Ali Eteraz - Native Believer

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Native Believer: краткое содержание, описание и аннотация

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"
stands as an important contribution to American literary culture: a book quite unlike any I've read in recent memory, which uses its characters to explore questions vital to our continuing national discourse around Islam."
— 
, Editors' Choice
"M.'s life spins out of control after his boss discovers a Qur'an in M.'s house during a party, in this wickedly funny Philadelphia picaresque about a secular Muslim's identity crisis in a country waging a never-ending war on terror."
—  "[A] poignant and profoundly funny first novel….Eteraz combines masterful storytelling with intelligent commentary to create a nuanced work of social and political art."
—  "Eteraz's narrative is witty and unpredictable…and the darkly comic ending is pleasingly macabre. As for M., in this identity-obsessed dandy, Eteraz has created a perfect protagonist for the times. A provocative and very funny exploration of Muslim identity in America today."
—  "In bitingly funny prose, first novelist Eteraz sums up the pain and contradictions of an American not wanting to be categorized; the ending is a bang-up surprise."
—  "Who wants to be Muslim in post-9/11 America? Many of the characters in Ali Eteraz‘s new novel
have no choice in the matter; they deal in a variety of ways with issues of belonging and identity in a society bent on categorizing, stereotyping, and targeting Muslims."
—  "Ali Eteraz’s fiction has encompassed everything from the surreal and fantastical to the urgently political.
, his debut novel, explores questions of nationality, religion, and the fears and paranoia in American society circa right now.
—  Included in John Madera's list of Most Anticipated Small Press Books of 2016 at "Ali Eteraz has written a hurricane of a novel. It blows open the secrets and longings of Muslim immigration to the West, sweeping us up in the drama of identity in ways newly raw. This is no poised and prettified tale; buckle in for a uproariously messy and revealing ride."
— 
, author of "Merciless, intellectually lacerating, and brutally funny,
is not merely a Gonzo panorama of Muslim America-it's one of the most incisive novels I've ever read on America itself. Eteraz paints our empire with the same erotic longing and black, depraved wit that Nabokov used sixty years ago in
. But whereas Nabokov's work was set in the heyday of America's cheerful upswing, Eteraz sets the country in the new, fractious world order. Here, sex, money, and violence all stake their claims on treacherously shifting identities-and neither love nor god is an escape."
— 
, author of Ali Eteraz's much-anticipated debut novel is the story of M., a supportive husband, adventureless dandy, lapsed believer, and second-generation immigrant who wants nothing more than to host parties and bring children into the world as full-fledged Americans. As M.'s life gradually fragments around him-a wife with a chronic illness; a best friend stricken with grief; a boss jeopardizing a respectable career-M. spins out into the pulsating underbelly of Philadelphia, where he encounters others grappling with fallout from the War on Terror. Among the pornographers and converts to Islam, punks and wrestlers, M. confronts his existential degradation and the life of a second-class citizen.
Darkly comic, provocative, and insightful,
is a startling vision of the contemporary American experience and the human capacity to shape identity and belonging at all costs.

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Mark came back with a bottle of Chimay. He thrust it into my hand and backpedaled. I was disappointed not to get some of the Blanc, but there was nothing I could say.

“Just curious,” George said after sloshing and gargling his first sip and letting out a satisfied moan. “What’s that? Up on the empty shelf?”

I shrugged. “Nothing?”

“No, there’s something. All the way to the back. Can you not see it? It’s something on a stand.”

I had always thought that was just the dusty shelf in the house, the empty one, the one too far to reach, the one that, when I cleaned, I made a little halfhearted flip of a towel at, and that was that.

I got on my toes and then made a pair of desperate hops. My eyes fell upon something, a small X-shaped wooden stand with something multicolored resting upon it. I waited for George to recognize that I wasn’t tall enough to grasp it; but he didn’t move until I verbally requested his assistance. “Please?”

“Yes, sure,” he said, pretending that he hadn’t noticed my struggle.

He took a long sip from his glass. Then, with a casual sweep, he brought the colored object off the wooden stand and handed it to me.

It was a little palm-sized item, wrapped in a glittery pink cloth cover. I put my beer on the shelf and inspected it. The pouch bore my name in green thread. The stitching reminded me of the way my mother used to identify the inside of my golf uniform back in high school in Alabama. I grew nervous. Since she had passed away, this was my first encounter with something that I knew had touched her hands.

George, gleeful at the thought of a new discovery in someone else’s home, leaned in and blew at the dusty pouch. There was a book inside.

I assisted him by swiping my hand over the cloth. Then, with a deep breath, I put forefinger and middle finger into the pouch and pulled at the book. I hadn’t so much as touched the calligraphic arabesques on the spine when I figured out what it was. And rather than pulling it out, I stuffed it deeper and prepared to launch myself up and put it back on the shelf.

“What is it?” George whispered, lowering his head like a giraffe in search of water.

