Madeleine Thien - Do Not Say We Have Nothing

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An extraordinary novel set in China before, during and after the Tiananmen Square protests of 1989-the breakout book we've been waiting for from a bestselling, Amazon.ca First Novel Award winner. Madeleine Thien's new novel is breathtaking in scope and ambition even as it is hauntingly intimate. With the ease and skill of a master storyteller, Thien takes us inside an extended family in China, showing us the lives of two successive generations-those who lived through Mao's Cultural Revolution in the mid-twentieth century; and the children of the survivors, who became the students protesting in Tiananmen Square in 1989, in one of the most important political moments of the past century. With exquisite writing sharpened by a surprising vein of wit and sly humour, Thien has crafted unforgettable characters who are by turns flinty and headstrong, dreamy and tender, foolish and wise.
At the centre of this epic tale, as capacious and mysterious as life itself, are enigmatic Sparrow, a genius composer who wishes desperately to create music yet can find truth only in silence; his mother and aunt, Big Mother Knife and Swirl, survivors with captivating singing voices and an unbreakable bond; Sparrow's ethereal cousin Zhuli, daughter of Swirl and storyteller Wen the Dreamer, who as a child witnesses the denunciation of her parents and as a young woman becomes the target of denunciations herself; and headstrong, talented Kai, best friend of Sparrow and Zhuli, and a determinedly successful musician who is a virtuoso at masking his true self until the day he can hide no longer. Here, too, is Kai's daughter, the ever-questioning mathematician Marie, who pieces together the tale of her fractured family in present-day Vancouver, seeking a fragile meaning in the layers of their collective story.
With maturity and sophistication, humour and beauty, a huge heart and impressive understanding, Thien has crafted a novel that is at once beautifully intimate and grandly political, rooted in the details of daily life inside China, yet transcendent in its universality.

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“I am he. That is, I’m Sparrow. What do you need, Comrade?”

The stranger shook his head.

“Is that a letter for me?”

“I have what you would call…news.”

“Quickly, come inside.” The stranger shook his head. Sparrow had to prevent himself from dragging him bodily into the house. “Have you eaten yet? Come. No one will harm you.”

The young man glanced past him. The shadows were not kind to him; everything about him was meagre and crushed. “I will not come in,” he said softly, as if counselling himself. “No, no. I will not! Absolutely, definitely not.”

Sparrow reached into his pocket. Last night, an official in the Central Commission for Discipline Inspection had paid him twenty yuan for private lessons — the official wanted to learn Beethoven’s “Moonlight” Sonata — and the large bills were still on him. “Comrade, if you cannot stay and join me for a meal, please accept this small, inconsequential gift.” He had intended to pull out just one bill, but all four came out.

The young man blinked, stunned.

Sparrow hesitated. Then, firmly, as a father might, he took the letter from the stranger’s hands and put the money there instead. Now that it was leaving him, Sparrow felt a pang of confusion and remorse; he did not have another fen in his pocket. Still, he held the young man’s gaze. “Accept the money or come inside.”

The stranger opened his hand and stared at the miraculous bills. “I would not take anything from the family of Brother Wen,” he whispered. “But my circumstances…well, it’s obvious, isn’t it?” He looked at Sparrow directly, and it was clear that the stranger was no more than eleven or twelve years old. A child.

And then the boy, his destitution and Sparrow’s money vanished down the laneway. Except for the envelope in Sparrow’s hands, it was as if the child had never been.

He shut the door and retraced his steps through the inner courtyard. Upstairs, from the balcony, he looked out in the direction the boy had run. Dawn had begun to crease the sky, and already the ration line on Beijing Road was forming, growing longer by the moment, but the child was long gone.

The envelope was addressed, not to his parents, not to Aunt Swirl or Zhuli, but to “Young Sparrow.” He crouched down with the lamp, opened the envelope, slid out the single sheet of paper and began to read.

At dawn, Zhuli came out onto the balcony. She called down to Mrs. Ma who was waiting her turn at the water spigot, wished her good morning, grinned at Sparrow, took his empty teacup away and returned with it full and steaming. She sat on a broken chair and said, “Love letter?”

He grunted.

“Dear cousin,” she whispered, “Happy birthday! May this be the year your thrilling Symphony no. 3 is performed in the concert hall before Chairman Mao himself and our devoted Premier Zhou Enlai! Before President He Luting and all the grand musicians of the Shanghai Conservatory! May the bouquets at your feet be fragrant and plentiful, and may the soloist of your next piano concerto be a certain elegant boy from Changsha—”

“Zhuli, if you don’t hurry, that boy from Changsha will have reserved the best practice room. You’ll have to play your violin in the street.”

