Ali Eteraz - Native Believer

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Native Believer: краткое содержание, описание и аннотация

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"
stands as an important contribution to American literary culture: a book quite unlike any I've read in recent memory, which uses its characters to explore questions vital to our continuing national discourse around Islam."
— 
, Editors' Choice
"M.'s life spins out of control after his boss discovers a Qur'an in M.'s house during a party, in this wickedly funny Philadelphia picaresque about a secular Muslim's identity crisis in a country waging a never-ending war on terror."
—  "[A] poignant and profoundly funny first novel….Eteraz combines masterful storytelling with intelligent commentary to create a nuanced work of social and political art."
—  "Eteraz's narrative is witty and unpredictable…and the darkly comic ending is pleasingly macabre. As for M., in this identity-obsessed dandy, Eteraz has created a perfect protagonist for the times. A provocative and very funny exploration of Muslim identity in America today."
—  "In bitingly funny prose, first novelist Eteraz sums up the pain and contradictions of an American not wanting to be categorized; the ending is a bang-up surprise."
—  "Who wants to be Muslim in post-9/11 America? Many of the characters in Ali Eteraz‘s new novel
have no choice in the matter; they deal in a variety of ways with issues of belonging and identity in a society bent on categorizing, stereotyping, and targeting Muslims."
—  "Ali Eteraz’s fiction has encompassed everything from the surreal and fantastical to the urgently political.
, his debut novel, explores questions of nationality, religion, and the fears and paranoia in American society circa right now.
—  Included in John Madera's list of Most Anticipated Small Press Books of 2016 at "Ali Eteraz has written a hurricane of a novel. It blows open the secrets and longings of Muslim immigration to the West, sweeping us up in the drama of identity in ways newly raw. This is no poised and prettified tale; buckle in for a uproariously messy and revealing ride."
— 
, author of "Merciless, intellectually lacerating, and brutally funny,
is not merely a Gonzo panorama of Muslim America-it's one of the most incisive novels I've ever read on America itself. Eteraz paints our empire with the same erotic longing and black, depraved wit that Nabokov used sixty years ago in
. But whereas Nabokov's work was set in the heyday of America's cheerful upswing, Eteraz sets the country in the new, fractious world order. Here, sex, money, and violence all stake their claims on treacherously shifting identities-and neither love nor god is an escape."
— 
, author of Ali Eteraz's much-anticipated debut novel is the story of M., a supportive husband, adventureless dandy, lapsed believer, and second-generation immigrant who wants nothing more than to host parties and bring children into the world as full-fledged Americans. As M.'s life gradually fragments around him-a wife with a chronic illness; a best friend stricken with grief; a boss jeopardizing a respectable career-M. spins out into the pulsating underbelly of Philadelphia, where he encounters others grappling with fallout from the War on Terror. Among the pornographers and converts to Islam, punks and wrestlers, M. confronts his existential degradation and the life of a second-class citizen.
Darkly comic, provocative, and insightful,
is a startling vision of the contemporary American experience and the human capacity to shape identity and belonging at all costs.

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“I think we should have a party.”

“Shouldn’t we celebrate on our own?”

“We owe our success to a lot of people,” she replied. “We should take a moment to thank them.”

“Fine then,” I said. “But this time you do the preparations.”

Marie-Anne took to the hosting like she was planning a wedding. She created an online document and worked her way through the checklist. She had the ability to maintain sustained concentration even toward minutiae. I, on the other hand, required epic or grand aims in order to produce that kind of focus. The difference between us was one of vision. She had a preexisting conception of what she wanted to accomplish, presumably learned from her mother’s lifetime of socialization, whereas my organization always had something of the artificial to it. I imitated things I had seen in magazines or in films. I developed the nagging suspicion that had she been the one to organize the party for Plutus, she wouldn’t have made the mistake of leaving out items that might prove controversial. My only request this time was that the wine had to be Cheval Blanc. All the great years.

* * *

Early the next morning Marie-Anne and I decided to go for a walk toward Manayunk. The river was empty and frozen. The municipal department hadn’t yet sifted the snow off the pavement and we had to trudge along holding each other’s hand. It was heavy going and we barely made it to Boathouse Row. With a little more gumption we pressed on, toward the underpass bridge. We were surprised to find the area populated by a group of homeless men. They had brought the numerous trash cans from the park to one place and lit them all. Most of the cans had died but a couple were still going strong. Their faces glowed red from the fire. We ignored them and moved ahead into a clearing where some earlier adventurer had swept the snow off a bench facing the river.

“I still can’t believe you were on TV.”

“Too bad it went so terribly.”

“I liked it,” I said. “Except the bit at the end. Where you called people hairy, thin-skinned lepers.”

“You heard that?”

“Your microphone was on.”

