Ali Eteraz - Native Believer

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Native Believer: краткое содержание, описание и аннотация

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"
stands as an important contribution to American literary culture: a book quite unlike any I've read in recent memory, which uses its characters to explore questions vital to our continuing national discourse around Islam."
— 
, Editors' Choice
"M.'s life spins out of control after his boss discovers a Qur'an in M.'s house during a party, in this wickedly funny Philadelphia picaresque about a secular Muslim's identity crisis in a country waging a never-ending war on terror."
—  "[A] poignant and profoundly funny first novel….Eteraz combines masterful storytelling with intelligent commentary to create a nuanced work of social and political art."
—  "Eteraz's narrative is witty and unpredictable…and the darkly comic ending is pleasingly macabre. As for M., in this identity-obsessed dandy, Eteraz has created a perfect protagonist for the times. A provocative and very funny exploration of Muslim identity in America today."
—  "In bitingly funny prose, first novelist Eteraz sums up the pain and contradictions of an American not wanting to be categorized; the ending is a bang-up surprise."
—  "Who wants to be Muslim in post-9/11 America? Many of the characters in Ali Eteraz‘s new novel
have no choice in the matter; they deal in a variety of ways with issues of belonging and identity in a society bent on categorizing, stereotyping, and targeting Muslims."
—  "Ali Eteraz’s fiction has encompassed everything from the surreal and fantastical to the urgently political.
, his debut novel, explores questions of nationality, religion, and the fears and paranoia in American society circa right now.
—  Included in John Madera's list of Most Anticipated Small Press Books of 2016 at "Ali Eteraz has written a hurricane of a novel. It blows open the secrets and longings of Muslim immigration to the West, sweeping us up in the drama of identity in ways newly raw. This is no poised and prettified tale; buckle in for a uproariously messy and revealing ride."
— 
, author of "Merciless, intellectually lacerating, and brutally funny,
is not merely a Gonzo panorama of Muslim America-it's one of the most incisive novels I've ever read on America itself. Eteraz paints our empire with the same erotic longing and black, depraved wit that Nabokov used sixty years ago in
. But whereas Nabokov's work was set in the heyday of America's cheerful upswing, Eteraz sets the country in the new, fractious world order. Here, sex, money, and violence all stake their claims on treacherously shifting identities-and neither love nor god is an escape."
— 
, author of Ali Eteraz's much-anticipated debut novel is the story of M., a supportive husband, adventureless dandy, lapsed believer, and second-generation immigrant who wants nothing more than to host parties and bring children into the world as full-fledged Americans. As M.'s life gradually fragments around him-a wife with a chronic illness; a best friend stricken with grief; a boss jeopardizing a respectable career-M. spins out into the pulsating underbelly of Philadelphia, where he encounters others grappling with fallout from the War on Terror. Among the pornographers and converts to Islam, punks and wrestlers, M. confronts his existential degradation and the life of a second-class citizen.
Darkly comic, provocative, and insightful,
is a startling vision of the contemporary American experience and the human capacity to shape identity and belonging at all costs.

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I picked up the remote to find some updated cartoons. SpongeBob and Patrick were on another channel. They had donned a pair of nun habits and ran after a curved-nosed villain with thin limbs and a potbelly.

* * *

I slept the night on the sofa. I woke up at the moment of quantum silence in the middle of the night when even the air in the house became devoid of movement. I was the only particle that attained motion. I went to the study and trailed my hand over the small desk from Antique Row. I toed the carved cabriole legs. I tugged at its handles. I inhaled it so hard it levitated. I had filled its drawers for Marie-Anne to browse through, with little mementos and keepsakes for her to discover. But she had run her hand over the desk and not delved into it. She hadn’t wondered what she might find inside.

I sat on the chair, opened a drawer, and drew out the family albums. There was my family. The three of us seemed so negligible compared to Marie-Anne’s mammoth clan. My family’s pictures were almost all indoors, because for the bulk of their lives my parents were people who paid rent. Marie-Anne’s family’s pictures are almost all outdoors. They were people of land, people of substance, owners of legacy.

My parents made me smile. My small bespectacled father — meager lab technician — and my short-haired mother who stayed at home and raised me. They had come to America through luck, by having their name called in the immigration lottery. Because it was chance that brought them here, they always lived in fear of chance turning against them. The first job my father got, he held it, and the first role my mother had, that of raising me, she held that. Every now and then they would talk, in quiet tones, about launching a business, or aiming for another job, or getting financing for a house, but would veto themselves. “That’s risky,” my mother would say. “It’s chancy,” my father would add. That would be that.

The one thing they believed in was the myth of American meritocracy. That seemed to them to be utterly devoid of risk. “America is the only place in the world where performance trumps blood,” my father said to me often, even if the stories we heard every day contradicted his belief. My parents were convinced that if I performed well in all the tests that America gives its children, then I would be able to reach the highest echelon of society. I was their one risk-free investment. And I was happy to say that as long as they were alive I more or less vindicated them. I did well in school, got a scholarship to college, and, after only a short period of aimlessness, found a stable job where I received a stable paycheck. I had done everything they had ever dreamed for me.

