Alison Lurie - The War Between the Tates - A Novel

Even more dangerous was the possible reappearance of Brian. Erica had told him to stay away, but there is no guarantee he will do so. It was very likely that he would suddenly decide to come home to get clean shirts or argue his case. This would be bad enough if Erica were there; worse if Wendy were alone. Brian has already done her serious emotional damage, and might do more. But Erica could not stay home with Wendy night and day; she had to shop for groceries, buy Matilda a Halloween costume for tonight, deliver two drawings to the Community Art Show and Jeffrey to the dentist. At Danielle’s, however, Wendy would be safe from Brian; and Danielle’s children would be incurious, since there was often some old acquaintance or student of their mother’s staying in the spare room.

“How is she?” Erica asks.

“Still pretty exhausted. She went to bed early, but I heard her moving around much later.” Danielle, who is dressed to go out, picks up her briefcase from the table, then sets it down. “Listen, I spoke to Bernie last night, after you called.”

“Oh, good. What did he say?”

Danielle shakes her head. “Not much. He doesn’t know of anybody he could recommend. He doesn’t like the whole idea, anyhow; he thinks Wendy ought to go into a home he knows of and have the baby, give it up for adoption. He gave me the address.” Danielle shrugs. “Anyhow he won’t do it himself. When I asked about that he got quite angry, angrier than I’ve ever seen him. He said, ‘I wouldn’t even consider it. I’m a veterinarian, and this is a woman, not a pet chow.’”

“He could do it, if he wanted to.”

“I guess so. But he won’t. I don’t think he’d ever break the law; one of his brothers is a cop, you know.” Danielle makes a face. “Maybe he’s right about the home. It’d be safe at least.”

“But Wendy wouldn’t want to leave school, not for such a long time.”

“I don’t know. I think probably she’ll do anything you tell her. Especially if she thought it was good for Brian and his Great Book.” Danielle grins shortly. She pulls a red flowered scarf from the pocket of her raincoat, shakes it out, and ties it over her hair. “I have to get up to school—I should’ve been there an hour ago. But listen, if you still think Wendy ought to have the operation, I could ask my sophisticated friend in the philosophy department—”

“No, don’t do that yet,” Erica says. “I heard from Brian this morning; he gave me the name of a doctor in New York he says is supposed to be reliable.”

“Oh yeh? Well, okay. I’ll be back in my office after twelve if you need me for anything. Tell Wendy to help herself to whatever she wants to eat. Roo fed the bacon I was saving for her to Pogo; typical, huh? But there’s plenty of eggs, and some coffee on the stove.”

Alone, Erica takes off her raincoat, thinking hard thoughts about children: their ingratitude, their greed. This morning there had been another hateful scene about steak sandwiches, the third in a series of such scenes. Matilda had become shrill; Jeffrey loud and coarse:

“Can we go out tonight for dinner, at least?”

“Aw shit, why not?”

“That’s no reason. You said you were too tired yesterday.”

“You said the next time Daddy was away you would take us to the Faculty Club and we could have a Super-steak Sandwich, didn’t she?”

“I don’t want you to make me one at home. The kind you make are always foul.”

“You always promise you’ll do things for us but you never do, you’re just lying.”

“I won’t be quiet. Liar, liar, liar.”

What is so deeply unfair is that this scene, and the others—her anger and guilt, the children’s anger and disappointment—are all Brian’s fault. She would be perfectly willing to take Jeffrey and Matilda to the Faculty Club, were it not for the possibility, indeed the probability, that Brian will also be there and not, as she had told them, in Detroit, Michigan. Liar, liar, liar.

Erica hangs up her coat and goes into Danielle’s kitchen, where she switches on the light and begins to make breakfast for Wendy. She is frowning, thinking hard thoughts about men.

Danielle’s house is built close against a steep wooded hill. The front rooms are large and sunny, with a winter view across the valley and the lake. But the kitchen at the rear is dark, cramped, overhung—almost a basement. It is impossible to work there without artificial light; but as Danielle often points out, this house like most houses was designed and built by men.

It is true, Erica thinks: men run the world, and they run it for their own convenience. It is a man who is responsible for Wendy’s present condition—for her exhaustion, her desperation, her danger. And the two women who are trying to rescue her from this condition cannot do it on their own; they must beg and plead for help from other men.

Erica turns Danielle’s stove to medium high. The iron snail of the electric coil slowly flushes a sullen red-black. Hateful, she thinks, hateful that women should have to appeal to their natural enemy in such a matter (and in vain)—that they should have to expose themselves to the pompous assumptions and disapproval of a country doctor like Bunch; to the self-righteous anger of such a person as Bernie Kotelchuk.

It is Danielle who has had to bear Dr. Kotelchuk’s anger, since he is not aware of the connection between Erica and Wendy, whom he believes to be one of Danielle’s students. But Erica feels his words striking at her through Danielle, like invisible machine-gun bullets, wounding them both, weakening their resolve. Women are emotionally soft still; so long dependent on male approval that they are influenced even by the opinions of men they despise.

The stove brightens to a grainy vermilion. Erica melts butter in a frying pan and breaks two eggs into it. The golden, nourishing, domed yolks quiver against each other and come to rest, surrounded by the thin, gluey viscous whites; like semen. Meanwhile upstairs at the top of the house in the spare room, floating in a bowl inside Wendy there is something similar.

It would be better, much better, if Erica or Danielle could find someone to help Wendy; if it were possible to refuse to tell Brian where she is or what she is going to do; to renounce his assistance entirely, to break off all connection with him, to hang up when his voice sounds inside the black plastic cannon-mouth of the telephone and leave him altogether alone and in the wrong, where he belongs. But time is passing. The eggs are swelling and congealing in the frying pan; Wendy is pregnant, and every moment, even now while she lies unconscious overhead, she is becoming more pregnant. And the more pregnant she becomes, the more dangerous an operation will be.

The truth is, even the best possible operation is dangerous, Erica thinks, lowering two slices of raisin bread into Danielle’s toaster. The most skillful, legal, routine operation, for example an appendectomy, in the most modern hospital, can go wrong. Too much anesthetic may be given, or too little; there may be shock, infection, complications. And this is where there are many skilled persons and complex equipment, where there is no greed or fear of the law, no need for haste and secrecy ...Perhaps after all it is better that the responsibility of finding an abortionist, and the blame afterward if anything does go wrong, should rest upon Brian.

Erica sets a tin tray on the counter and lays on it a plate, a white paper napkin and three sharp metal implements: a knife, a fork, a spoon. The result is unpleasant. It is not improved when she slides Wendy’s two fried eggs onto the plate, and one breaks in the process, bleeding gluey yellow. The raisins in the toast look like black scabs, and the coffee, smoking darkly, is—