Théodora Armstrong - Clear Skies, No Wind, 100% Visibility

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Clear Skies, No Wind, 100% Visibility: краткое содержание, описание и аннотация

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Set against the divergent landscape of British Columbia — from the splendours of nature to its immense dangers, from urban grease and grit to dry, desert towns — Clear Skies, No Wind, 100% Visibility examines human beings and their many frailties with breathtaking insight and accuracy.
Théodora Armstrong peoples her stories with characters as richly various — and as compelling — as her settings. A soon-to-be father and haute cuisine chef mercilessly berates his staff while facing his lack of preparedness for parenthood. A young girl revels in the dark drama of the murder of a girl from her neighbourhood. A novice air-traffic specialist must come to terms with his first loss — the death of a pilot — on his watch. And the dangers of deep canyons and powerful currents spur on the reckless behaviour of teenagers as they test the limits of bravery, friendship, and sex.
With startling intimacy and language stripped bare, Clear Skies, No Wind, 100% Visibility announces the arrival of Théodora Armstrong as a striking new literary voice.

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“She’s the one making the baby,” Susan says, angling her chair back and examining him. “You don’t even understand tired.” The fluorescent lights give her bruise a purplish sheen. The ugly eye, the office clutter, the bad lighting — it all makes Charlie suddenly feel a dark sadness, a wrench in his gut that makes him want to crawl back into bed and forget his life. He’s not in the mood for one of Susan’s lectures. What does Susan know? She’s never had a baby. He thinks about his beverage sitting above the pass-bar in the kitchen. He hasn’t figured out how to drink in front of her yet. She’s always sniffing around.

“There’s no firing today. I called everyone else off because of the storm.” The window behind Susan’s head is being pelted with rain and beyond the window the ocean lashes the beach and pier. Charlie can barely see the lights of the Lions Gate Bridge through the weather. “Unless you want to put on an apron tonight?”

“Do you think people want to look at this while they eat?” Charlie says, motioning from his sweaty brow down to his rotting shoes.

“No,” she says, giving him a stony once-over. He waits for her to laugh, but her gaze remains level. “Did you think I was serious?”

“Tomorrow then, immediately,” he says, stretching his neck from side to side, releasing a series of loud cracks. He indulges in an impressive yawn, loud and wide-mouthed, and thumbs one of his cookbooks, rubbing at sticky spots along the way. The staff are always in here, loitering, stealing pencils, gumming up things with their dirty fingers. He pinches his arm, using the pain to keep his eyes open. “Rose refuses to call me Chef, you know,” he adds, to strengthen his case. Sleep is trying to take over his body — it talks to him, tells him things like it’s okay to curl up in a corner under the desk, tells him no one will notice if he sleeps in his car for a half hour before the dinner service. He keeps asserting to himself that no, it is not okay, but his resolve is waning. Sleep may have a point.

“It looks bad, doesn’t it?” Susan says, fussing with her hair as though that will somehow take the swelling away from her eye. He’s been staring at it without realizing. He may have been sleeping with his eyes open.

“I’d give you a steak to put on it, but our food costs—”

“That’s why I don’t have a kid,” she says, examining her eye in the reflection off the computer screen. “She’d fuck it up. Do you worry about that, about fucking up this little person?”

“I don’t think about it much,” Charlie says, skimming a recipe for Bayonne ham with petits pois, allowing another exaggerated yawn.

“Don’t,” Susan says, gripping Charlie’s chair and swivelling it so they face each other, “fuck up your kid.” Charlie’s head swings around on his limp neck. “Christ, Susan.” He treads at the floor to try and release his chair from her grip, but she hangs on. The eye is worse up close, bloodshot and weepy. It shocks him out of his lethargy for a brief moment, the pain inching up his sternum once again, throbbing like a bad memory. He taps his index finger at the recipe, as though he’s found the answer to both of their problems. It’s right there in the Dijon mustard sauce. “I think I’ll do ham for a Christmas feature this year.”

Rose pops her head into the office. “I have one bloody table. All she wants is coffee and the entire cream shipment is spoiled. She’s banging her mug on the table.”

