Эд Макбейн - Love, Dad

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Love, Dad: краткое содержание, описание и аннотация

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The Crofts live with their blond, teenage daughter, Lissie, in a converted sawmill in Rutledge, Connecticut, an exclusive community of achievers. Lissie’s mother, Connie, is a Vassar graduate; her father, Jamie, a successful photographer. But these were the sixties — the time of Nixon and moon walks, prosperity and war, Woodstock and Chappaquiddick — and the Crofts are caught in a time slot that not only caused alienation but in fact encouraged it.
Lissie, in her rush to independence and self-identity, along with others of her generation, goes her own way. She leaves school, skips to London and begins a journey across Europe to India. Breaking all the rules, flouting her parents’ values, she causes in Jamie a deep concern that frequently turns to impotent rage.
When Lissie returns, she is surprised and angry to find that things are not the same. While she was out living her own life, her dad was falling in love with the woman he would eventually marry. Hurt and confused over her parents’ divorce, Lissie is not ready to accept for them what she sees as clear-cut rights for herself. And try as he will, her father cannot comprehend the new Lissie.
More than a novel about the dissolution of a family in a turbulent decade, Love, Dad is an incredibly perceptive story of father and daughter and their special love — a love that endures even though understanding has been swept away in the whirlwind of change.

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“Since you’ve seen him?”

“Or talked to him. Or heard much about him, in fact. I don’t mean his professional life, I guess he’s busier than he ever was, I see his stuff all over the place. But otherwise... well, my mother used to fill me in every now and then, but that was when she was still living in New York.”

“He had a child with her, didn’t he?”

“Mm-huh.”

“A girl, wasn’t it?”

“Yes, mm-huh.”

“How old is she now?”

“Who?”

“Your sister.”

“My sister? Hey, come on, Barb.”

“Well, she... I mean, she’s your half- sister, anyway.”

“Mm-huh.”

“So how old is she?”

“I don’t know. Five or six, who knows?”

“What’s her name?”

“I don’t know.”

“Ever try to look her up?”

“What for?”

“Well... I think if I were in a similar situation... well, I’d be curious to see what she looked like.”

“Mm, well.”

“Anyway,” Barbara says and grins. “Would you like some dessert?”

“What time is it?”

“Almost two-thirty.”

“What time are you due up there?”

“Three.”

“Maybe we ought to skip it then. I’ve still got to pick up a few more things for Matthew, none of his clothes fit him now that he’s lost so much weight.”

“Where are you heading?”

“Saks.”

“Don’t you miss Bonwit’s not being here anymore?”

“Desperately,” Lissie says, and rolls her eyes.

They say goodbye to each other outside the restaurant and promise faithfully to keep in touch and to try to see more of each other in the new year. Barbara wishes her luck with the baby. Lissie hugs her tight and says, “Oh, yes, Barb, and you, too.”

She watches as her friend waddles across the street to enter the Harper & Row building, and suddenly visualizes her as she looked nine years ago in San Francisco when they strolled along Castro Street, Barbara wearing a brightly colored caftan, her thick black hair falling in a cascade to the middle of her back — I remember once, when I was in L.A., I went to meet this guy in Mac Arthur Park, he had an ounce of good pot I wanted to buy. And this pregnant lady was walking toward me in the park ...

She smiles and begins walking toward Fifth Avenue.

On the corner of Fifty-second and Fifth, there is a Salvation Army band playing “Silent Night.” Lissie drops a quarter in the kettle. The air is not quite balmy, but after Wednesday’s snow and wind, it seems almost springlike today. She heads downtown with her big belly jutting, listening to the carols coming from someplace across the street, hearing the jingling of Santa Claus bells, savoring the feel of this city at Christmas time, the pace of it, the sheer momentum of it even when it’s springtime in December and there is no need to rush against the brittle cold. She surveys the windows of Saks, and then walks into the store through one of the Fifth Avenue entrances.

