Ali Eteraz - Native Believer

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Native Believer: краткое содержание, описание и аннотация

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"
stands as an important contribution to American literary culture: a book quite unlike any I've read in recent memory, which uses its characters to explore questions vital to our continuing national discourse around Islam."
— 
, Editors' Choice
"M.'s life spins out of control after his boss discovers a Qur'an in M.'s house during a party, in this wickedly funny Philadelphia picaresque about a secular Muslim's identity crisis in a country waging a never-ending war on terror."
—  "[A] poignant and profoundly funny first novel….Eteraz combines masterful storytelling with intelligent commentary to create a nuanced work of social and political art."
—  "Eteraz's narrative is witty and unpredictable…and the darkly comic ending is pleasingly macabre. As for M., in this identity-obsessed dandy, Eteraz has created a perfect protagonist for the times. A provocative and very funny exploration of Muslim identity in America today."
—  "In bitingly funny prose, first novelist Eteraz sums up the pain and contradictions of an American not wanting to be categorized; the ending is a bang-up surprise."
—  "Who wants to be Muslim in post-9/11 America? Many of the characters in Ali Eteraz‘s new novel
have no choice in the matter; they deal in a variety of ways with issues of belonging and identity in a society bent on categorizing, stereotyping, and targeting Muslims."
—  "Ali Eteraz’s fiction has encompassed everything from the surreal and fantastical to the urgently political.
, his debut novel, explores questions of nationality, religion, and the fears and paranoia in American society circa right now.
—  Included in John Madera's list of Most Anticipated Small Press Books of 2016 at "Ali Eteraz has written a hurricane of a novel. It blows open the secrets and longings of Muslim immigration to the West, sweeping us up in the drama of identity in ways newly raw. This is no poised and prettified tale; buckle in for a uproariously messy and revealing ride."
— 
, author of "Merciless, intellectually lacerating, and brutally funny,
is not merely a Gonzo panorama of Muslim America-it's one of the most incisive novels I've ever read on America itself. Eteraz paints our empire with the same erotic longing and black, depraved wit that Nabokov used sixty years ago in
. But whereas Nabokov's work was set in the heyday of America's cheerful upswing, Eteraz sets the country in the new, fractious world order. Here, sex, money, and violence all stake their claims on treacherously shifting identities-and neither love nor god is an escape."
— 
, author of Ali Eteraz's much-anticipated debut novel is the story of M., a supportive husband, adventureless dandy, lapsed believer, and second-generation immigrant who wants nothing more than to host parties and bring children into the world as full-fledged Americans. As M.'s life gradually fragments around him-a wife with a chronic illness; a best friend stricken with grief; a boss jeopardizing a respectable career-M. spins out into the pulsating underbelly of Philadelphia, where he encounters others grappling with fallout from the War on Terror. Among the pornographers and converts to Islam, punks and wrestlers, M. confronts his existential degradation and the life of a second-class citizen.
Darkly comic, provocative, and insightful,
is a startling vision of the contemporary American experience and the human capacity to shape identity and belonging at all costs.

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“Imagine how I feel.”

“Isn’t this coming out of nowhere?”

“You tell me,” I said. “You talked to him last. This morning and also at my party. ”

“Nothing this morning,” she said, and got into the elevator because it had started to beep. “Just summoned you. That asshole.”

“And at the party?”

She shook her head and bit her nails. “He was really drunk.”

“What did you talk about? Was it Marie-Anne? Look, if it was Marie-Anne, I hope you will tell me.”

“Not at all,” she said. “He was all intellectual. Bored the fuck out of me. Totally killed my buzz. He was going on about history. I should’ve known he was an asshole. Historians are the worst people in the world.”

“Anything else?”

“Nothing,” she said. “I promise you it wasn’t Marie-Anne.”

“Well, that’s it, then,” I said, and patted her on the head. “Good luck, you. And thank you.” For a brief moment I wanted to kiss the top of her head. To muffle my mouth in her dark hair. To clutch her to me and be pained together. Then I put that thought out.

The elevator pinged on each floor like it was carrying on a xylophonic recitation.

We reached the ground floor and I stepped out. I didn’t even bother to turn around and wave a symbolic goodbye. You spun your arms during a drowning, not after.

* * *

The bars in Center City weren’t open yet. The reliable one near Shula’s Steakhouse, toward Fairmount, which tended to open earlier, couldn’t serve me today, because the bartender would have to call her manager to get his login information and he was currently indisposed. I cursed, wound my bag around my body, and headed toward Ben Franklin Parkway, gazing at its Parisian sweep. On a regular day I would evaluate the architecture, its Gothic cathedrals, the neoclassical fountains in their ovals, the honeycomb condos straight out of the Soviet avant-garde, and compare it to the places I had traveled to, trying to create a narrative about the history they were suffused with. Today I was indifferent. My hand stayed in my pocket, touching and releasing the cell phone like Lenny with his mouse. I wanted to call Richard Konigsberg. He was the man for moments like this. He was the one person I knew who not only understood the intricacies of this American life, but also knew how to explain them.

