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Элизабет Страут: Olive, Again

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Элизабет Страут Olive, Again

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The long-awaited follow-up to the Pulitzer Prize-winning, No.1 New York Times bestselling Olive Kitteridge Olive, Again will pick up where Olive Kitteridge left off, following the next decade of Olive's life - through a second marriage, an evolving relationship with her son, and encounters with a cast of memorable characters in the seaside town of Crosby, Maine.

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The truth is that Olive did not understand why age had brought with it a kind of hard-heartedness toward her husband. But it was something she had seemed unable to help, as though the stone wall that had rambled along between them during the course of their long marriage—a stone wall that separated them but also provided unexpected dips of moss-covered warm spots where sunshine would flicker between them in a sudden laugh of understanding—had become tall and unyielding, and not providing flowers in its crannies but some ice storm frozen along it instead. In other words, something had come between them that seemed insurmountable. She could, on certain days, point out to herself the addition of a boulder here, a pile of rocks there (Christopher’s adolescence, her feelings for that Jim O’Casey fellow so long ago who had taught school with her, Henry’s ludicrous behavior with that Thibodeau girl, the horror of a crime she and Henry had endured together when, under the threat of death, unspeakable things were spoken; and there had been Christopher’s divorce, and his leaving town), but she still did not understand why they should walk into old age with this high and horrible wall between them. And it was her fault. Because as her heart became more constricted, Henry’s heart became needier, and when he walked up behind her in the house sometimes to slip his arms around her, it was all she could do to not visibly shudder. Stop!, she wanted to shout. (But why? What crime had he been committing, except to ask for her love?)

“It’s a breast pump,” Ashley said to her. Because Olive was holding a plastic contraption, turning it over, unable to figure out what it was. “Okay,” Olive said, and she handed it to Ashley. Olive looked at the table of gifts and thought that not even a dent had been made in them.

A pale green baby’s blanket came around. Olive liked the feel of it; she kept it on her lap, smoothing her hands over it. Someone said, “Mrs. Kitteridge, let’s share,” and Olive handed it to Ashley immediately. Ashley said, “Ooh, this is nice, ” and that’s when Olive saw that Ashley had drops of sweat running down the side of her face. And then Olive thought—she was quite sure—she heard the girl whisper, “Oh God.” When the green blanket reached Marie at the far end of the room, Ashley stood and said, “Excuse me, bathroom break.” And Marlene said, “You know where it is, right?” And Ashley said that she did.

A set of baby bath towels came around, and Ashley’s chair was still empty. Olive handed them to the girl on the other side of the empty chair, and then she stood and said, “I’ll be back.” In the kitchen Olive found Ashley, bent over the sink, saying, “Oh God, oh God.”

“Are you all right?” Olive said loudly. The girl shook her head. “You’re in labor,” Olive said.

The girl looked at her then, her face was wet. “I think I am,” she said. “This morning I thought maybe I’d had a contraction, but then I didn’t have any more, and now— Oh God, ” she said, and she bent over, clinging to the edge of the sink.

“Let’s get you to the hospital,” Olive said.

In a moment, Ashley stood straight, calmer. “I just don’t want to spoil this, it’s so important to her. You know”—she whispered this to Olive—“I don’t know if Rick is even going to marry her.”

“Who cares,” Olive said. “You’re about to have a baby. To hell with spoiling it for her. They won’t even notice you’re gone.”

“Yes, they will. And then the attention will be on me. And it should be on—” Ashley’s face wrinkled and she held the edge of the sink again. “Oh God, oh God,” she said.

“I’m getting my bag and driving you to the hospital right now,” Olive said, aware that she was using her schoolteacher’s voice. She walked back into the living room and retrieved her big black bag.

People were laughing at something; loud laughter poured into Olive’s ears. “Olive?” It was Marlene’s voice coming to her.

Olive raised a hand above her head and went back to the kitchen, where Ashley was panting. “Help me,” Ashley said; she was weeping.

“Come on,” Olive said, pushing the girl toward the door. “That’s my car right there, on the lawn. Get in it.”

Marlene appeared and said, “What’s happening?”

“She’s in labor,” Olive said, “and I’m taking her to the hospital.”

“But I didn’t want to spoil things,” Ashley said to Marlene; she stood there, confusion on her wet face.

“Now,” said Olive. “Right now. In my car. On the lawn.”

“Oh, Olive, let’s call an ambulance. What if she has the baby while you’re driving? Stay here, Olive. Let me call.” Marlene reached for the phone on the wall and it seemed to take forever for someone to answer.

Olive said, “Well, I’m taking her, so you can tell whoever you get what my car looks like and they can follow me if they want.”

“But what does your car look like?” Marlene seemed to wail this.

“Take a look at it,” Olive commanded. Ashley had already gone through the doorway and was getting into the backseat of Olive’s car. “Tell the ambulance driver to pull me over if he shows up.”

As she opened the back door of her car, Olive saw the girl’s face and realized: This is it. This girl was going to have her baby. “Take your pants off,” Olive said to her. “Now. Take them off.” Ashley tried, but she was writhing in pain, and Olive looked through her bag, her hands shaking, and found the shears she always carried with her. “Lie back.” Olive leaned into the car, but she was afraid she would poke the girl’s belly with the shears, so she went around to the door on the other side and opened that, and she was able to cut the pants successfully. Then she walked back around the car again and pulled the pants off the girl. “Stay lying back,” she said firmly, oh, she was a schoolteacher all right.

The girl spread her knees, and Olive stared. She was amazed. Pudendum went through her mind. She had never seen a young woman’s—pudendum. My word! The amount of hair—and it was—well, it was wide open! There was blood and gooey stuff coming out; what a thing! Ashley was making grunting sounds, and Olive said, “Okay, okay, stay calm.” She had absolutely no idea what she was supposed to do. “Stay calm!” She yelled this. She reached and touched Ashley’s knees, opening them more. In a few minutes—Olive had no idea how many minutes—Ashley let out a huge sound, a large groan and screech combined. And out slipped something.

Olive thought the girl had not delivered a baby at all, but rather some lumpish thing, almost like clay. Then Olive saw the face, the eyes, the arms— “Oh my goodness,” she said. “You have a baby.”

She was hardly aware of the man’s hand on her shoulder as he said, “All right then, let’s see what we have.” He was from the ambulance, she had not even heard it drive in. But when she turned and saw his face, so in charge, she felt a rush of love for him. Marlene stood on the lawn, tears streaming down her face. “Oh, Olive,” she said. “Oh, my word.”

Olive stood up now and walked through her house It felt no longer a house but - фото 7

Olive stood up now and walked through her house. It felt no longer a house but more a nest where a mouse lived. It had felt this way for a long time. She sat down in the small kitchen, then she got up and walked past “the bump-out room,” as she and Henry had called it, now with the purple quilt spread messily on the large window seat—this is where Olive had slept since her husband’s death—and then she went back to the living room, where pale water streaks from last winter’s snow showed on the wallpaper near the fireplace. She sat on the big chair by the window and rocked her foot up and down. The evenings were interminable these days, and she remembered when she had loved the long evenings. Across the bay the sun twinkled, now low in the sky. A shaft of light cut over the floorboards and onto the rug in the living room.

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