She sighed, pulled me under a tree, and made me look at her. In the middle of the park she opened up her jacket and unbuttoned her shirt and turned her naked torso to me, presenting the streaks of purple on her chest, the cat scratches of illness on her belly, the excessive hair all over.

“Take a long look at yourself, then take a long look at me, and tell me who is the hairy, thin-skinned leper.”

Tears filled my eyes. I should have known her muttering was directed at herself; I should have known she was berating her body like she always did. She cried too. The last time we had both cried together was even before we had stopped sleeping together. It was the night we had come back from the doctor the first time. Except then she and I held each other and cried as one, in bed, putting our lips like bandages upon each other’s eyelids. Now we were more than a foot apart, the blood from the eyes staining our faces, using the back of our hands to smear our skin.

I reached out and touched Marie-Anne’s hand. It was shaking in the cold. I buttoned up her jacket and tied her scarf around her head.

That whole day we held each other. There was nothing more to it than the reestablishment of tactility, touch. We didn’t say a word. The aim was only to show Marie-Anne that she hadn’t been shunted from the territory of the healthy. That even if the rest of the world found her a sad hog of a woman, I wouldn’t treat her like that. I had the past on my side. I had seen her as she had been before the transformation. If she sometimes forgot what she had been, I would be right there to remind her, to make rhyming verbal remembrances to be tucked away in her purse, her luggage.

Ever since she put on weight, became disfigured, she had started thinking of herself as a monster. This made her want to take revenge against all those who were able to remain beautiful — namely, all the petite and sprightly women who we came across. That was why Marie-Anne had been so intent on her ownership fantasies. By being able to render the Candaces and the Leilas of the world subservient to her, by imaginarily feeding on their blood, by owning them in their most vulnerable posture, by crushing them under her bigness, Marie-Anne had been able to destroy some of their beauty. And because I hadn’t known better, rather than putting a stop to it all, I had encouraged it, had actively participated in the vampirism.

“Who do you think is the most beautiful person?” I asked Marie-Anne after a snack of hazelnut spread and bread.

“In the world?”

“Yes, objectively.”

“I don’t know. You tell me.”

“I hate to say it,” I replied. “But I think it’s your mother. I never saw a more beautiful woman in my life.”

“She always was. Is it wrong to say that sometimes I miss her just because I feel like I am denied being able to look at her?”

“We can’t help what we find beautiful,” I said and stroked Marie-Anne’s rounded-moon face.

I guided her to the living room and we slid down to the carpet, leaning against the sofa. I searched for the film with Isabelle Adjani and found it after a moment. I took it out of the case and slid it in. I didn’t show Marie-Anne the inside of the cover where her father’s inscription was written. I simply let the film get started. She watched with great curiosity in her eyes.

The opening scene showed Adjani arriving in Halifax by boat, in pursuit of the man who she loved, for whom she would eventually suffer madness. As the atmospheric darkness from the film washed over, both Marie-Anne and I became somber, our laughter bowing out from the room. I kept staring at Marie-Anne’s face, to gauge it for reaction, to be astonished by the way she was mesmerized. She was aware that she was quite drunk, so she was a little skeptical of what she was seeing.

“Is that.?” she pointed. “Who is that?”

“That is Isabelle Adjani.”

“It’s not my mom?”

“No,” I said. “It’s Isabelle Adjani.”

Her big, lightly rippling eyes went soft. Deep inside it seemed like there was a pile of petals in them. “That’s definitely the most beautiful person in the world.”

We watched the film together with a kind of college-era intimacy, drifting away from the scenes to kiss, touch, fondle, and grope each other. We remembered the film again and tried to seem informed about everything from Victor Hugo to Les Mis to Napoleon, only to realize we had no idea what was happening on screen. But somehow we kept blubbering to each other, a man and a woman after so long getting to be a boy and a girl.

A little while later Marie-Anne decided she didn’t want to watch any more. Her arms shook from the effort required to stand, but with some help from me she was able to get up. She took a deep breath and gathered herself and then, with an invitational finger, told me to follow her to the bedroom.

Inside she started to undo her clothes a little and asked me to tell her where she would meet Isabelle Adjani. She was ready, as always, to turn me into her ideal self.

“You won’t meet her,” I replied.

“I won’t?”

“No,” I said. “You will become her.”

“Me?”

“Yes,” I said. “And I will be with her.”

“But why?”

“Because you’ve forgotten what it feels like to be beautiful. Maybe by immersion you can remember.”

She said she was scared. I told her not to be. And so that day when I took off Marie-Anne’s clothes she wasn’t aghast by her body because she was Adjani and flawless. And when I kissed her softly she wasn’t ashamed to kiss back because she was Adjani and sensual. And when she yielded her being to me she wasn’t afraid because she was Adjani and there was nothing to fear. We weren’t the first people in the world to beat back the tyrannies of disease by imagining ourselves as more beautiful than we were, and we wouldn’t be the last.

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