It took awhile to dial. I lost reception the first time and tried again. He picked up on the fourth ring.

“Hello.”

“Are you in town?”

“Yup.”

“I thought you would be in Chicago.”

“Still here, buddy.”

“Let’s meet up, then,” I said. “Right now—”

“But I’m at a strip club. ”

“What kind of strip club opens this early?”

“The kind that stays open all night.”

“Don’t they run out of girls?”

“They have seventy-two every night.”

“Please. Come to the art museum café. It’s important.”

“How important?”

“Plutus let me go. I’m too angry to talk on the phone.”

“Shit.” I heard shock in his voice. “All right, see you soon. And don’t do anything stupid.”

I hung up and looked around. I was at St. Peter’s Cathedral, a good distance from the art museum, but despite the cold I decided to walk it. Philadelphia was America’s only major walkable city. You could go from the Delaware River to the Schuylkill River in a light, easy stroll. You could go from Geno’s and Pat’s in the south to King Fried Chicken near Temple Hospital in the north. Most locals were comfortable walking around Philadelphia, especially in Center City, where the chances of running into a familiar face were very high, and each encounter was heightened by the joy that came with being on foot. How had Philadelphia resisted the otherwise inexorable domination of the car and the highway? It must have been an act of collective resistance of some kind. But who had resisted? When? No doubt the fateful encounter between the peripatetic and the vehicular took place long before my time, as was the case with most things in America. But I hadn’t gotten to see it. I was among those who came of age after the end of history.

I passed the Rodin Museum. The statue of the Thinker was up front, sitting hunkered in the snow, rendered white-skinned by the powder. I thought about going to sit at his feet and doing a little wail and whine, but he seemed too stentorian, too analytical, too lacking in melancholy. I recalled that the poet Rilke used to be Rodin’s assistant. And even though Rilke had been quite the sentimentalist, none of that tenderness seemed to have made its way into the Thinker. Looking at the statue, unforgiving and aloof, a philosopher with his eye on some prize beyond this world, beyond time, colder than the icicle beard on him right now, darker than the gray skies above, I could understand why Rilke had gone toward softness, love. Rilke as a reaction to Rodin. It was a good thought to have. I would have to use it at some party I might hold in the future, assuming I was ever worth visiting again.

Inside, they charged me for a ticket. When I first arrived in Philadelphia, years ago, you weren’t obligated to pay. There was a box you could drop dollars into if you wanted. But as Philadelphia became more corporate, welcomed more people coming down from New York and coming up from DC, it changed. Now the guards played another game. If they thought you could afford it, they scuttled you into a line and made you pay. A kind of class-based profiling. And that was not even the worst thing about it. By taking away the voluntariness of the contribution they changed the way a person came to art. Now you didn’t come like a lover, making an offering. You came like a debtor. You didn’t enjoy for the sake of enjoyment; you enjoyed because you had paid.

It had been a good idea to walk. The distance gave me an opportunity to calm down and replay what had happened. I paid the entry and went to the café located on the second floor. I ordered a vanilla cappuccino and reserved a latte for my guest.

When Richard Konigsberg arrived, half an hour later, he came in through the back entrance, where he had parked. I rose up with a smile. It was very taxing.

He was a tall, thin man, who wore loose-fitting suits and wide-brimmed black hats that would make him appear like some Orthodox rabbi, were it not for the fact that he was clean-shaven and every third sentence from his mouth was either laced with profanity or merged nature and women in some vulgar fashion. And these comments tended to come out in the most inappropriate moments. “Do you think that girl’s bush is deciduous or coniferous?” he had asked about an acquaintance for whom Marie-Anne had been maid of honor. “Do you think that girl would make me cum cumulus or cirrus?” was what he asked about a secretary he once hired. The more convoluted his metaphor, the more likely he was to sleep with the girl. He had never said anything about Marie-Anne.

Richard was a self-made millionaire. His family was among the few that hadn’t left for the Main Line when the urbanites turned sub. His architect father never really kept a good job, and the family had mostly come up on his mother’s income as a corner-shop psychic. Richard had decided that the way out of the lower-middle-class morass was by way of politics. And swinging from far-right to far-left and settling in the middle, he had made his way into city hall as an advisor, and from there to Plutus, where we had met. After a few years there, he had gone off to practice law with a corporate firm that he had pulled out of bankruptcy. Last we’d talked, he was going to buy out a smaller firm in New York. They represented private plaintiffs defrauded by the big investment banks.

“So, buddy, what a fucking emergency this is. I was taking a nice happy stroll in cleavage canyon, and now here I am.” He put his hat down and brushed snowflakes from its brim.

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