Madeleine Thien - Do Not Say We Have Nothing

“Yes,” he said.

“I’ve been thinking about my life, Sparrow. Not the past but the future. Don’t you ever think about yours?”

“Yes, of course, but here in Beijing…sometimes I imagine that I…but we—”

Ai-ming burst into the apartment, elated. Ling caught a glimpse of another girl darting down the alleyway, a flash of neon colour. It was the neighbour’s wild daughter, Yiwen.

Sparrow turned towards the door. “Where have you been?”

“At the Square, of course! You should see it, all the people—”

He began to berate her. Ai-ming stared at her father as if he were a stranger.

“How can I protect you?” he yelled. “How?” He had drunk more than Ling had supposed. She stood up from the table and went towards him. Sparrow kept on: “The government is right. You’re no different from the Red Guards! You think you know everything, you think you can judge everyone, you think you’re the only ones who love this country. You think you can overturn everything in a day, a moment!”

“Sparrow,” Ling said.

“They stole everything,” Sparrow said, turning to her. “But why did we let them do it? Why did we give in? I remember everything now. My brothers. I couldn’t…Zhuli. They needed me to help them, but I didn’t. Why did we throw away everything that mattered to us?”

Ling’s heart was breaking. She had never seen him come apart, she had stopped thinking that he could. It was as if someone had cut a single wire inside him on which everything had depended. “Sparrow, let it go.”

“How?”

“Ai-ming,” Ling said, wanting to shield their daughter. “Go to your room.” Ai-ming obeyed. Tears streamed down her face.

“How can I forget?” Sparrow’s face was drained of colour. He looked at Ling as if she had always known the answer. “If I forget, what’s left? There’s nothing.”

All she wanted was to lie down, close her eyes and rest, but she had to get out of this room, out of the falseness of this home. Ling picked up her purse from the chair. The walls were pressing in on her and she couldn’t breathe, thinking of everything she had given up for her family, but most of all for the Party. She looked once more at her husband, who had covered his face with his hands. “Don’t you see?” she said. “Things are changing.”

He didn’t answer.

“Live your life, Sparrow. It’s the best thing either of us can do for our daughter.” She went out the door, through the alleyway, and into the street.

—

When Sparrow woke, the room, the city, was quiet. He got out of bed, lit the lamp and took the letter out of its hiding place. On the kitchen table, the paper gleamed whitely.

Even if I had the means to leave

I was content in my life

The night sky was a thickening dark. He would like to have a piano, he would like to sit, right now, in the darkness of a practice room. Music, for him, had always been a way of thinking. He pushed the pages away. Sparrow could not imagine leaving his daughter behind. Ai-ming was so much like Zhuli. Were they similar because of him, had he failed to give his daughter the room she needed? In the eighteen years of Ai-ming’s life, he had never been separated from her, not for a day. He covered the letter with his hands and chided himself for being mournful. If he could sweep away all this mournfulness, which must only be a kind of dust from his previous lives, he would be a better father and a kinder husband. Ling’s confidence and goodness had always sustained him. He had no right to grieve. Their neighbour was listening to the radio, Sparrow could hear the anchor’s even drone but not the words. Music began, echoing through the alleyway, but it was music he couldn’t recognize, music from an era he didn’t know, music composed in the present.

—

Ongoing disruptions in the street, in the factory and in his home continued. He suspected Ai-ming was going to the Square every day, but neither he nor Ling had the will or influence to stop her. On the May First holiday, he telephoned Cold Water Ditch on the neighbourhood phone. Big Mother came onto the line and shouted, “Workers’ Day? We live in a Communist country. Every day is workers’ day!” He could hear Ba Lute giggling behind her. Big Mother grumbled, “Tell that lazy Ai-ming to study hard.” When he said there was unrest in Beijing, she said, “Good! Nobody should be at rest.”

How, he wondered, when he put down the phone, had Big Mother managed to raise a son like him? It was impossible not to believe in the mischief of the gods.

The May Fourth demonstrations came and went, as large as the preceding April 27th demonstration, and included a contingent from Sparrow’s own Beijing Wire Factory No. 3. But he did not go.

Sleep became impossible. Sparrow took to walking at night. Even at two or three in the morning, bicycles roamed the streets, students flitting from one place to another. Time felt elastic, stretching into unfamiliar shapes, so that he could be both in Beijing and in Shanghai, an old man and a young man, in the world and in his thoughts.

One night, he came across three men and two women playing music at the closed gates of Jade Pond Park. The musicians made time disappear. On Chinese instruments, they played the dignified promenade from Mussorgsky’s “Pictures at an Exhibition.” Mussorgsky’s ten movements depicted an imaginary tour of an art collection, and the composition had been written in honour of his friend, a painter who had died suddenly at the age of thirty-nine. A deep and unfamiliar calm pervaded Sparrow. On a nearby pillar, someone had pasted up a letter, “I’ve been searching for myself, but I didn’t expect to find so many selves of mine.” When morning came, the musicians packed up their instruments. Sparrow bought a dough stick and savoured it as he watched the night workers go off duty and the day workers go on.

One evening, he arrived home from the factory to find a gift from Ai-ming. She had bought one of the new Japanese cassette players, small enough to fit into one hand. His daughter was so delighted with the gadget, she could not restrain herself from testing all the buttons and trying the headphones herself, adjusting and readjusting the volume. They might have toyed with it all night had Ling not dragged them out for supper.

He continued his nighttime walks, listening to the Walkman. Ai-ming had made a dozen tapes for him, copying them, she said, from someone called Fat Lips. Lately, she had friends all over the place. One evening, Sparrow walked all the way to the university district listening to Bach’s Goldberg Variations . In the darkness, one could always hear better. The music became as real as the concrete sidewalks and stout brick walls. Elderly guards at the entrance to Beijing University were immersed in their midnight card game, and so Sparrow passed through the gate unimpeded. Perhaps in his innocuous clothes, he had been mistaken for a cleaner or a parent visiting from the countryside.

Low lights flickered in the student dormitories where, now and again, excited figures were visible in the narrow windows. The tape ended and he hit the eject button, removed the cassette and turned it over. The machine made satisfying clicks. Cannonades of laughter came from the dormitories, arriving in staggered bursts. Posters clung to every surface, banners wept from the windows, the ground was a deluge of papers and empty bottles. Workers were sweeping up the debris, twig brooms scratching the cement. The Variations started up again. The cassette was Glenn Gould, Ai-ming had told him, but a different, 1981 recording of the Goldberg Variations . In the opening aria, each note seemed to Sparrow as if it had been pulled open rather than pressed down. Occasionally, he heard Glenn Gould himself, humming. Why had Gould gone back to record the same piece of music again? No one could tell him. Fat Lips only had this one edition, Ai-ming had said, a copy of a copy that a foreigner had given him.