Barbara Vine - The Blood Doctor

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Sometimes it’s best to leave the past alone. For when biographer Martin Nanther looks into the life of his famous great-grandfather Henry, Queen Victoria’s favorite physician, he discovers some rather unsettling coincidences, like the fact that the doctor married the sister of his recently murdered fiancée. The more Martin researches his distant relative, the more fascinated—and horrified—he becomes. Why did people have a habit of dying around his great grandfather? And what did his late daughter mean when she wrote that he’s done “monstrous, quite appalling things”?
Barbara Vine (a.k.a. Ruth Rendell) deftly weaves this story of an eminent Victorian with a modern yarn about the embattled biographer, who is watching the House of Lords prepare to annul membership for hereditary peers and thus strip him of his position. Themes of fate and family snake throughout this teasing psychological suspense, a typically chilling tale from a master of the genre.
From Publishers Weekly
This rich, labyrinthine book by Vine (aka Ruth Rendell) concerns a "mystery in history," like her 1998 novel, The Chimney Sweeper's Boy. Martin Nanther-biographer and member of the House of Lords-discovers some blighted roots on his family tree while researching the life of his great-great-grandfather, Henry, an expert on hemophilia and physician to Queen Victoria. Martin contacts long-lost relatives who help him uncover some puzzling events in Henry's life. Was Henry a dour workaholic or something much more sinister? Vine can make century-old tragedy come alive. Still, the decades lapsed between Martin's and Henry's circles create added emotional distance, and, because they are all at least 50 years dead, we never meet Henry or his cohorts except through diaries and letters. Martin's own life-his wife's infertility and troubles with a son from his first marriage-is interesting yet sometimes intrudes on the more intriguing Victorian saga. Vine uses her own experience as a peer to give readers an insider's look into the House of Lords, at the dukes snoozing in the library between votes and eating strawberries on the terrace fronting the Thames. Some minor characters are especially vivid, like Martin's elderly cousin Veronica, who belts back gin while stonewalling about the family skeletons all but dancing through her living room. Readers may guess Henry's game before Vine is ready to reveal it, but this doesn't detract from this novel peopled by characters at once repellant and compelling.
From Library Journal
In her tenth novel writing as Barbara Vine, Ruth Rendell offers a novel of suspense based in 19th-century England and centering on deceit, murder, and various other family skeletons. Martin Nanther, the fourth Lord Nanther, has a comfortable life in present-day London as a Hereditary Peer in the House of Lords and as a historical biographer. He chooses as his most recent subject his own great-grandfather, the first Lord Nanther, physician to the royal family (Victoria and Albert) and an early noted researcher into the cause and transmission of hemophilia. The reader is taken through the family history as Martin painstakingly uncovers some not so savory bits of his own family's past. The story is dense with characters, and the author provides family trees of the two principal families, for which any reader will be eternally grateful. The story lacks the usual page-turner suspense of the Rendell/Vine novels but makes up for that with unusually detailed glimpses into Victorian life and the inner workings of the House of Parliament, which American readers will find particularly intriguing. Recommended for all public libraries. Caroline Mann, Univ. of Portland, OR

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Of course he couldn’t yet be sure that Hans Maibach’s haemophilia had been carried down the female line by subsequent generations. But even at this stage he could make an intelligent guess. Perhaps Barbla’s son had died young. Her daughter Luise had lost a young son, Louisa Henderson’s brother. There again this offered no positive identification of Louisa herself as a carrier and later, when Henry had been warmly received into the bosom of the family, it must have dismayed him to see Lionel Henderson enjoying good health and clearly not suffering from a disease of the blood. By then too he would have ascertained from Louisa or her daughters by subtle enquiries that the latter had no dead small brothers.

Before this he had directed his drama in Gower Street and it succeeded even better than he expected. I was surely right when I concluded, much earlier on in my researches, that he employed Brewer to do the deed for a satisfactory payment and the promise of a wife, a house and a lump sum for his half-brother. Presumably, the little matter of Jimmy’s pregnancy was glossed over. Henry was in, an honoured guest in Keppel Street and the recipient of confidences. The two girls were not so bad, not a patch on Olivia of course, but then Olivia didn’t carry haemophilia. He dropped her and soon afterwards he dropped Jimmy.

Now he had to make his choice between the Henderson daughters. It’s possible he preferred Edith from the first but made himself agreeable to both, trying to detect the signs, if any, of a haemophilia carrier. In his diary he writes that from early on he could tell that Princess Beatrice was a ‘conductor’ but this may have been no more than vanity on his part. No doubt he watched both girls carefully. At that time for a young girl to have mentioned menstruation in the presence of a man, even a doctor, would have been unthinkable. It was the height of indelicacy to speak of it in the presence of another woman, apart from one’s mother, and then in the most veiled and euphemistic terms. Girls were supposed to pretend ‘the curse of Eve’ didn’t exist. Yet something happened that summer to make Henry certain of his quarry and fix his interest on Eleanor. Can there be any doubt that this was the ‘consultation’ the girls’ mother had with him in July 1883?

