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Nathan Hill: The Nix

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Nathan Hill The Nix

The Nix: краткое содержание, описание и аннотация

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A hilarious and deeply touching debut novel about a son, the mother who left him as a child, and how his search to uncover the secrets of her life leads him to reclaim his own. Meet Samuel Andresen-Anderson: stalled writer, bored teacher at a local college, obsessive player of an online video game. He hasn’t seen his mother, Faye, since she walked out when he was a child. But then one day there she is, all over the news, throwing rocks at a presidential candidate. The media paints Faye as a militant radical with a sordid past, but as far as Samuel knows, his mother never left her small Iowa town. Which version of his mother is the true one? Determined to solve the puzzle — and finally have something to deliver to his publisher — Samuel decides to capitalize on his mother’s new fame by writing a tell-all biography, a book that will savage her intimately, publicly. But first, he has to locate her; and second, to talk to her without bursting into tears. As Samuel begins to excavate her history, the story moves from the rural Midwest of the 1960s to New York City during the Great Recession and Occupy Wall Street to the infamous riots at the 1968 Chicago Democratic National Convention, and finally to Norway, home of the mysterious Nix that his mother told him about as a child. And in these places, Samuel will unexpectedly find that he has to rethink everything he ever knew about his mother — a woman with an epic story of her own, a story she kept hidden from the world.

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It is a massive, unprecedented global contraction, but it’s almost too large to grasp, too complicated to fathom. It’s hard to step back far enough to fully see it, and so the news engages with its manifold parts — labor data, market trends, balance sheets — smaller episodes in the larger story, places where the phenomenon pokes out and can be measured.

Which is why the unemployment story gets so much attention. There is integrity in a solid number that an abstract idea like “deleveraging” does not have.

So a logo is made: BIG FAT ZERO! Elaborate and colorful graphs and charts are prepared mapping recent terrible employment trends. Anchors ask probing questions of experts, pundits, and politicians, who all yell at each other from their separate TV boxes. The networks gather “Americans off the street” to engage in “roundtable discussions” about the country’s jobs crisis. It feels like a flying avalanche of coverage.

Samuel sits in front of the television flipping between the news networks. He’s curious to see what they’re talking about today and feels relief that it is this. Because the more the news obsesses on the unemployment numbers, the less time there is to discuss the day’s other potentially big story, which is the release of a new book: The Packer Attacker, a scandalous biography of Faye Andresen-Anderson, written by her own son.

Samuel had stopped by the launch party the night before. It was part of the deal he’d made with Periwinkle.

“Don’t feel bad about this,” Periwinkle said after the requisite photographs were taken. “Smartest move you’ve ever made.”

“I trust this will settle the matter with the judge?”

“I’ve already taken care of that.”

Turns out, the same day Judge Brown discovered Faye Andresen-Anderson had escaped to Norway — which meant he was looking at an extradition trial that could last years — he got a phone call from the Packer for President campaign offering him a job: crime czar. The only catch was that he had to make the case go away. And so because the case against her had no hope of wrapping up anytime soon, and because the job of crime czar for a presidential candidate who carried around a gun seemed unturndownable, the judge agreed to these terms. He quietly slipped the case down some bureaucratic, jurisdictional, legal black hole and officially retired from his judgeship. His first policy proposal at his new job involved a serious curtailing of First Amendment rights for leftist protestors, a proposal enthusiastically endorsed by Governor Packer, who was hoping to score some easy points among conservatives who just loathe what’s happening with this whole Occupy Wall Street thing.

Samuel can hear them every day, the Wall Street protestors. He wakes up and has his coffee and writes well into the afternoon in a big leather chair next to a window that looks down at Zuccotti Park, where the protest seems to have real staying power. They’re going to be sleeping there until winter, obviously. Bethany had given him his choice of room, and he had chosen this one, on the west side, with a view of the protest and, in the evening, the sun setting over the country. He’s grown to enjoy the drumming, especially now that the drummers have agreed to drum only during reasonable daylight hours. He’s fond of their rhythms, their ceaseless forward momentum, the way they can go for hours without a single pause. He tries to match their discipline, for he has a new project, a new book. He’d told Periwinkle about it after he was free of his contractual obligations.

