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Edward Jones: All Aunt Hagar's Children

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Edward Jones All Aunt Hagar's Children

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In fourteen sweeping and sublime stories, five of which have been published in , the bestselling and Pulitzer Prize-winning author of shows that his grasp of the human condition is firmer than ever. Returning to the city that inspired his first prizewinning book, , Jones has filled this new collection with people who call Washington, D.C., home. Yet it is not the city's power brokers that most concern him but rather its ordinary citizens. turns an unflinching eye to the men, women, and children caught between the old ways of the South and the temptations that await them further north, people who in Jones's masterful hands, emerge as fully human and morally complex, whether they are country folk used to getting up with the chickens or people with centuries of education behind them. In the title story, in which Jones employs the first-person rhythms of a classic detective story, a Korean War veteran investigates the death of a family friend whose sorry destiny seems inextricable from his mother's own violent Southern childhood. In "In the Blink of God's Eye" and "Tapestry" newly married couples leave behind the familiarity of rural life to pursue lives of urban promise only to be challenged and disappointed. With the legacy of slavery just a stone's throw away and the future uncertain, Jones's cornucopia of characters will haunt readers for years to come.

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“It grows on you,” Ruth, at the funeral, remembered Joan saying of Washington, like a woman talking about a lover whose shortcomings she would just have to live with. “You just let it grow on you.” In Washington Joan had found a special plate with compartments, and so never had to use toothpicks again to separate her food.

Ruth now came around the side of the house, stopped at the well, and pulled up the bucket and drank deeply. A married woman could dispense with the drinking cup. Aubrey’s father was dead, and his mother less than a whore, so there was nothing much for him in Virginia anymore. He smiled when he said Ruth’s name, and he smiled when he told people he was going to live in Washington, D.C. Ruth had no feeling for Washington. She had generations of family in Virginia, but she was a married woman and had pledged to cling to her husband. And God had the baby in the tree and the story of the wolves in the roads waiting for her.

“Ruth, honey?” Aubrey stood in the doorway. “Sweetheart, you hurtin or somethin?” The bucket had been returned and she had been watching the moon. “You all right, honey?” After your parents, Miles had advised Aubrey, nothing stands between you and unhappiness and death but your own true wife.

She turned from the path that led out to the road. “I’m fine as Sunday,” she said. “I get this way sometimes. Specially when I’m happy.” He came to her and she came to him.

“Thought maybe you was sleepwalkin. Knew a nice woman in Kansas who did that, useta go out and try to milk her cows till one of em kicked her one night.”

“Not me. I’m wide awake. See my eyes.” He laughed and put his arms around her. His arms were not trembling the way they had been the very first times. They stood there for a long time, time enough for the moon to hop from one tree across the road to another. The moon shone silver through all the trees, which the wife first noted to herself, then pointed to places on the ground for her husband to see—a shimmering silver all the more precious because it could be enjoyed but not contained. The moon was most generous with the silver where it fell, and even the places where it had not shone had a grayness pleasant and almost anticipatory, as if the moon were saying, I’ll be over to you as soon as I can. “I’m gonna miss Virginia,” Ruth said and yawned. Aubrey said, “I’ll make it up to you. Sides, we be just cross the river. In a lotta places we can stand on the river and see Virginia.” Sleep had escaped him now, but it was gaining on her, and at last he had to pick her up and carry her to bed. They were the children of once-upon-a-time slaves, born into a kind of freedom, but they had traveled down through the wombs with what all their kind had been born with—the knowledge that God had promised next week to everyone but themselves.