I’m guessing when I say Louisa Henderson wanted to ask him about Eleanor’s periods, what we would call today her dysmenorrhoea. That and perhaps her tendency to bruise very easily. Would these disabilities mean she was a carrier? I don’t know but I’m sure Henry thought he knew. What is the answer, that is the question . He had that answer. In the following month he proposed to Eleanor and was accepted. Now he was engaged to a woman who was a direct descendant of Hans Maibach of Tenna, a haemophiliac, whose daughter, granddaughter and great-granddaughter were very likely carriers, who was herself almost certainly a carrier.

Any ideas I or Jude may have had about Henry arranging her murder in the Great Western train disappear now, for Eleanor was the woman all his researches and records-tracing had led him to, the more certain of the two sisters to be a haemophilia carrier. Her death must have been as great a blow to him as if he’d been in love with her. He had no need to put on a pretence of grief. Real sorrow and bitter disappointment were what he felt. Now he’d have to start again, perhaps return to Tenna, find another haemophiliac whose female descendants, scattered across Europe, might or might not have, as he saw it, the fatal flaw in their blood.

Or was there instead someone nearer at hand? Eleanor had a sister, more attractive to look at than she. But how to be sure this sister was a carrier? If he had another consultation with Louisa Henderson there’s nothing about it in the diaries but that doesn’t mean it never took place. This time it was he who was asking the questions and Edith’s mother supplying the answers. Henry may even have gone so far as to intimate to Mrs Henderson that he’d like to marry Edith but was worried about her health. Would she, for instance, be able to bear children? Did she too suffer from dysmenorrhoea?

For a prospective bridegroom to ask such things of his future mother-in-law seems to us a terrible instance of male pride in male domination, and the worst of bad taste. We revolt against it as the Victorians revolted against openness and calling a spade a spade. But taste changes, just as what it is acceptable to utter does. Besides, before we say any mother worthy of the name would have refused to discuss it, would have shown Henry the door, we must remember how dreadfully the Hendersons’ hopes had been dashed by Eleanor’s death. The good marriage, the big house in a fashionable suburb, the title, the famous eminent husband – all that went out of the window with Eleanor’s body. But they had been given a second chance. His eye had lighted on their other daughter and everything Mrs Henderson could do to encourage the match must be done.

So what did she say to Henry? Something which she, surely, believed wouldn’t have a discouraging effect. Perhaps that Edith’s periods though heavy were regular. As to the bruising she may have acceded to this because it would have seemed harmless to her. She may even – I am stretching rather far out here – have said that Edith bled profusely when she cut herself, believing this to be a sign of health.

As to Edith herself, was Henry so cold-blooded that he could transfer what affections he had had for Eleanor straight on to her sister? They were sisters, they may have been very much alike. By all accounts Edith was a steady, calm and phlegmatic woman, the kind who wouldn’t cause her husband any trouble. And Henry must have thought of the purpose of this marriage: to produce children. He wasn’t getting any younger, he’d become forty-eight in the February of 1884. Was he to begin the weary work of finding a suitable bride and courting her all over again when here was one for the taking?

Control circumstances and do not let circumstances control you.

Jude has come in, full of news about the Croft-Joneses’ new house which they move into next week. They have the biggest mortgage she has ever heard of anyone taking on because this ‘town house’ in Hampstead is costing them nearly a million pounds. I’ve kissed her when she first came in but now I take her in my arms and hold her, hug her so tightly that she struggles free and asks me what’s wrong.

‘Does something have to be wrong for me to hug you?’

‘It does when it’s desperate.’

She wants to know what ‘this’ is and when I tell her it’s Henry she casts up her eyes and says, ‘Bloody Henry.’

‘He was, wasn’t he? In more ways than one. If I wanted to be melodramatic I’d say he waded through blood all his life.’

She says I always want to be melodramatic and to tell her about it. So I do. I forget all that nonsense about treating a pregnant woman with great delicacy and I tell her. She takes the egg out of my hand and looks at it, at the place where my worrying it has begun to rub the red paint off.

‘He was worse than even I thought,’ she says.

We go into the living room and sit on the sofa, side by side. ‘Go on,’ she says.

‘He married Edith, as you know, and got her pregnant at once. Their first child Elizabeth was born nine months later in August.’

‘Do you think Henry looked at the baby and wondered if she was a carrier?’

‘Probably. He’d have wondered the same thing about the next daughter and the next and the next. By the standards of the time he was becoming an old man. He might not live long enough to see his eldest married and discover if she was in fact a carrier.’

Jude has brought David’s family tree with her and she’s studying it. ‘By the time Clara was born he was fifty-five.’

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