Уильям Макгиверн - Summitt

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A riveting novel of power, passion and intrigue, from the author of Soldiers of ’44.
Harry Selby knows disturbingly little about the father he never met — until he comes to Summitt City, a chillingly efficient “planned” city where his long-lost half-brother begins to unlock the mystery of their common past... and then suddenly disappears. The brutal sexual assault upon Selby’s young daughter convinces him that beneath the dark currents of the two tragedies is a dimly discerned secret malice, a leviathan whose nature confounds even as he presses his search to the highest levels of law and government. The trail twists to a frightening military experiment in mind and memory control; to a sensational — and darkly suspicious — murder trial; and finally to Summitt City, where it all began — a city now lethal guardian of a most terrible truth.
Summitt is a novel of remarkable range and depth, a brilliant exploration of at once the lowest and noblest in human behavior, including a touching father-daughter relationship that defies and survives the mindless evils arrayed against it. Summitt is the premier work of a fine writer at the top of his creative powers.

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The doors leading to the terraces were open and Jennifer stood outside in the fine rain, arms held in a graceful circle above her head, pirouetting with a slow, deliberate elegance. She had changed into gray leotards and tied her long hair back with a dark ribbon, and was smiling dreamily, eyes closed against the misting winds.

When she became aware of Correll watching her, she lost her concentration and balance and stumbled slightly, catching herself with a quick hand on the terrace railing.

She smiled at him and her eyes were as blank and merry as a doll’s.

Correll led her back into the warm bedroom. After a dizzying glance at the balconies below Jennifer’s room, and the sheer drop beyond them to the street and sidewalk, he closed and locked the terrace doors.

He helped her out of her soaking jersey and gently eased her onto the bed, straightened her legs and smoothed her tangled hair on the pillow.

“I don’t like you out on the terrace at night, and I don’t like you talking to the good brother when you’ve been drinking,” he said. “What did Fabius want?”

She laughed at him. “You were listening, Simon. I heard you pick up the phone. I could hear you breathing. The way some people breathe is... like fingerprints, Simon.” She laughed again, her eyes closing, the lashes dark and wet on her pale cheeks.

“I listened, Jennifer, because I thought there might be news of my mother. I have a notion Bishop Waring would prefer you to tell me if her condition is worsening.”

“No, Simon, it wasn’t that. Your mother is sleeping very quietly. Everybody is asleep now.”

“What did Fabius want to talk to you about?”

“Like little mice, that’s what you told me, and I thought that was rather dear. Little laboratory mice.” She moved her head restlessly. “Fabius has some shells, Simon, tiny pink and blue shells from Portugal. He’s making a rosary for your mother. He wanted to know if the first and last decades should be made with the pink shells...”

She was breathing slowly and deeply, the muscles of her flat stomach rising and falling in gentle contractions.

“Or what, Jennifer?” Correll asked her.

“Or the blue shells, of course, darling.”

“What does it matter? Did Fabius tell you what in the name of Christ difference it makes?”

“I forget, Simon.”

Correll took off her slippers, the thin leather soles damp and slick from the rain. She murmured drowsily as he untied her cord belt and slowly slipped the tight, clinging leotards from her legs, which were white and slack and vulnerable against the flaming red covers.

As he lay beside her slim, warm body, and studied her face for a moment, Correll was moved by the stillness in Jennifer’s expression and her lack of awareness of him, of everything around them, of everything in the world. He was grateful for the promise of oblivion she offered him, that welcoming and sustaining darkness. Reaching across her quiet body, he turned off the lights.

Chapter Twenty-Two

The day of the trial was bitterly cold. The first shoots of spring, spiky tips of skunk cabbage, were buried under a foot of snow in the bottoms of drained quarries and mica pits. The weather had been unsettling, gray days with clouds like torn and dirty curtains, followed by drenching rain and then sunlight glistening in the trees.

