Edward Jones - All Aunt Hagar's Children

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In fourteen sweeping and sublime stories, five of which have been published in
, the bestselling and Pulitzer Prize-winning author of
shows that his grasp of the human condition is firmer than ever.
Returning to the city that inspired his first prizewinning book,
, Jones has filled this new collection with people who call Washington, D.C., home. Yet it is not the city's power brokers that most concern him but rather its ordinary citizens.
turns an unflinching eye to the men, women, and children caught between the old ways of the South and the temptations that await them further north, people who in Jones's masterful hands, emerge as fully human and morally complex, whether they are country folk used to getting up with the chickens or people with centuries of education behind them.
In the title story, in which Jones employs the first-person rhythms of a classic detective story, a Korean War veteran investigates the death of a family friend whose sorry destiny seems inextricable from his mother's own violent Southern childhood. In "In the Blink of God's Eye" and "Tapestry" newly married couples leave behind the familiarity of rural life to pursue lives of urban promise only to be challenged and disappointed.
With the legacy of slavery just a stone's throw away and the future uncertain, Jones's cornucopia of characters will haunt readers for years to come.

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But the man Cathedral had killed had become a far more constant visitor. The dead man, a young bachelor who had been Cathedral’s next-door neighbor, never spoke. He just opened Cathedral’s cell door inward and went about doing things as if the cell were a family home—straightening wall pictures that only Cathedral could see, turning down the gas on the stove, testing the shower water to make sure that it was not too hot, tucking children into bed. Cathedral watched silently.

Caesar went to Cathedral’s cell one day in mid-December, six months before they freed him. He found his friend sitting on the bottom bunk, his hands clamped over his knees. He was still outside the cell when Cathedral said, “Caes, you tell me why God would be so stupid to create mosquitoes. I mean, what good are the damn things? What’s their function?” Caesar laughed, thinking it was a joke, and he had started to offer something when Cathedral looked over at him with a devastatingly serious gaze and said, “What we need is a new God. Somebody who knows what the fuck he’s doing.” Cathedral was not smiling. He returned to staring at the wall across from him. “What’s with creatin bats? I mean, yes, they eat insects, but why create those insects to begin with? You see what I mean? Creatin a problem and then havin to create somethin to take care of the problem. And then comin up with somethin for that second problem. Man oh man!” Caesar slowly began moving away from Cathedral’s cell. He had seen this many times before. It could not be cured even by great love. It sometimes pulled down a loved one. “And roaches. Every human bein in the world would have the sense not to create roaches. What’s their function, Caes? I tell you, we need a new God, and I’m ready to cast my vote right now. Roaches and rats and chinches. God was out of his fuckin mind that week. Six wasted days, cept for the human part and some of the animals. And then partyin on the seventh day like he done us a big favor. The nerve of that motherfucker. And all your pigeons and squirrels. Don’t forget them. I mean really.”

In late January, they took Cathedral somewhere and then brought him back after a week. He returned to his campaign for a new God in February. A ritual began that would continue until Caesar left: determine that Cathedral was a menace to himself, take him away, bring him back, then take him away when he started campaigning again for another God.

There was now nothing for Caesar to do except try to coast to the end on a reputation that was far less than it had been in his first years at Lorton. He could only hope that he had built up enough goodwill among men who had better reputations and arms that worked a hundred percent.

In early April, he received a large manila envelope from his attorney. The lawyer’s letter was brief. “I did not tell them where you are,” he wrote. “They may have learned from someone that I was your attorney. Take care.” There were two separate letters in sealed envelopes from his brother and sister, each addressed to “My Brother Caesar.” Dead people come back alive, Caesar thought many times before he finally read the letters, after almost a week. He expected an announcement about the death of his father, but he was hardly mentioned. Caesar’s younger brother went on for five pages with a history of what had happened to the family since Caesar had left their lives. He ended by saying, “Maybe I should have been a better brother.” There were three pictures as well, one of his brother and his bride on their wedding day, and one showing Caesar’s sister, her husband, and their two children, a girl of four or so and a boy of about two. The third picture had the girl sitting on a couch beside the boy, who was in Caesar’s father’s lap, looking with interest off to the left, as if whatever was there were more important than having his picture taken. Caesar looked at the image of his father—a man on the verge of becoming old. His sister’s letter had even less in it than the lawyer’s: “Write to me, or call me collect, whatever is best for you, dear one. Call even if you are on the other side of the world. For every step you take to get to me, I will walk a mile toward you.”

He had an enormous yearning at first, but after two weeks he tore everything up and threw it all away. He would be glad he had done this as he stumbled, hurt and confused, out of his sister’s car less than half a year later. The girl and the boy would be in the backseat, the girl wearing a red dress and black shoes, and the boy in blue pants and a T-shirt with a cartoon figure on the front. The boy would have fallen asleep, but the girl would say, “Nighty-night, Uncle,” which she had been calling him all that evening.

An ex-offenders’ group, the Light at the End of the Tunnel, helped him to get a room and a job washing dishes and busing tables at a restaurant on F Street. The room was in a three-story building in the middle of the 900 block of N Street, Northwest, a building that, in the days when white people lived there, had had two apartments of eight rooms or so on each floor. Now the first-floor apartments were uninhabitable and had been padlocked for years. On the two other floors, each large apartment had been divided into five rented rooms, which went for twenty to thirty dollars a week, depending on the size and the view. Caesar’s was small, twenty dollars, and had half the space of his cell at Lorton. The word that came to him for the butchered, once luxurious apartments was “warren.” The roomers in each of the cut-up apartments shared two bathrooms and one nice-sized kitchen, which was a pathetic place because of its dinginess and its fifty-watt bulb, and because many of the appliances were old or undependable or both. Caesar’s narrow room was at the front, facing N Street. On his side of the hall were two other rooms, the one next to his housing a mother and her two children. He would not know until his third week there that along the other hall was Yvonne Miller.

There was one main entry door for each of the complexes. In the big room to the left of the door into Caesar’s complex lived a man of sixty or so, a pajama-clad man who was never out of bed in all the time Caesar lived there. He could walk, but Caesar never saw him do it. A woman, who told Caesar one day that she was “a home health-care aide,” was always in the man’s room, cooking, cleaning, or watching television with him. His was the only room with its own kitchen setup in a small alcove—a stove, icebox, and sink. His door was always open, and he never seemed to sleep. A green safe, three feet high, squatted beside the bed. “I am a moneylender,” the man said the second day Caesar was there. He had come in and walked past the room, and the man had told the aide to have “that young lion” come back. “I am Simon and I lend money,” the man said as Caesar stood in the doorway. “I will be your best friend, but not for free. Tell your friends.”

He worked as many hours as they would allow him at the restaurant, Chowing Down. The remainder of the time, he went to movies until the shows closed and then sat in Franklin Park, at 14th and K, in good weather and bad. He was there until sleep beckoned, sometimes as late as two in the morning. No one bothered him. He had killed two men, and the world, especially the bad part of it, sensed that and left him alone. He knew no one, and he wanted no one to know him. The friends he had had before Lorton seemed to have been swept off the face of the earth. On the penultimate day of his time at Lorton, he had awoken terrified and thought that if they gave him a choice he might well stay. He might find a life and a career at Lorton.

He had sex only with his right hand, and that was not very often. He began to believe, in his first days out of prison, that men and women were now speaking a new language, and that he would never learn it. His lack of confidence extended even to whores, and this was a man who had been with more women than he had fingers and toes. He began to think that a whore had the power to crush a man’s soul. “What kinda language you speakin, honey? Talk English if you want some.” He was thirty-seven when he got free.

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