Susan releases Charlie’s chair and gets up to leave.

“I want to talk before dinner service begins,” he says. She’s going to make him wait for their sit-down. It’s probably part of her negotiating strategy. The longer she makes him wait, the happier he’ll be with anything, but he knows that game and he has a number in mind and nothing is going to convince him otherwise.

“Let me deal with this first,” she says, as she trots out the door.

Charlie lays his head down on the desk and lets his eyes blur. The wind howls outside. He pretends the wail is one of his mother’s French lullabies singing him into a deep sleep. Did she ever sing him lullabies? He can’t remember. His father would sing him French drinking songs but always got the words mixed up. The fatigue is worse today. Lately Charlie has been having trouble sleeping at night. He dreams of his teeth chipping, crumbling, falling out. Last night, as he got into bed at four in the morning, Aisha pulled his hand to her belly. He imagined a tiny, sharp-toothed raptor delicately clawing at the lining of her womb, plotting its escape. “Stay still. Pay attention,” she said, as though the fetus was about to deliver an astounding recital from her belly. She gripped his hand and moved it around, trying to anticipate the spot where a kick or punch might land, but he didn’t feel a thing. He told himself it was the baby’s cautious respect of his authority. “Do you want something to eat?” he said, getting out of bed.

“You have to be patient, Charlie,” she said, poking at her belly to try and wake the beast.

“There’s smoked duck with egg noodles in the fridge.” She had wanted duck for an entire week: confit, à l’orange, red-wine braised, seared with cherries and port sauce. “No duck,” she said. She stretched and gazed up at the ceiling, telepathizing with the barnacle. It was as though she was talking across worlds to the dead, the intensity she summoned to choose her next meal. “Pasta.” She untied and retied the bun on top of her head. “Something creamy. No tomatoes.”

“Pasta. Creamy,” he muttered, as he made his way into the kitchen.

They sat in bed to eat with linen napkins on their laps. He cradled the bowl, twirling the fork in the noodles and placing a generous bite in her sweet, pink mouth. Nothing rivalled the approval of a pregnant woman — if he got it right she bathed him in praise. “Oh, oh, oh.” She closed her eyes and sank back on the pillow. She was not difficult to please. She grabbed the bowl from him, balancing it on her belly. “You don’t want any,” she said, offering him a spoonful.

“No.” He sat back, feeling, for once in a long time, satisfied. He watched her eat in silence, each spin of her fork, each dart of her tongue along her lips.

“Charlie,” Aisha said, putting down her fork. “We’re having a baby.” She had never admitted this fact before — we , his responsibility. “I’m scared.”

He got out of bed and left her lying there alone with her noodles.

“Where are you going now?” she said, sitting up and pushing the bowl aside.

“You need parmesan,” he said, rushing to the kitchen.

“But I’m almost done,” she called after him.

He got distracted once he left the room. The dishwasher needed to be loaded. There was a recipe he wanted to check. He played some online poker. When he got back to the bedroom with the parmesan, Aisha was asleep, the bowl of pasta cold on the bedside table.

Crumbling teeth are a symbol: someone told him that once, a few years ago now, at an underground dinner party in the West End. The soirée was hosted by a Michelin-star-lauded chef, something overpriced and overrated, and very private and very chic. There was a secret word for the buzz code — chateauneuf or kumquat or bluefin. Basically it was a hundred and twenty dollars to sit on tasselled cushions around an egomaniacal asshole’s coffee table and sample “epicurean delights” as described by said asshole. Charlie wore his most ironic T-shirt.

The conversation that night was appropriately diaphanous. Between the foie gras toasts and the beef tartare, talk turned to worst fears. A woman with impossibly long hair had him wedged into a corner between a sofa and an armchair; the hair tumbled in dark waves nearly to her waist and he could smell her sweat under the citrus of her shampoo. Usually he hated the intimacy of small spaces and discussions like this one, but after five grapefruit soju cocktails he was working on a decent buzz with a freshly cracked beer in hand he’d found hiding at the back of the fridge.

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