“I’m writing my mother’s story,” Samuel said. “But I’m writing the true story. The actual events.”

“Which events in particular, I’m curious to know,” Periwinkle asked.

“All of them. It’s going to include everything. The whole story. From her childhood to the present day.”

“So it’s going to be like six hundred pages and ten people will read it? Congratulations.”

“That’s not why I’m writing.”

“Oh, you’re doing it for the art. You’re one of those now.”

“Something like that.”

“Names will have to be changed, you know. Essential identifying facts altered. I wouldn’t want to have to sue you again.”

“Would it be for libel or slander? I can never remember the difference.”

“It would be for libel and slander, plus defamation, invasion of privacy, scurrilous statements, loss of reputation, loss of business, personal anguish, and violating the competitive works clause in your contract with us. Plus lawyer fees, plus damages.”

“I’ll call it fiction,” Samuel said. “I’ll change the names. I’ll be sure to give you a really silly one.”

“How’s your mother?” Periwinkle asked.

“I wouldn’t know. Cold, I imagine.”

“Still in Norway?”

“Yes.”

“Among the reindeer and northern lights?”

“Yes.”

“I saw the northern lights once. In upper Alberta. I booked a trip with this outfit called See the Northern Lights! I had wanted the northern lights to fill me with wonder. And they did. They filled me with wonder. Which was a big letdown because they exactly matched my expectations of them. They did exactly what I’d paid for. Let that be a lesson to you.”

“A lesson about what?”

“Writing this big epic book of yours. And what you expect it to accomplish for you. Let the northern lights be a lesson. It’s a metaphor, of course.”

Samuel isn’t sure what he’s trying to accomplish. At first he thought if he gathered enough information he could eventually isolate the reason his mother left the family. But how could he ever really pin it down? Any one explanation seemed too easy, too trivial. So instead of looking for answers, he’d begun simply writing her story, thinking that if he could see the world the way she saw it, maybe he’d achieve something greater than mere answers: Maybe he’d achieve understanding, empathy, forgiveness. So he wrote about her childhood, about growing up in Iowa, about going to Chicago for college, about the protest in 1968, about that final month she was with the family before she disappeared, and the more he wrote the more expansive the story became. Samuel wrote about his mother and father and grandfather, he wrote about Bishop and Bethany and the headmaster, he wrote about Alice and the judge and Pwnage — he was trying to understand them, trying to see the things he was too self-absorbed to see the first time through. Even Laura Pottsdam, vicious Laura Pottsdam, Samuel tried to locate a little sympathy for her.

Laura Pottsdam, who at this moment is feeling really great about life and the world because her jerk of an English professor has been fired and replaced by this hapless grad student and her failed plagiarized Hamlet paper has disappeared into the academic mists, so this is all super cool and this whole episode totally confirms what her mother has been telling her since she was a kid, which is that she is a powerful woman who should get what she wants and if she wants something she should GO FOR IT, and what she wants right now are a few Jägerbombs to celebrate justice: The professor is gone, her career is saved. And she sees in this a glimpse of her future, the inevitable successful future laid out in front of her like a runway for an F-16, a future where if anyone tries to get in her way she will blow them to smithereens. This thing with the professor was her first big test, and she passed it. Spectacularly. This is most especially true when Laura’s S.A.F.E. initiative gains serious traction and some awesome shout-outs on the nightly news and in meetings of the Board of Regents, and her friends start telling her she should run for student senate next semester, which she’s like No frickin’ way until the Packer for President campaign comes to campus and Governor Packer himself wants to do a photo op with Laura because he’s super impressed with her efforts on behalf of hardworking Illinois taxpayers everywhere, saying, “Something must be done to protect our students and our wallets from these unproductive liberal professors in outdated fields.” And during the press conference some reporter asks Governor Packer what he thinks about Laura’s gumption and pluck, to which this totally famous presidential candidate responds: “I think she should run for president someday.”

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