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Nathan Hill: The Nix

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Nathan Hill The Nix

The Nix: краткое содержание, описание и аннотация

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A hilarious and deeply touching debut novel about a son, the mother who left him as a child, and how his search to uncover the secrets of her life leads him to reclaim his own. Meet Samuel Andresen-Anderson: stalled writer, bored teacher at a local college, obsessive player of an online video game. He hasn’t seen his mother, Faye, since she walked out when he was a child. But then one day there she is, all over the news, throwing rocks at a presidential candidate. The media paints Faye as a militant radical with a sordid past, but as far as Samuel knows, his mother never left her small Iowa town. Which version of his mother is the true one? Determined to solve the puzzle — and finally have something to deliver to his publisher — Samuel decides to capitalize on his mother’s new fame by writing a tell-all biography, a book that will savage her intimately, publicly. But first, he has to locate her; and second, to talk to her without bursting into tears. As Samuel begins to excavate her history, the story moves from the rural Midwest of the 1960s to New York City during the Great Recession and Occupy Wall Street to the infamous riots at the 1968 Chicago Democratic National Convention, and finally to Norway, home of the mysterious Nix that his mother told him about as a child. And in these places, Samuel will unexpectedly find that he has to rethink everything he ever knew about his mother — a woman with an epic story of her own, a story she kept hidden from the world.

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And that’s it. The whole video lasts less than a minute. After the broadcast, certain facts become available in short order. The woman’s name is released: Faye Andresen-Anderson, which everyone on the news mistakenly pronounces as “Anderson-Anderson,” making parallels to other infamous double names, notably Sirhan Sirhan. It is quickly discovered that she is a teaching assistant at a local elementary school, which gives ammunition to certain pundits who say it shows how the radical liberal agenda has taken over public education. The headline is updated to TEACHER ATTACKS GOV. PACKER! for about an hour until someone manages to find an image that allegedly shows the woman attending a protest in 1968. In the photo, she sits in a field with thousands of others, a great indistinct mass of people, many of them holding homemade banners or signs, one of them waving high an American flag. The woman looks at the photographer drowsily from behind her big round eyeglasses. She leans to her right like she might be resting against someone who’s barely out of frame — all that’s visible is a shoulder. To her left, a woman with long hair and an army jacket stares menacingly at the camera over silver aviator shades.

The headline changes to SIXTIES RADICAL ATTACKS GOV. PACKER!

And as if the story isn’t delicious enough already, two things happen near the end of the workday to vault it into the stratosphere, water-cooler-wise. First, it’s reported that Governor Packer is having emergency surgery on his eyeball. And second, a mug shot is unearthed that shows the woman was arrested in 1968—though never officially charged or convicted — for prostitution.

This is just too much. How can one headline possibly gather all these amazing details? RADICAL HIPPIE PROSTITUTE TEACHER BLINDS GOV. PACKER IN VICIOUS ATTACK!

The news plays over and over the part of the video where the governor is struck. They enlarge it so it’s all pixelated and grainy in a valiant effort to show everyone the exact moment that a sharp piece of gravel splashes into his right cornea. Pundits argue about the meaning of the attack and whether it represents a threat to democracy. Some call the woman a terrorist, others say it shows how far our political discourse has fallen, others say the governor pretty much asked for it by being such a reckless crusader for guns. Comparisons are made with the Weather Underground and the Black Panthers. The NRA releases a statement saying the attack never would have happened had Governor Packer been carrying his revolver. The people working at their desks behind the TV anchor, meanwhile, do not appear at this moment to be working any harder or less hard than they were earlier in the day.

It takes about forty-five minutes for a clever copywriter to come up with the phrase “Packer Attacker,” which is promptly adopted by all the networks and incorporated into the special logos they make for the coverage.

The woman herself is being kept in a downtown jail awaiting arraignment and is unavailable for comment. Without her explanation, the narrative of the day forms when opinion and assumption combine with a few facts to create an ur-story that hardens in people’s minds: The woman is a former hippie and current liberal radical who hates the governor so much that she waited in a premeditated way to viciously attack him.

