Jessica Winter - Break in Case of Emergency

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An irreverent and deeply moving comedy about friendship, fertility, and fighting for one’s sanity in a toxic workplace. Jen has reached her early thirties and has all but abandoned a once-promising painting career when, spurred by the 2008 economic crisis, she takes a poorly defined job at a feminist nonprofit. The foundation’s ostensible aim is to empower women, but staffers spend all their time devising acronyms for imaginary programs, ruthlessly undermining one another, and stroking the ego of their boss, the larger-than-life celebrity philanthropist Leora Infinitas. Jen’s complicity in this passive-aggressive hellscape only intensifies her feelings of inferiority compared to her two best friends — one a wealthy attorney with a picture-perfect family, the other a passionately committed artist — and so does Jen’s apparent inability to have a baby, a source of existential panic that begins to affect her marriage and her already precarious status at the office. As
unfolds, a fateful art exhibition, a surreal boondoggle adventure in Belize, and a devastating personal loss conspire to force Jen to reckon with some hard truths about herself and the people she loves most.
Jessica Winter’s ferociously intelligent debut novel is a wry satire of celebrity do-goodism as well as an exploration of the difficulty of navigating friendships as they shift to accommodate marriage and family, and the unspoken tensions that can strain even the strongest bonds.

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Jessica Winter

Break in Case of Emergency

For Adrian

We flatter ourselves by thinking this compulsion to please others an attractive trait: a gift for imaginative empathy, evidence of our willingness to give.

— Joan Didion, “On Self-Respect”

Everything behind those French doors is full and meaningful. The gestures, the glances, the conversation that can’t be heard. How do you get to be so full? And so full of only meaningful things?

— Zadie Smith, NW

Spring

Our Focus Is Focus Itself

“It’s hard to reproduce those kind of results if — oh, sorry,” Jen said, realizing a beat too late that the rest of the room had gone quiet.

Leora Infinitas had already taken her place at the head of the table. For one silent-screaming moment, it looked as if she were attempting to rip her own face off, but in fact she was tugging at her eyelash extensions under the placid gaze of the members of her board, who were seated in a corner conference room at the headquarters of the Leora Infinitas Foundation, also known as LIFt.

Jen scanned the other women around the jade-and-walnut table, festooned with crystal-and-bamboo vases filled with fresh-cut gerbera daisies and flamingo lilies, selected at Leora’s request for their air-filtering qualities and replaced every day, even on days when the conference room was not in use, which was most days. The other women sat in tranquil anticipation as Leora yanked with greater urgency at her right eyelid using the pincer of her thumb and forefinger, as if trying to thread a needle with her own flesh. The rain against LIFt’s floor-to-ceiling windows chattered like a gathering crowd, even as the white noise that pumped in from every ceiling at LIFt — an undulating whhooooossshhhhh, an airless air-conditioning — began to hush.

Jen shivered. Even a month into her tenure at LIFt, her body still misapprehended the whhooooossshhhhh as an Arctic blast that required shuddering adjustments to her internal thermostat.

Leora Infinitas’s lashes now lay on the tabletop before her, a squashed yet glamorous bug. Without them, Leora looked at once diminished and more beautiful. Flecks of glue balanced on her eyelids. She blinked rapidly and stared into the table, searching the lacquer for the script, the incantation, hidden below its glinting surface.

“I don’t like the idea of limiting ourselves,” Leora finally said. “I’m a big believer in not settling for twenty-four hours in a day.”

Rain shattered against the windows, the applause track of a sitcom. A head nodded; a pair of lips buzzed “Mmm.”

A pen tapping on the table stilled itself.

The flowers stood beguiled in their vases.

The electrons in the air murmured to one another in grave consultation, then telepathically cabled the message to the rest of the room that Leora, in twenty-one words, had concluded her opening statements. It would be up to her braintrust to, to borrow Leora’s phrasing, “advance the conversation.”

Whhooooossshhhhh

Whhooo is to say,” intoned Donna, the board chair and one of Leora’s closest friends, “that there are not twenty- five hours in a day?”

“Ha, right, who decided that, anyway?” asked board member Sunny, who was also Leora’s personal assistant.

