Madeleine Thien - Do Not Say We Have Nothing

The counterpoint folded over in his mind. The further Sparrow walked into Beijing University, the greater the quantity of political posters. Even the trees had not been spared. Torches had been set up, and here and there boys wandered by in shorts, reading the posters, just as people of Sparrow’s generation, at the post office and elsewhere, studied the newspapers displayed in their plastic boxes. More posters were being pasted up over the old ones, making an ever-thickening book of protest. In 1966, Beijing Red Guards had written, “We must tell you, a spider cannot stop the wheel of a cart! We will carry socialist revolution through to the end!” Twenty-three years later, Beijing students wrote, “Democracy takes time to achieve, it cannot be accomplished overnight.” But several proposed an immediate hunger strike that would occupy Tiananmen Square before the arrival of Mikhail Gorbachev in four days’ time.

A tall boy gestured menacingly at him, but Glenn Gould prevented Sparrow from hearing the shouted words. Sparrow pushed his headphones off. “I said, don’t think of tearing anything down!” the student said impatiently. “I know you’re a fucking government spy!” Sparrow was so surprised he mumbled an apology.

He backed away, nearly tripping over a gracefully written pennant with the words, “A society that speaks with only one voice is not a stable society.”

The breeze cooled him. He left the grassy hill and exited through the gates of Beida, to the tree-lined edge of Haidian Park. In this unfamiliar city, Glenn Gould seemed his only confidant, the most familiar presence. Do I really look like a spy, Sparrow wondered. Are there spies who behave like me?

—

A hundred radios passed through Sparrow’s hands.

In the evenings, when he went to Tiananmen Square, the boulevards had a serene yet haunting openness, the wide streets themselves seemed to promise an end to this impasse. The government had not reversed its condemnation of the student protest, but had begun to speak in soothing tones. General-Secretary Zhao Ziyang, who had worked closely with the deceased Hu Yaobang, had used a May 4th speech to air his own point of view. The students, he said, were calling on the Communist Party to correct its mistakes and improve its work style, and these criticisms were in line with the Party’s own assessment of itself. “We should meet the students’ reasonable demands through democracy and law. We should be willing to reform and we should use rational and orderly methods.” To Sparrow’s great surprise, the press had begun reporting on student demonstrations that were occurring not only in Beijing, but outside the capital, in some fifty-one cities. A fracture had appeared in the system, and now water was rushing in to widen it. Ling said that even within her work unit at State Radio, the consensus was that the government had been too harsh. The demonstrations offered an opportunity: if the Party could prove its sincerity, it would win the loyalty of a further generation.

The nights continued, growing ever warmer. He wrote to Kai to say, “Yes, I will come,” and having sent the letter off, lost himself by walking the Muxidi alleyways, listening to another of Ai-ming’s tapes, this one Shostakovich’s Fourth Symphony, which had gone unperformed for twenty-five years. What would it be like to go to Canada at this stage in his life? What if Kai could sponsor Ai-ming? He would pay the money back. But what about Ling and this life? What about his parents? In what way was he still a composer if he had made not a sound for more than twenty years? There were no answers to his questions.

Yet the knowledge that he would see Kai brought him an undeniable, undiluted pleasure. Upon sending the letter, Sparrow had felt abruptly changed. That a few simple words could transform him, Yes, I will come , unsettled him. But why should he continue to fear? Wasn’t society changing? Nearly a month had passed since Hu Yaobang’s death, a month in which Beijing students continued to boycott classes. There were rumours that high-ranking members of the Communist Party were prepared to sit down with the students, face to face, and take part in a televised dialogue. If so, this would be the first time such an event had occurred in Sparrow’s lifetime; he could not fathom it, and remembered, still, He Luting, his head forced down by Red Guards.

A change in the system of government had the power to change the fundamental construction of the world he knew. He would go to Hong Kong. A truthful end could come at last. He and Kai were no longer young, they had families of their own. It was difficult to move on without an end…but move on to what? He could not think so far into the future and if he thought of Ling, all his childish imaginings evaporated. Everything changed in a day, an hour, a moment. In the past, he had misread events, he had reacted too slowly. Sparrow had made mistakes but he promised himself he would not make them again. Now, in the afternoons, when he came home from work, Sparrow sat down at Ai-ming’s desk and composed. The old Symphony No. 3 was gone, he could no longer retrieve what it might have been, and so he had started a new work, a simpler piece, a sonata for piano and violin. The Japanese composer Toru Takemitsu once described his own work as “a picture scroll unrolled,” and Sparrow felt a kinship with this image. He could hear this sonata in his head as surely as he could hear Bach and Shostakovich on the cassette player. The sonata was real and had already been created. One’s own mind, the saying went, concealed more information than five cartloads of books. It was like learning to breathe again, not just with his lungs but with his whole mind.

On May 13, the students went on hunger strike. Sparrow was working in Ai-ming’s room when the announcement was broadcast on the radio. He sensed that the piano and violin piece was unfolding at a sped-up tempo, and he erased the last hour’s work and began again, re-counting the measures, altering the space between development and return, two themes supporting one another. The line of the piano was difficult to hold, but the violin felt supple and unceasing. It was not heroic, it wished only to play for itself alone, even if it knew such a thing was not truly possible.

A commentator on the radio argued that these revolutionary youth were part of a deliberate attempt to humiliate the government and the nation. “Why else begin a hunger strike two days before our historic summit with Mikhail Gorbachev? This is the first visit from a Soviet leader in forty years….” Another said the students’ intentions were good, but their methods were immature, and it was imperative that they refrain from damaging the nation’s image. The news also seemed to be wrestling with its own head; the newsreader announced that General Secretary Zhao Ziyang favoured far-reaching press reforms, so that content and analysis would be decided by news editors and not Party officials. A sharp pain in Sparrow’s back flared unexpectedly, and he felt like an old piano that couldn’t be tuned.

At work the following day, the factory was unproductive. Half his co-workers had signed on to the new independent workers’ union operating from under a tarp on Chang’an Avenue. They had gone so far as to identify themselves by their real names, even showing their work badges. His co-workers only wanted news of the Square. Sparrow hadn’t yet signed on, he was trying to imagine himself boarding the plane for Hong Kong. Kai had been true to his word and Sparrow’s exit visa had been approved. For the first time in his life, he would travel outside China. Kai had begun to float other ideas. We could teach at the Hong Kong Conservatory. I have also made inquiries at the Vancouver Conservatory of Music. What have you been composing? Send me what you have . He began to suspect that Kai was living an illusion more complex than his own.