My decision to marry Marie-Anne was the only thing my parents ever questioned — because they thought it was a risky thing for a nonwhite to marry a white — but once I explained to them that she and I related to one another through our shared interests, values, and status as Southerners, they let go of it as well. If they’d had a problem with Marie-Anne, if they thought they had lost me, they would’ve picked some end-of-life fight with me. Perhaps accused me of throwing away the past. But they didn’t do anything like that. They came and tucked the past in a corner where no one would find it. And they left.

I was glad they were gone. If they were still alive they wouldn’t have been able to handle seeing my American life decapitated by their inadvertent hand. It would’ve killed them.

Then again, if they were still alive I might have been able to borrow some money for the bills I was still responsible for.

* * *

The Koran had been sitting on the coffee table since Marie-Anne left. After breakfast the next morning, I sat down before it and made an inspection.

I started with the wooden holder. It was in the shape of a butterfly with rounded edges, made of mango wood, with intricately carved eight-pointed lattices in the wings. The color was a brushed plum brown, and there were hinges in the center that cradled the spine of a book, allowing it to sit open between the wings. I had once seen a black-and-white picture of my mother as a young girl, head covered, eyes lowered, sitting before such a holder. I put the holder aside.

Next I worked the cloth pouch. My fingers trailed over my name. The thread that my mother had used to do the embroidery was some kind of high-quality velvet. She must have remembered my fondness for velvet. The glittery cloth was also quite weighty, having a texture similar to an antique brocade sofa.

The Koran itself was the least impressive thing in the set. The zipper cover was made of cheap plastic and the zip got stuck at various pins. The calligraphic writing on the side and the dados on the cover were impossible to discern because dark green ink had been used on a black background. With my index finger I found the cloth bookmark and flipped back to the Chapter of the Hidden Secret. I skimmed over it for a moment. Purity and torment and guardians of the hellfire and blackened faces and donkeys alarmed by lions. It made no sense to me. I wrapped the Koran back up and returned it to the holder and resumed staring.

As a child I had never consciously rejected Islam. I simply hadn’t cared for it, nor had it struck me that that there was any benefit in belief. The old religions were the politics of the past, lingering on due to the irascibility of ritual, the nostalgia of the adherents, and because appealing to certain dead men still led to good fundraising hauls. Since my interest was in the politics of the present, it had made no sense to bother getting involved with what was so evidently anachronistic. It had also helped that my parents, aside from preaching abstention from pork, and abstention from sex till marriage, hadn’t bothered to impart Islam to me as a doctrine. This allowed me to see it as one of those things that foreigners did, like Soccer, or Kung Fu, or Bollywood. As a teenager, then, my focus had been on more secular things. How to hide my parents’ accent (keep far away from them). How to make people blind to the color of my skin (stand close to Marie-Anne). How to best Anglicize my name (rearrange the syllabic emphasis). Once in college there had been Muslim students who had tried to reach out to me, but they hadn’t been very persistent. They saw that I liked to drink and they backed away. Perhaps in other universities there were Muslims with greater evangelical zealotry, but not at Emory. The lack of a community meant that I met no Muslim girls who might have tempted me to learn something of Islam, perhaps as a courtship device.

For a brief instant, earlier in the decade, there had been a moment when I had been forced to confront the question of Islam. But not for very long. When the towers fell I simply attested to myself that I wasn’t a Muslim— There’s no known god, nor is there an unknown god, and if there must be a god, then all are god —and moved on from any feeling of complicity or guilt or involvement. I decided that I was nothing but a millennial, identified by my income, my profession, my consumption habits, living in this postracial America which through the burning of a Bush had become enlightened enough to follow a man from the Nile despite the fact that his name evoked not one but two of America’s enemies. Then Marie-Anne had gone on to get a job working at a firm whose stated goal it was to keep America safe, and there came to be an additional buffer between me and Islam. As long as I didn’t do anything to willfully attach myself to Muslims, I had figured I would be secure.

Except the security had been illusory. All along there had been a ticking time bomb on my shelf and now it had blown, collapsing the towers of my dreams, leaving me in the soot and ash. Maybe Marie-Anne was right. The best thing to do with a bomb was to pluck out the shrapnel and cry. Maybe explanation and apology was the way to go. Yet, even though I had always listened to her before, and our success was evidence that I should continue to, I couldn’t bring myself to follow this particular command. It seemed like a slap in my dead mother’s face. Given how hard Marie-Anne had taken her own mother’s disowning, it had been shocking that she should ask the same from me. If anything, Marie-Anne should have had more respect for what my mother left behind, because my mother had at least accepted her into the family.

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