Casper Gideen’s body was shipped back to his hometown of Ahashie, South Carolina. East Chester police had accepted a coroner’s verdict that the deceased met his death “as the result of accidentally self-inflicted gunshot wounds.”

The Selby family attended the service at the Muhlenburg Baptist Church. They sat in the pew behind Lori Gideen and her sons. The Selbys’ floral wreath of field daisies and violets and pussy willows had been chosen by Shana.

On the morning of the trial, Shana was in the foyer when her father came downstairs. She wore a blue sweater, a gray flannel skirt and polished brown loafers. He kissed her cheek and thought that her hair smelled like flowers left in a cold room. She pulled on a coat and gloves while Selby drank a cup of coffee.

“I know Miss Brett filled you in on everything,” he told her, “but remember, the jury is just a group of ordinary, everyday citizens.”

“She told me how normal they were,” Shana said, “except for two of those big women wearing the born-again buttons.”

The jury consisted of seven whites, three blacks and two Puerto Ricans, eight men and four women. Three of the group were on welfare. All but one, at Mr. Kahn, said they believed in a Supreme Being. Their average age was thirty-four and their mean educational level that of eleventh grade.

“The important thing,” Selby said, as they went out to the car, “is to keep in mind there’s nothing to be afraid of.”

“You must think there is,” she said, “because you keep telling me that. I know Earl Thomson’s going to swear I’m lying, daddy. And I know Miss Brett is worried about Dr. Clemens, but I think he’s an old fool .”

She had spent a total of three hours with the psychiatrist, meeting with him in Dorcas Brett’s office. According to a court ruling, no tapes had been made of their conversations, and the defense expert’s notes were subject to review by both Dorcas Brett and the Selbys’ doctor, Merwin Kerr.

After the charges were read into the record, Dorcas Brett opened for the People.

In Selby’s opinion, her opening statement had an inconclusive effect. Or at least an ambivalent one. She presented her arguments logically enough, but as far as Selby could tell they failed to generate much sympathy among the jurors. Maybe it was because her manner and appearance were so at variance with the decor, the atmosphere, of Judge Flood’s courtroom, which was colonial in tone — high-ceilinged, spacious, with tall narrow windows, white plastered walls and random-width pine floors. On those shining planks, Brett’s high heels sounded with a light but insistent clatter, an almost irreverent or impertinent sound in a male atmosphere suggested by brass inkwells, rugged beams and a large mural depicting Quaker merchants and Indian chiefs greeting one another with upraised arms on the banks of the Brandywine. Cornfields and turkeys in flight stretched off beyond them to infinite blue skies.

Brett wore a dark skirt with a pale, pleated blouse, wooden bracelets and strings of gold chains. Worse perhaps, to judge from the glances Selby noticed from a large woman in the jury box, Dorcas’s body was trim, her legs shapely and she had what Tishie always referred to with resignation as “Gentile bones,” by which the old lady meant narrow hips and slim wrists and ankles.

The courtroom was crowded, with marshals posted at the exists. Near the witness stand was a roped-off section for the press and TV cameras. A spray of ferns, a crystal carafe and drinking glass stood on Judge Flood’s high bench. His bailiff, a thin black man in uniform, shared a desk below with the court stenographer, a middle-aged woman who wore a green eye-shade.

Shana sat alone at the People’s table, facing the jurors and Judge Flood. At the Defense table were Earl Thomson, Allan Davic and two of his associate attorneys. Behind them in the spectators’ gallery were George Thomson and Dom Lorso.

Earl Thomson leaned comfortably back in his chair, tilting the front legs an inch or so from the floor. His clothes were conservatively informal, a dark sports jacket and a white shirt with a maroon tie. He seemed gravely interested, observing the jurors with courteous attention.

Selby glanced once at Earl Thomson’s hands, but decided it would be easier to concentrate on the proceedings if he ignored those powerful wrists and fingers and the burning images he associated with them.

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