“You’re right! Jiang Kai practises more than anyone in the Conservatory. Except me. But you know,” she said, her voice dropping even lower, “the piano in Room 103 is ancient and all the pianists avoid it. For a violinist, there’s so much space it’s practically a villa.” She shoved him on the knee. “But, really , who is the letter from?”

He had turned the envelope over before she recognized her father’s handwriting. “Premier Zhou Enlai, inviting me to perform at his grand reception where—”

“The envelope is too plain.”

“Herr Bach, asking me to—”

“The envelope is too new.”

“The neighbourhood grandma, asking why I compose for the degenerate piano rather than the glorious guqin.”

She nodded. “I see. Cousin,” she said, after a moment, “this morning I found the bag of dried peas that went missing. They were in the sleeve of my mother’s coat.”

“What did you do?”

“I left them there! She thinks she’s such a skilful thief!”

“She’s an excellent thief, only there’s nowhere to hide anything.”

“The other day,” Zhuli continued, “I tried to throw out a sock that had eight holes in it but Ma fished it out of the garbage, washed it, mended it and put it back in my drawer. It’s like wearing a fishing net. I’ve been mending it for the last three years! She goes through the trash looking for things, she actually…Last night, she wrapped the quilt twice around herself, even though it was boiling hot. And then she asked me to sleep very close and keep the draft away. I tried to do what she wanted, but there was no draft! Still she shook and shivered!”

His cousin was a joyful and free creature, she seemed to have no relation to any of them. “Aunt Swirl went to the end of the world and came back. Give her time.”

“Speaking of time!” She leaped up, grabbing her violin case. “I’ll come to your office at noon! Let me treat you to a birthday lunch.”

Sparrow slipped the envelope away so that he was nearly sitting on it. “Cousin, about the Ravel. Your technique is excellent of course, but yesterday the phrasing sounded pinched to me, especially the pizzicato. It’s a matter of finding the simple in the complex, rather than the complex in the complex, do you understand what I mean? Work on the bowing today, won’t you?”

“My serious Sparrow, what would I do without you? Come to Room 103 at lunchtime, and I’ll make Ravel himself proud.”

Alone once more, Sparrow picked up the envelope again. It was true, there was nowhere to hide anything in this house, or even this neighbourhood, not even a bag of peas or a guilty thought. He reread Wen the Dreamer’s letter, then he took the box of matches from the window ledge, held the letter over the cigarette tin and set it alight. Wen’s handwriting became distorted and round, long and thin, until every sentence was the same: nothing but residue. But Sparrow remembered every word as if the brief letter was a poem or Bach partita. He could stand up and deliver it now, word for word, note for note.

All morning, the words floated through Sparrow’s thoughts and would not leave him, even when Flying Bear dropped his breakfast on the floor and Da Shan walked barefoot into porcelain shards. The letter continued even as Sparrow washed blood, pottery and breakfast out of Da Shan’s foot.

“Should we go to the clinic? Probably I need stitches?”

“I don’t think so. Antiseptic should do.”

“Of course.” His voice a disappointed trombone.

Meanwhile, Swirl cleaned the floor, Ba Lute dished out another bowl of food, his mother yelled at everyone, and Flying Bear pretended to spear his brother in the back.

The letter sat in his mind and brought unexpected tears to Sparrow’s eyes.

Da Shan leaned forward, wiped the tears away with his delicate fingers and said nothing.

My dear friend, I trust this letter finds you well and that you remember me, your dreaming friend who treasures you like his own son. Today I am neither in the east nor the west. One day I will tell you all the vagaries, cliff-hangers and digressions of the story. But, in short: I escaped from H — camp and have gone into hiding. I cannot describe conditions to you, little bird. The camp was the very end of the earth. I am no counter-revolutionary and neither were those exiled with me. In my heart, I believe that it is this age and our leaders who one day will have to account for their crimes. For the last month, I have been searching for a safe house. Last week, fate brought me to Shanghai and I saw my family. They did not see me and I did not dare make myself known. The authorities closed in and I left the city headed for G — Province. Little bird, please do all you can to prevent my family from searching for me. I must close this letter. A book could not hold all I wish to say.

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