Except there’s a glaring logical hole in this theory, which is that the governor’s jaunt through the park was an impromptu move that not even his security detail knew about. Thus the woman couldn’t have known he was coming and so couldn’t have been waiting in ambush. However, this inconsistency is lost in the more sensational news items and is never fully investigated.

2

PROFESSOR SAMUEL ANDERSON SITS in the darkness of his small university office, his face lit grayly by the glow of a computer screen. Blinds are drawn over the windows. A towel blocks the crack under the door. He has placed the trash bin out in the hall so the night janitor won’t interrupt. He wears headphones so nobody will hear what he’s doing.

He logs on. He reaches the game’s intro screen with its familiar image of orcs and elves torqued in battle. He hears the brass-heavy music, triumphant and bold and warlike. He types a password even more involved and intricate than the password to his bank account. And as he enters the World of Elfscape, he enters not as Samuel Anderson the assistant professor of English but rather as Dodger the Elven Thief, and the feeling he has is very much like the feeling of coming home. Coming home at the end of a long day to someone who’s glad you’re back, is the feeling that keeps him logging on and playing upward of forty hours a week in preparation for a raid like this, when he gathers with his anonymous online friends and together they go kill something big and deadly.

Tonight it’s a dragon.

They log on from basements, offices, dimly lit dens, cubicles and workstations, from public libraries, dorm rooms, spare bedrooms, from laptops on kitchen tables, from computers that whir hotly and click and crackle like somewhere inside their plastic towers a food item is frying. They put on their headsets and log on and materialize in the game world and they are together again, just as they have been every Wednesday and Friday and Saturday night for the past few years. Almost all of them live in Chicago or very close to Chicago. The game server on which they’re playing — one of thousands worldwide — is located in a former meatpacking warehouse on Chicago’s South Side, and for lag- and latency-related issues, Elfscape always places you in the server nearest your location. So they are all practically neighbors, though they have never met in real life.

“Yo, Dodger!” someone says as Samuel logs on.

Yo, he writes back. He never talks here. They think he doesn’t talk because he doesn’t have a microphone. The truth is he does have a microphone, but he’s worried that if he talks during these raids some wandering colleague out in the hall might hear him saying things about dragons. So the guild knows really nothing about him except that he never misses a raid and has the tendency to spell out words rather than use the accepted internet abbreviations. He will actually write “be right back” instead of the more common “brb.” He will write “away from keyboard” rather than “afk.” People are not sure why he insists on this reverse anachronism. They think the name Dodger has something to do with baseball, but in fact it is a Dickens reference. That nobody gets the reference makes Samuel feel smart and superior, which is something he needs to feel to offset the shame of spending so much time playing a game also played by twelve-year-olds.

Samuel tries to remind himself that millions of other people do this. On every continent. Twenty-four hours a day. At any given moment, the number of people playing World of Elfscape is a population about the size of Paris, he thinks, sometimes, when he feels that rip inside him because this is where his life has ended up.

One reason he never tells anybody in the real world that he plays Elfscape is that they might ask what the point of the game is. And what could he say? To slay dragons and kill orcs.

Or you can play the game as an orc, in which case the point is to slay dragons and kill elves.

But that’s it, that’s the tableau, the fundamental premise, this basic yin and yang.

He began as a level-one elf and worked his way up to a level-ninety elf and this took roughly ten months. Along the way, he had adventures. He traveled continents. He met people. He found treasure. He completed quests. Then, at level ninety, he found a guild and teamed up with his new guild mates to kill dragons and demons and most especially orcs. He’s killed so many orcs. And when he stabs an orc in one of the vital places, in the neck or head or heart, the game flashes CRITICAL HIT! and there’s a little noise that goes off, a little orcish cry of terror. He’s come to love that noise. He drools over that noise. His character class is thief, which means his special abilities include pickpocketing and bomb-making and invisibility, and one of his favorite things is to sneak into orc-heavy territory and plant dynamite on the road for orcs to ride over and get killed by. Then he loots the bodies of his enemies and collects their weapons and money and clothes and leaves them naked and defeated and dead.

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