The feeling that the baby’s mother might never come back started coming to Ruth three mornings after she had cut him down from the tree when she alone witnessed his umbilical cord dropping off. She held the blackened thing in the palm of her hand, a thing that was already turning to dust, and she realized her own mother must have done the same thing over and over again, with the children who would live and the ones who died before their first year. Fourteen days after she cut the infant down, she named him Miles, after Aubrey’s father, who had treated her like a grown-up who always knew right from wrong. She did not consult Aubrey about calling the baby by his father’s name—she just woke up that morning thinking it was a bit of bad luck for a child to be in the world and not be known by anything but “him” on a good day and “it” on a bad day. Aubrey said not a word when he heard her calling the baby Miles; they both had always known that was what they were to call their first son. It would not be untrue to say that it was a very long time before Aubrey stopped thinking that the baby’s mother was returning, and for months and months he went all about Washington, even into Virginia, asking who might have lost a baby boy. He came from a land where human beings had a past as tangible as dirt, where even children with no parents or grandparents had laps they could cry into. But while his wife knew this, she also knew a body’s world was held up only by a dime-store thread: Playing with three of her youngest brothers one day, she saw a brown bundle fall from the sky and hit the August corn with a crack! The children waited in the awful quiet after the fall, and after many seconds, a brown puppy poked most of its trembling body out of the cornfield, looked left, then right, like a well-taught child about to cross a road of danger. The puppy was clearly teetering between alive and dead, tattooed with the bloody marks of a hawk’s talons on both haunches. Finally, satisfied it might now be safe, it wobbled its way in the direction of Harold.

Ruth and Aubrey had been two and a half months in Washington when the baby appeared, paid helpers in the various businesses Joan Hardesty ran out of the two-story houses at 1011 and 1013 3rd Street, N.W. She ran a little hotel at the 1011 address for colored people who were forbidden in the city’s white hotels. She did laundry out back, and at the 1013 house people could buy supper five days a week and sit at the big table and enjoy their meal. The chickens in the back provided her with eggs, which had just gone up to three cents a dozen when the newlyweds arrived. People could also buy freshly killed chickens, though most of her customers preferred to take them home and wring the birds’ necks themselves. There was a little blacksmith business, also in the back, but it had been failing since her husband was killed.

Ruth Patterson’s first friend in Washington was forty-seven-year-old Sailor Willie, who rented a room from Joan at the 1013 address, where she herself lived, the place where she gave the big upstairs front room to Ruth and Aubrey. Joan had moved from that big room, where she had spent most of her married life, to the smaller upstairs one in the back after Paul was killed. Sailor Willie, Paul’s second cousin, lived in the middle room, which was not big and not small and which looked out at the 1011 house. The view had never mattered to a man who had been all over the world, and it was mattering even less by the time Ruth and Aubrey arrived because his eyes were failing him. He was slowly becoming known as Blind Willie. He had made his living first as a merchant seaman and then as a whaler, and having spent so many years among men who smelled of the rotting flesh of whales, he loved to smell sweet all the day long. Before he came home from the sea for the last time, he had bought many bottles of a man’s “evening water” in London, and he patted that on his face almost as soon as he was out of bed in the morning. He had had women all over Washington, before and after he retired from the sea, but as his light failed, these women began to see a chance to twist the heart of a man who had often twisted theirs, and they turned their backs on him. “Sailor Willie,” they mocked, “want a nurse now that he turnin into Blind Willie. He sweet as sugar now, but I don’t want none of that in my coffee.” In the days before Ruth arrived, he had been going about the city to see some of the women, telling those who would open the door that he just wanted “to pay my respects.” He actually wanted to say he was sorry, but the sea had not given him words for that, and what few meetings there were turned out badly. Two women he especially wanted to see had been avoiding him. One of them, Vi Sanchez, was dead, but he didn’t know that, and the other, Melinda Barclay, had just been trying to hold on to what life she had left after Sailor Willie went away the second and last time.

In the days before she cut the baby from the tree, Ruth and Aubrey’s time on 3rd Street was pleasantly exhausting. Joan was not a slave driver, but she wanted her money’s worth from any who worked for her. Whenever the couple happened to meet up in some quiet corner in one of the houses, or in the barn out back, they clung to each other, kissing until they heard a noise. At night in their big front room, they would giggle and tickle each other, waiting until they heard the roar of Willie’s snoring in the middle room. Then they made love, and when they were done, he would lick the sweat from her face, her chest. He was desperate to have a child, a son he could name for his father, who was with him always.

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