Anna Solomon - Leaving Lucy Pear

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Leaving Lucy Pear: краткое содержание, описание и аннотация

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A big, heartrending novel about the entangled lives of two women in 1920s New England, both mothers to the same unforgettable girl. One night in 1917 Beatrice Haven sneaks out of her uncle's house on Cape Ann, Massachusetts, leaves her newborn baby at the foot of a pear tree, and watches as another woman claims the infant as her own. The unwed daughter of wealthy Jewish industrialists and a gifted pianist bound for Radcliffe, Bea plans to leave her shameful secret behind and make a fresh start. Ten years later, Prohibition is in full swing, post-WWI America is in the grips of rampant xenophobia, and Bea's hopes for her future remain unfulfilled. She returns to her uncle’s house, seeking a refuge from her unhappiness. But she discovers far more when the rum-running manager of the local quarry inadvertently reunites her with Emma Murphy, the headstrong Irish Catholic woman who has been raising Bea's abandoned child — now a bright, bold, cross-dressing girl named Lucy Pear, with secrets of her own.
In mesmerizing prose, award-winning author Anna Solomon weaves together an unforgettable group of characters as their lives collide on the New England coast. Set against one of America's most turbulent decades,
delves into questions of class, freedom, and the meaning of family, establishing Anna Solomon as one of our most captivating storytellers.

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“You want to leave here?” Bea ventured.

“Please don’t tell.” Lucy flashed a painfully eager smile. “I was thinking… maybe… you could help?”

“Help?” Bea couldn’t hide her surprise.

“With the ticket, I mean.”

Bea swallowed hard. Again she tried to smile, but it was a lopsided effort — she could no longer process the conversation, she knew so little about Lucy’s life. Did she want Bea to help her with some kind of escape? Bea had left her daughter when she’d barely been able to see. Why should the girl trust her now? “But your mother…” Bea sputtered.

“Look!” Lucy lifted her skirt, turned sideways, set her foot on the box next to Bea’s. High up on the backside of her leg, Bea saw a wound the size of a quarter, bright red at its center, fading to pink at its edges. It could be a burn, she thought. She had seen plenty of burns. Nearby a few old bruises lay quietly under the skin, like dim moons around a sun. Bea felt her temperature rise — her ears and fingers swelled with blood. Rage shot through her. What had she allowed to happen? She asked as calmly as she could: “What is this?”

Lucy let her skirt fall.

“This is why you want to leave?”

Lucy turned away and resumed cranking. “What is my father like?” she asked.

“Your father?” It was a natural question, and connected, Bea presumed, to the wound, yet she was not prepared for it. “Lucy.”

“Is he Mr. Cohn?”

“No.”

“Is he dead?”

“No!”

Lucy looked doubtful. “He’s dead.”

“He’s not dead.”

“Then what?”

“He was a very honorable man. He would have wanted you to be—”

“You talk like he’s dead!” The girl bit her lip. She appeared in awe of her own impertinence. “You didn’t know him,” she said, realizing. “He didn’t know me.”

Bea reached a hand toward Lucy. Lucy didn’t take it.

“That was how it had to be done.”

“Why?”

Bea thought how to explain it. But the explanation was about certain types of people and schools and mothers and concerts. It was about a sort of life, a world, that didn’t sound so hard. She tried another tack. “Imagine one of your sisters…”

“My mother got pregnant with Juliet before she was married,” Lucy said. “I did the math.”

Bea took a deep breath. She could smell the girl. She smelled of sun and sweat, girl sweat — Bea remembered — tangy but appealing, like citrus. “Forget it,” Bea said. “What I mean to say is that it was a mistake. Not to have kept you. I mean to say I’m sorry. I know he is, too. Which sounds completely useless, I know. I’d understand if you hate me. But I am. I’m sorry. I’m here now. I—” She nodded vaguely at Lucy’s leg. “Maybe I can help.”

That was when Emma peered in. She was backlit, and breathing heavily from her walk up the hill, her shoulders rising and falling, and Bea’s first thought was of Nurse Lugton, here to stop the strangeness, wake her, tell her it was all a dream.

