few sentences that felt true, a scene of a boy in a limousine in a poor neighborhood, a scene of a young man in a bar in Kentucky feeling more companionship with the miners than he had with his own parents, except the miners died from their jobs and he was safe, a scene of a new father and his baby who was filled with a midnight-sadness that she could not explain and he could not discern, both of them weeping by dawn. Other days he reread his pages and saw there the whine of privilege, a character fooled by the sound of his own voice. Edgar wondered whether he even deserved to tell a story. Because of his father’s money, because of the men who earned pennies in the mines, pennies in the mills, he could sit at this slab of wood and write. His clothes were paid for by their effort, his glasses, his lunch. He did not know what it felt like to work close to the edge of survival. Maybe severe lack brought clarity — the skin-bone monk at the top of the mountain, having given up everything but his mind. Edgar was supremely lucky, but luck was a lonely place.

He turned on the radio and listened to the news of the war that had continued even after he himself had been sent home. The American position had grown weaker and weaker. Forty boys had died that day. Edgar thought of the unknown person whose job it now was to write to their mothers and fathers. He put his pen down and went walking. It was warm outside after having been cold for so long. The trees were tipped with buds.

In the windows of all the stores were objects made to shine and beckon, to distract. Edgar went inside a shop and felt the cold porcelain of a set of nested white and green mixing bowls. He weighed the bowls in his hands. “Shopping for someone special?” a pretty young salesgirl in a long flowered dress asked. The promise of this transaction was so simple — an object, a certain price and everyone left smiling.

“My wife,” he said.

“Is she a cook?”

“Not really,” he admitted.

“Can I show you something? It’s brand-new. We haven’t even put it out yet.” The girl touched Edgar’s elbow, led him to a locked case where she pulled out a box. Within: a gold chain with a deep locket. “It’s meant to hold a lock of hair. It’s old-fashioned and I think it’s so romantic.”

Edgar opened the latch. “It’s beautiful,” he said.

“I could cut the hair for you,” she said, her thin fingers miming a pair of scissors, closing. It was not something Edgar knew how to say no to. It was expensive, this locket, etched gold with a ruby in one corner. This was a gift his mother would have congratulated him for. The girl took out a pair of scissors from behind the register and pulled a curl at the back of Edgar’s head. “Hold still,” she said. He could feel her breath on his skin. She cut.

The day after the incident with the professor, Fern, seeking comfort, had ordered a desk from a famous modern designer in Sweden. She had not asked Edgar because the price was absurd and the shipping costs even more. It took months to arrive. She had received postcards letting her know of its progress, as if the desk was a friend who greatly anticipated this visit: Hello from Denmark; Love from London . The desk had traveled all through her pregnancy, as if it was following the same gestational calendar.

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