Stephen Dixon - Late Stories

He called her a few days later. “Tell me. Am I bothering you by being so persevering?” he said. “No, I can understand why you called, and I apologize for not calling you. I thought about it — knew what I wanted to say — but kept putting it off. I’ve decided we shouldn’t meet again except as platonic friends.” “Wow, there’s a word I haven’t heard in a while.” “People don’t use it anymore?” “I’m sure they do,” he said. “And a platonic friendship is what I want with you too.” “No you don’t,” she said. “Be honest. You want romance, love, sex, marriage, constant companionship and the like. And you should have all that, after what you’ve gone through, just not with me. I don’t think it’s the right thing for us and I don’t see that it’ll ever be.”

He was once engaged to her. Almost fifty years ago. He was 24 and she was 23. She broke it off a month or two before the wedding. The ceremony was going to be at his mother’s apartment and the reception, for the twenty or so guests, in a closed-off section of the Great Shanghai, a restaurant on a Hundred-third Street and Broadway. “I’m not ready,” she said. “It’s too soon after my first unfortunate marriage.” Two years before that, when they’d been seeing each other almost every day for three months, she suddenly disappeared on him — couldn’t be reached by phone and her parents and a couple of her friends didn’t know where she was, when he called them, and she gave no indication she was home when he rang her downstairs buzzer in her apartment building and then her doorbell several days in a row. She’d started up with a much older guy she’d briefly dated and had been in love with the year before. They got married and she had the marriage annulled in less than a year. He got a job as a reporter in Washington soon after the breakup with her. Two years later he moved back to New York as a news editor. He called up friends of hers, a married couple he’d gotten to know while he was seeing her, asked the wife how they were but was really more interested in finding out what Vera was doing. She told him about the annulment and invited him over for dinner and said would he mind if she asked Vera to come too. “I’m sure she has no interest in seeing me,” he said. “Not true,” she said. “She’s spoken about you highly several times.” “Well, if she’s there, she’s there.” She came. They had lunch the next day and were sleeping together in a week. They got engaged in a few months and a few months after that she broke it off. Three years later, he was coming back from Paris, where he’d gone to write and learn French and possibly get a news job or something in writing or editing. He got a letter from her while he was there and after that they wrote each other about once a month. She knew he was coming back but didn’t know how or when. She called his mother, who’d previously given her his Paris address but wouldn’t tell her the name of the ship or when it’d dock in New York. “She’s trouble,” she told him. “You’re too blind to see that. She’ll just make you sad again. I never should have told her where you were in Paris or that you were even in Paris. Bucharest, I should have told her.” “Come on, I’m twenty-eight,” he said. “Much better now in dealing with things like that. If it doesn’t go well, and with our history, no reason why it should, tant pis , as the French say. Not to worry.” He called her. They went out to dinner and slept together that night. Next morning, while they were having coffee in her kitchen and he was about to ask if they could spend the day together or get together again that night, she said “I have to confess something to you. It is nice seeing you again. But last night, and this morning when you pushed me into it again when I definitely didn’t want to, I did what I promised myself I wouldn’t. I’m not saying the first time wasn’t fun. But I’ve done enough harm to you. It’s not going to work out the way you want it to and by now you should be able to see that as well as I. You don’t want to get hurt again and I don’t want to hurt you and then feel guilty about it again.” “You’re right, I don’t,” he said. “And you can sure do it to me — oh, boy, can you. And I’m not going to make a big scene over it. You’re safe from that, anyway. I’ll just leave.”

Fourteen years later he met Abby and they got married in three years. About twenty-seven years after that he visited Vera and the next day invited her to visit him. She’s called him several times since — around once every four months, he’ll say. And when he learned how to receive and send e-mails on Abby’s computer, she’s e-mailed him a few times too. Always wanting to know how he is and what he’s been doing. He always says on the phone “I’m fine, keeping busy, writing something new. How are you?”

He was going to leave the house. Planning to, he means, around 7:40, to go to the church across the street to see a play being performed there. He felt he had to get out of the house, and it might be interesting. The whole experience of seeing the play, he means. He didn’t know about the play, though. It was by a writer who held no interest for him. Hack works, he thought of them, even if one won a Pulitzer years ago and another won some other prestigious award. He hasn’t read anything about the writer for years and assumes he’s dead. But he had to get out, is what he’s saying. He almost never does, except for the usual things: the Y, markets, post office, an occasional coffee. He had thought he’d go to a few concerts at the symphony hall downtown, but without ordering the tickets first as he used to do when his wife was alive. Just park the car in the hall’s garage, go up to the ticket window and get whatever’s available. Apparently, the hall is never filled. They used to go to about six concerts a year and two to three operas at another concert hall. They also, for the last ten years of her life, got season tickets, which means about six plays, to the best theater group in the city. He meant to go to those too, at least once or twice, meaning one or two plays, though preferably more if the lineup of plays was good, and at least one opera. Sometimes he even got dressed for one or the other of them — for movies too — meaning he took off his sweatpants or shorts and long- or short-sleeve polo shirt. He has no dress shirts and wouldn’t wear one to one of those events if he did. But a few minutes before he was to leave the house and drive to the theater or symphony hall or place where the opera was to be performed, he said to himself, and sometimes, maybe the first part of this, out loud to himself, Does he really want to go? He does. He wants to get out, to do something different and perhaps be entertained or moved or whatever would happen. But he doesn’t like driving at night, and if it’s an afternoon performance or showing, especially around this time of year, then chance driving back at night. He also doesn’t much like sitting in a concert hall or theater or opera house, he’ll call it, for two hours and usually more. A movie theater he doesn’t mind, and also movies are almost always much shorter. He also doesn’t like going alone, and he doesn’t know anyone to go with, not that he’d ask anyone if he did know someone who’d want to go. That wasn’t always what he was like. So he went back into the house, if he was outside and got that close to getting in his car and driving to one of these places, and went back to his bedroom and changed into the clothes he took off to put on the dressier ones. Sometimes he never even got that far. He’d go into the bedroom to change his clothes, as preparation for going to one of these events, and think Why bother? He knows he’s not going anywhere, so he should stop fooling himself and wasting his time getting dressed when he’s just going to get back into his old clothes again. One time, he now remembers — it was to a concert that was playing one of his favorite pieces, Mahler’s Third Symphony — he was in the car, had started out maybe a half hour earlier than usual because he thought for this concert— Das Lied von der Erde was also on the program — the hall will be filled — and said to himself, Where does he think he’s going? He knows he’d rather stay home and have a drink or two and some snacks and read and listen to music on the radio or CDs than drive to the hall and go through the hassle of parking the car and standing on what he’s almost sure will be a long ticket line and maybe not even be able to get a ticket, and so on. And it’s getting dark, so it’ll be dark when he drives back and he’ll probably be tired then, since it’ll be an hour or more after he usually goes to bed. And he’s seen this symphony performed twice already, both times with his wife. Once here in the same hall about ten years ago and the other time almost thirty years ago at Carnegie Hall, maybe a few months after they first met. So he turned around and drove home. That was as close as he got, far as he can remember, to go to one of these things since his wife died. Or really, since she got sick — very sick; had to have a trach put in and other serious procedures done to her, and they didn’t want to risk going to anything like a concert or movie again. “You go,” she once said. It was about an hour before the concert was to begin. “Two late Mozart piano concertos and the Jupiter Symphony? You love them. I’ll be all right by myself here.” “You kidding?” he said. “No way.”