She isn’t quite sure what she hopes to buy for Matthew in addition to the mountain of gifts she’s already purchased. She thinks it odd that he’s begun losing weight in direct ratio to the speed with which she’s been gaining weight, and isn’t certain she enjoys him looking so slender and trim while she herself is beginning to resemble, more and more each day, the entire state of Rhode Island. She loved him when he was fat, so why the doublecross now? Idly, she wonders if the baby will indeed be a boy. If it’s a boy, they’ve already decided to name him Jeremiah, after Matthew’s father, Jeremiah Hobbs, D.D.S.

She wanders the first floor of the store, casually shopping the counters, hoping to find something spectacularly smashing to reward Matthew for his damn perseverance in pursuing his latest diet so conscientiously, twenty pounds in two months, that is a lot of fat down the drain while old Melissa Hobbs is ballooning. She stops at the sweater counter, remembering that Matthew’s sweaters are getting a bit threadbare, recalling in fact that he dropped a hint only last Wednesday, his day off, about coming through the elbows of his favorite cardigan. There is a cardigan on the countertop, green, with a lovely shawl collar. She checks the label, sees that it’s a medium, and wonders if a medium will be too small for Matthew, even in his trimmed-down reincarnation. “Excuse me,” she says, signaling to the salesclerk, who rushes past breathlessly and says over his shoulder, “In a minute, miss.”

“Shit,” she mutters, and the man standing beside her turns to her, smiles, starts to say, “It’s always this way at...” and then abruptly stops talking.

He is a man in his early fifties, she supposes, with brown eyes and a full head of dark brown hair, worn rather long. A thick beard covers his jowls and his chin. The beard is partially the color of the hair on his head and partially white. A hooded green loden coat hangs open over wide-waled tan corduroy pants and a plaid flannel shirt. A camera is hanging around his neck.

He is, she realizes, her father.

Neither of them speaks at first.

They simply stare at each other.

He is seeing a well-groomed and obviously pregnant young woman wearing a smart cloth coat over an expensive maternity dress, he is seeing his daughter as he has never been privileged to view her before. She is seeing a bearded, casually dressed man who seems very much at ease with himself, more relaxed than she’s ever known him.

Still, they say nothing.

“It is Lissie?” he ventures.

“Yes,” she says. She almost adds the word “Dad.” She does not.

“How are you, Lissie?”

“Fine, thanks. And you?”

“Living in New York now, are you?”

“Yes.”

“Me, too,” he says. “Joanna and I are down in the Village now. Where are...?”

“Well, not actually the city,” she says. “Larchmont. My husband has his practice in Larchmont.”

“Ah. Nice there.”

“Yes.”

“So,” he says.

“So,” she says.

“You’re married and everything now, huh?”

“Yes.”

“I see you’re...”

“Yes.”

“When are you expecting?”

“April sometime.”

“Ah.” He pauses. “You look wonderful, Lissie.”

“Thank you.”

“So,” he says again. “It’s been a long time.”

“Eight years.”

He hesitates. Then he says, “You broke my heart.”

The words pierce her to the core. She feels herself crumbling inside, and thinks for a moment that these are the first honest words he’s ever spoken to her in as long as she’s known him, and answers with equal honesty, “And you broke mine.”

He nods. He says nothing. It almost seems the conversation will end with this brief exchange. Everywhere around them, shoppers are rushing past.

“You shouldn’t have written that letter,” she says, and her eyes seek his. Clear-eyed, they face each other. In her heels, Lissie is almost as tall as he is; their eyes meet at almost the same level. While everywhere around them shoppers hurry past, and clerks ring up sales or reach for ringing telephones, they search each other’s eyes.

Gently, he says, “You left me no choice, Liss.”

She hesitates. She takes a deep breath, and at last says, “Maybe I didn’t.” It is a fierce admission; it is almost a beginning. The clerk suddenly appears behind the counter. “Yes, miss,” he says, “I can help you now.”

She turns away from her father. “Would you gift-wrap this for me, please?” she says.

“The cardigan, miss?”

“Yes, please.”

“Will this be cash or charge?”

“Charge,” she says and opens her handbag and then her wallet and begins searching for her Saks card. Her father is watching her. She is aware of his eyes on her.

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