“Nothing,” I said. “Nothing. Just something my mother must have put there the last time she visited.”

“How classic. So what is it?”

“Nothing exciting,” I said. “Just a miniature Koran in a pouch. She came here for the last time after my dad passed away and before she left us. I guess she had nothing to do but stitch and sew this cover.”

I thought that upon being told that both my parents were dead, George would adopt an attitude of condolence, of reluctance, become a little less excited. But he had no such inclination. He thrust his wine glass into my hand and yanked out the Koran. Then, with his mouth still full of the Blanc, he ruffled the pages with a slide of his thumb. He wiped it on his pants, licked his middle finger, and browsed through a few more pages. His fingers seemed to discover the ribbon bookmark and he flipped toward the end of the volume. “Chapter 74,” he said out loud. “The Hidden Secret.” He looked at me, popped his eyebrows a couple of times, and then went back to skimming. At last he closed the Koran, inspected it, and handed it back. It was in his possession no more than fifteen seconds.

I didn’t know what to say. I avoided George’s gaze. I took back the Koran, slid it into the pouch, and moved to place it back atop the shelf.

As I got on my toes, I heard George chuckle behind me. “You’re putting something higher than Nietzsche?”

“It’s just a decoration.” I came back down and dusted my hands.

“Are you sure it’s not an expression of your residual supremacism?”

I turned into a pillar of salt. “Pardon?”

“I’m just noting,” he said, both hands up, but with a smile on his face, “that without thinking, you put the collected works of Muhammad above the collected works of Nietzsche. A theist over an antitheist. The Prophet of Arabia over the Devil of Bavaria. I’m just asking if that was an expression of some residual supremacism on behalf of the Koran.”

“I didn’t mean anything by putting it where I put it. I just put it.”

“That’s my point,” he persisted. “You did it without even thinking.”

“It’s just a decoration, George,” I said. “And besides, if I was thinking of anything, it was of my late mother.”

He became apologetic, returning to the inquisitive and empathetic person he had been earlier, when he had been kneading my shoulder. I felt his firm hands on my back again, this time a little lower than before. “Hey, cheers,” he said, offering his glass. “To matriarchs.”

He appeared genuine. There was a glimmer of gentle warmth in his eyes. I nodded with a smile and clinked, leading him away from the bookshelf. We briefly discussed what we most missed about our mothers and grandmothers. His mother had left him when he was a teenager and his grandmother had died during the bombing in Dresden. He said she deserved it; she had been an avid Nazi.

As the night went on, people became increasingly drunk, and the frostiness outside kept the party going. In her drunken state, Danielle declared half the firm to be anti-Semitic and revealed that her love of Jews began as a result of a tryst with Woody Allen. We had a good time cross-examining her and revealing the story to be hokum.

As for George, once he was properly drunk, he sidled up to Marie-Anne and asked her probing questions about where she had grown up and what she did for work. She managed to keep him at half an arm’s length, and yet he was wound up in her like a comb in her hair.

I moved aside with Candace Cooper. When I put my hand on her waist she downed the wine like a shot. Dabbing her mouth with the back of her wrist she tried to lock eyes with me. But she separated her mouth from the skin too quickly and there was a little runoff of wine down her arm, into her sleeve. She was about to say something when Dinesh appeared and took her away by the arm. I bubbled in anger at the ease with which she was swept away. She always had a tendency to let people strong-arm her.

Marie-Anne saw me standing alone and came over to hold my hand, encouraging me to take in the scene, telling me of a job well done, running her middle finger down the center of my palm to indicate her approval. Whenever we organized a party and it went well, she tended to want to play. It had something to do with having expressed Southern hospitality perfectly, the satisfaction of having done something that would have made her mother happy. I asked her about the bleeding. She said that the success of the party had improved her mood and things were under control.

My eyes stayed on George Gabriel. He walked to Candace and pulled her out of the conversation with Dinesh and led her toward the window. I willed for her to resist him but she did not.

I turned to Marie-Anne and smiled, doing whatever I could to not look at the bookshelf looming behind her. Every time my eyes went toward the top shelf, I redirected my gaze to a picture of Marie-Anne playing volleyball in college. Her youthful beauty was the only thing in the room that could prevent me from spinning into the hole that George Gabriel had opened.

* * *

Once the guests were gone, Marie-Anne waited for me to get into bed and then spooned me from behind, reaching around and taking my cock in her hand. Our feet were at the same level; her head was higher than mine. She threw one wide thigh over my hip and planted kisses on the top of my skull. This was the position in which most of our play was inaugurated.

“How tall do you think that girl Candace is?” she whispered.

“She can’t be more than five feet tall,” I replied, pushing my buttocks into her groin. Marie-Anne had often told me I had a “model ass.” Once, during the early days of her weight gain, she even made me wear a pair of her boy-shorts because she said my ass looked better in them than hers.

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