“We always said we’d have a start-up mentality,” Leora said. She peered down at the squashed eyelash bug. Soundlessly, Sunny materialized at her side, palmed it into a cupped tissue, and evanesced back into her seat.

“Start-ups never sleep,” Leora continued. “Metaphorically speaking.”

“Totally,” Sunny said, nodding with her entire head and neck, the tissue of squashed eyelash bug clasped in her hand. Totally was something Sunny said a lot whenever Leora spoke. Sunny’s totally was so total that it became two words. Toe tally.

“But at the same time, why bother doing everything if you’re not doing everything in. The right. Way, ” Leora asked.

“Mmmmm,” Sunny moaned.

Donna squared her shoulders. “I think that, right now, at this moment in the young history of LIFt — and especially at this perilous moment in our global economy — our focus is focus itself, ” she said. Her voice was deep and stern, the vowels round and sonorous as church bells. Her hands sculpted the air. Multiple bangles on each of her wrists clinked together in a wind chime of assent. “But shining a light on certain ideas now doesn’t mean that other worthy ideas are left to languish and wilt in the dark forever.”

Sunny was slow-motion headbanging.

“We must focus on those projects that feel most immediate to us,” Donna continued. “This sensation of the year two thousand and nine leaping bravely into spring after such a bitter winter — what does that feel like? Let’s capture it; let’s hold that moment and transform it. We can return to other, more timeless ideas later — a wellspring of creativity that will nourish us when we feel depleted from giving birth to our first idea-children. And we cannot be afraid.”

“I love it!” Sunny said, clenching a fist to her sternum. “Donna, you are amazing.”

“Karina,” Leora said imperiously to LIFt’s executive director, seated to her right. “What would you prioritize?”

Karina, who had been raking her fingers through her hair and then twisting the strands, raking and twisting, tossed her hair over her shoulder and widened her eyes, as if absorbing the shock and import of a happy epiphany. “I’m going to second what you’re saying, Leora: focus, focus, focus, ” she said. “The only way we can possibly limit ourselves is by taking on too much at once. We’re empowering ourselves by making the choice to make choices. The newness of the foundation and the uncertainty of the historical moment — we can see them as dares. Dares to be bold, dares to make decisions and own those decisions.”

Jen stifled a smile and looked down at her open notebook, where she’d written BOARD MEETING NOTES with her fountain pen and gradually added serifs and flourishes until the letters became a row of gerbera daisies and flamingo lilies. From the first time they’d met, Jen recognized Karina as a master of the filibuster, but she hadn’t yet seen Karina cast the spell on Leora — the gift of shrouding any and every topic in a fluffy word cloud of reiterative agreement until the original query was swallowed up in the woozy vapor of resounding enthusiasm for an unstated but sublime goal.

Karina shook her head wonderingly and peered into a dazzling middle distance, taking in a new horizon line. “I’m really jazzed about this,” she said. “I can’t wait.”

Forty-five minutes later, as the meeting did not adjourn but rather transitioned into a discussion of Leora’s daughter’s Bikram instructor’s ayahuasca retreats in Oaxaca, Jen’s line of gerbera daisies and flamingo lilies had sprouted into a garden of vines and ivy that plumed across both open pages of her notebook, speckled with topiary animals and actual bounding cats. The stippled-sketch form of Jen’s toddler goddaughter, Millie, peeked around a flowering espalier with a little fistful of poppies, a wreath of gardenias and eucalyptus atop her black curls.

Jen closed the notebook, rose, and began to leave the room, but hovered at the head of the table beside Leora. She had resolved to hover in awkward mid-stride, resulting in a slight lurching motion that stirred up a gruesomely intact memory of balking on the pitcher’s mound in Little League, with the bases loaded, on ball four. Jen had not yet been introduced to Leora, and keenly wanted to introduce herself now, but just as keenly wanted not to disrupt Leora’s Oaxaca anecdote, which involved a surreally vivid dream — induced by a midnight snack of chapulines and chocolate mole —wherein a mercado stall reassembled itself as an animatronic giant and began clank-clank ing toward Leora, embroidered tunics and colorful straw handbags winging down from its bionic shoulders in a confetti of symbolism.

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