Donna Tartt - The Goldfinch

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The Goldfinch: краткое содержание, описание и аннотация

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A young boy in New York City, Theo Decker, miraculously survives an accident that takes the life of his mother. Alone and determined to avoid being taken in by the city as an orphan, Theo scrambles between nights in friends’ apartments and on the city streets. He becomes entranced by the one thing that reminds him of his mother, a small, mysteriously captivating painting that soon draws Theo into the art underworld.

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In the house on Desert End Road, which had the super-expensive cable television package my mother would never let us get, he drew the blinds against the glare and sat smoking in front of the television, glassy as an opium addict, watching ESPN with the sound off, no sport in particular, anything and everything that came on: cricket, jai alai, badminton, croquet. The air was overly chilled, with a stale, refrigerated smell; sitting motionless for hours, the filament of smoke from his Viceroy floating to the ceiling like a thread of incense, he might as well have been contemplating the Buddha, the Dharma, and the Sangha as the leaderboard at the PGA or whatever.

What wasn’t clear was if my dad had a job—or, if he did, what kind of job it was. The phone rang all hours of the day and night. My dad went in the hallway with the handset, his back to me, bracing his arm against the wall and staring at the carpet as he talked, something in his posture suggesting the attitude of a coach at the end of a tough game. Usually he kept his voice well down but even when he didn’t, it was tough to understand his end of the conversation: vig, moneyline, odds-on favorite, straight up and against the spread. He was gone much of the time, on unexplained errands, and a lot of nights he and Xandra didn’t come home at all. “We get comped a lot at the MGM Grand,” he explained, rubbing his eyes, sinking back into the sofa cushions with an exhausted sigh—and again I got a sense of the character he was playing, moody playboy, relic of the eighties, easily bored. “I hope you don’t mind. It’s just when she’s working the late shift, it’s easier for us to crash on the Strip.”

viii.

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“WHAT ARE ALL THESE papers everywhere?” I asked Xandra one day while she was in the kitchen making her white diet drink. I was confused by the pre-printed cards I kept finding all over the house: grids pencilled in with row after monotonous row of figures. Vaguely scientific-looking, they had a creepy feel of DNA sequences, or maybe spy transmissions in binary code.

She switched the blender off, flicked the hair out of her eyes. “Excuse me?”

“These work sheets or whatever.”

“Bacca- rat! ” said Xandra—rolling the r, doing a tricky little fillip with her fingers.

“Oh,” I said after a flat pause, though I’d never heard the word before.

She stuck her finger in the drink, and licked it off. “We go to the baccarat salon at the MGM Grand a lot?” she said. “Your dad likes to keep track of his played games.”

“Can I go some time?”

“No. Well yeah—I guess you could, ” she said, as if I’d inquired about vacation prospects in some unstable Islamic nation. “Except they’re not super-welcoming of kids in the casinos? You’re not really allowed to come and watch us play.”

So what, I thought. Standing around and watching Dad and Xandra gamble was scarcely my idea of fun. Aloud, I said: “But I thought they had tigers and pirate boats and things like that.”

“Yeah, well. I guess.” She was reaching up for a glass on the shelf, exposing a quadrangle of blue-inked Chinese characters between her T-shirt and her low-slung jeans. “They tried to sell this whole family-friendly package a few years ago, but it didn’t wash.”

ix.

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I MIGHT HAVE LIKED Xandra in other circumstances—which, I guess, is sort of like saying I might have liked the kid who beat me up if he hadn’t beat me up. She was my first inkling that women over forty—women maybe not all that great-looking to start with—could be sexy. Though she wasn’t pretty in the face (bullet eyes, blunt little nose, tiny teeth) still she was in shape, she worked out, and her arms and legs were so glossy and tan that they looked almost sprayed, as if she anointed herself with lots of creams and oils. Teetering in her high shoes, she walked fast, always tugging at her too-short skirt, a forward-leaning walk, weirdly alluring. On some level, I was repelled by her—by her stuttery voice, her thick, shiny lip gloss that came in a tube that said Lip Glass; by the multiple pierce holes in her ears and the gap in her front teeth that she liked to worry with her tongue—but there was something sultry and exciting and tough about her too: an animal strength, a purring, prowling quality when she was out of her heels and walking barefoot.

Vanilla Coke, vanilla Chapstick, vanilla diet drink, Stoli Vanilla. Off from work, she dressed like sort of a rapped-up tennis mom, short white skirts, lots of gold jewelry. Even her tennis shoes were new and spanking white. Sunbathing by the pool, she wore a white crocheted bikini; her back was wide but thin, lots of ribs, like a man without his shirt on. “Uh-oh, wardrobe malfunction,” she said when she sat up from the lounge chair without remembering to fasten her top, and I saw that her breasts were as tan as the rest of her.

She liked reality shows: Survivor, American Idol. She liked to shop at Intermix and Juicy Couture. She liked to call her friend Courtney and “vent,” and a lot of her venting, unfortunately, was on the subject of me. “Can you believe it?” I heard her saying on the telephone when my dad was out of the house one day. “I didn’t sign on for this. A kid? Hello?

“Yeah, it’s a pain in the ass, all right,” she continued, inhaling lazily on her Marlboro Light—pausing by the glass doors that led to the pool, staring down at her freshly painted, honeydew-green toenails. “No,” she said after a brief pause. “I don’t know how long for. I mean, what does he expect me to think? I’m not a freaking soccer mom.”

Her complaints seemed routine, not particularly heated or personal. Still it was hard to know just how to make her like me. Previously, I had operated on the assumption that mom-aged women loved it when you stood around and tried to talk to them but with Xandra I soon learned that it was better not to joke around or inquire too much about her day when she came home in a bad mood. Sometimes, when it was just the two of us, she switched the channel from ESPN and we sat eating fruit cocktail and watching movies on Lifetime peacefully enough. But when she was annoyed with me, she had a cold way of saying “Apparently” in answer to almost anything I said, making me feel stupid.

“Um, I can’t find the can opener.”

“Apparently.”

“There’s going to be a lunar eclipse tonight.”

“Apparently.”

“Look, sparks are coming out of the wall socket.”

“Apparently.”

Xandra worked nights. Usually she breezed off around three thirty in the afternoon, dressed in her curvy work uniform: black jacket, black pants made of some stretchy, tight-fitting material, with her blouse unbuttoned to her freckled breastbone. The nametag pinned to her blazer said XANDRA in big letters and underneath: Florida. In New York, when we’d been out at dinner that night, she’d told me that she was trying to break into real estate but what she really did, I soon learned, was manage a bar called “Nickels” in a casino on the Strip. Sometimes she came home with plastic platters of bar snacks wrapped in cellophane, things like meatballs and chicken teriyaki bites, which she and my dad carried in front of the television and ate with the sound off.

Living with them was like living with roommates I didn’t particularly get along with. When they were at home, I stayed in my room with the door shut. And when they were gone—which was most of the time—I prowled through the farther reaches of the house, trying to get used to its openness. Many of the rooms were bare of furniture, or almost bare, and the open space, the uncurtained brightness—all exposed carpet and parallel planes—made me feel slightly unmoored.

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