• • •

Emma was so quick to think of Roland, to account for him, to smooth the world for him, to protect the children from his wrath, which was mounting again, a toothier, maimed cousin of its earlier self — he was unwilling to try a prosthetic or even leave the house yet too large and roving to be contained in a chair — that she made no sound. A howl of lightning from her head to her heels, a twisting through her ribs, a silent, wrenching mewl. Why had she thought it could go on forever? She had been stupid, delusional, as if Lucy would forget, as if Mrs. Cohn might not have seen her, as if Mr. Cohn were blind. We’ll see, she’d said to Lucy. Maybe, mmm, we’ll see, though Lucy begged. We’ll see, and off Emma went to work in the mornings, We’ll see, and off she went in the night with Josiah Story, We’ll see, and twice more to the woods with him during the day. She had been there now! He had picked her up from work, saying to the room that one of her sons was hurt, while he whispered in her ear, Not true. The memory of it filled her with horror, their thumping against the car door, his hands pulling her roughly. He had been rough and she had liked it, liked thumping like that, liked it so much heat flooded her lap at the thought of it, even as she stood in the window, looking at Lucy and Mrs. Cohn. I’m here now. Here now. Lucy, Lucy, her eyes brimming with tears.

“Go in the house,” Emma said.

Lucy shook her head.

“Go.”

“I won’t.”

“Go somewhere.” Emma’s voice was sharper than she intended, her hands in fists. She moved to the doorway, her hair clinging with sweat, her shoulder sore from where he’d bitten her. A piercing shame. Was this her punishment? I’m here now.

“I won’t!”

“Lucy!” Emma hissed.

The girl didn’t move. She was afraid, she must have been terrified, but she looked at Emma with such utter defiance that she appeared almost languorous, mocking, her face close to a smirk. If not for Roland, Emma could have yelled. Instead she was inside the shack, her hand raised, her hand falling with such force that when Lucy dodged it, Emma’s wrist met the scratcher’s edge with a sickening twang. She yelped. Lucy stared at her from the corner, then started to cry.

Emma shook out her arm. “Stop staring at me,” she said to Mrs. Cohn without looking at her. “I’ve never hit her. Lucy, tell her. I’ve never hit you.”

“You’ve never hit me,” Lucy said miserably.

Emma rubbed her wrist. “Do you remember, Mrs. Beatrice Haven Cohn, coming to this house once before?”

“I do.”

“Should I be flattered, that you remember?”

“I didn’t say that.”

Emma’s wrist was maybe broken. It hurt like hell, like she might fall down and weep. But Lucy was weeping. “You told me not to have any more children,” Emma said.

“I remember. I’m sorry.”

“You’re sorry.” Emma looked at her now, and was astonished to find Mrs. Cohn staring at her with an expression so free of guile or cover, so bare and young and thin — so thin! the bones in her forehead showing through — that Emma heard herself laugh. “You are sorry!” she said. “Well. I haven’t had any more.”

“I know.”

“What do you want?” Emma asked.

Mrs. Cohn said nothing.

“You can’t take her.”

“I didn’t…”

“Proof? Is that what you want?”

“All I wanted…”

“Don’t lie to me.”

“I wanted proof. I’m sure I did. I did. Of course. But…” Mrs. Cohn glanced at Lucy, then back at Emma with a pointed look. “You should know—”

“You should knowwww,” Emma mocked. Her wrist soared with pain. “No. You don’t tell me anything. You don’t come here and tell me what’s what. Oh, Emma, let me give you my dress, let me help you, oh, Emma, you should know… Oh, Lucy, maybe I can help. We don’t need your help. We—”

“Stop! I’m sorry. I’ll go. We’ll arrange another time.”

Mrs. Cohn stood.

“That’s it?” Emma said. “You’re sorry? You’ll go? You’ll run away, go cry to your uncle?”

“I don’t know what I can do.” Mrs. Cohn looked desperately at Lucy, who looked at Emma, her eyelashes stuck into clumps, reminding Emma of a bird she’d found as a child, after a storm. This was in Banagher, not long before her father died and she left for America. One of the bird’s wings was broken, its feathers stuck together like Lucy’s eyelashes were now. Emma brought it home. Her father, out of work again, wrapped it in a towel. But then Emma’s mother walked in, took the creature from her father, and twisted its neck with one quick maneuver. “It’s better off that way,” she said. Thirty seconds later, Emma saw her throw the carcass to the dogs. That was her mother’s order: healthy or dead, righteous or bound for hell. Emma didn’t let her father see her cry. For a few days, the bird unsettled her, then she forgot about it. Now she thought of her father’s helpless deference, how it had driven her to be another way, strong and separate, and how she had managed that, in some ways, and in other ways failed, allowed herself to be bossed and intimidated. She turned to Mrs. Cohn. “I keep house poorly,” she said. “But not as poorly as I did for you.”

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