Donna Tartt - The Goldfinch

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The Goldfinch: краткое содержание, описание и аннотация

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A young boy in New York City, Theo Decker, miraculously survives an accident that takes the life of his mother. Alone and determined to avoid being taken in by the city as an orphan, Theo scrambles between nights in friends’ apartments and on the city streets. He becomes entranced by the one thing that reminds him of his mother, a small, mysteriously captivating painting that soon draws Theo into the art underworld.

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“I happen to know that’s not true,” said Mrs. Barbour. “Betsy Ingersoll told me—”

“Maybe Mrs. Ingersoll doesn’t let Sabine drink coffee, but it would take a whole lot more than a cup of coffee to get Sabine Ingersoll into Advanced Placement anything.”

“That’s uncalled for, Andy, and very unkind.”

“Well, it’s only the truth,” said Andy coolly. “Sabine is as dumb as a post. I suppose she may as well safeguard her health since she has so little else going for her.”

“Brains aren’t everything, darling. Would you eat an egg if Etta poached you one?” Mrs. Barbour said, turning to me. “Or fried? Or scrambled? Or whatever you like?”

“I like scrambled eggs!” Toddy said. “I can eat four!”

“No you can’t, pal,” said Mr. Barbour.

“Yes I can! I can eat six! I can eat the whole box!”

“It’s not as if I’m asking for Dexedrine,” Andy said. “Although I could get it at school if I felt like it.”

“Theo?” said Mrs. Barbour. Etta the cook, I noticed, was standing in the door. “What about that egg?”

“Nobody ever asks us what we want for breakfast,” Kitsey said; and even though she said it in a very loud voice, everyone pretended not to hear.

xi.

картинка 21

ONE SUNDAY MORNING, I climbed up to the light from a weighty and complicated dream, nothing of it left but a ringing in my ears and the ache of something slipped from my grasp and fallen into a crevasse where I would not see it again. Yet somehow—in the midst of this profound sinking, snapped threads, fragments lost and untrackable—a sentence stood out, ticking across the darkness like a news crawler at the bottom of a TV screen: Hobart and Blackwell. Ring the green bell.

I lay staring at the ceiling, not wanting to stir. The words were as clear and crisp as if someone had handed them to me typed on a slip of paper. And yet—most wonderfully—an expanse of forgotten memory had opened up and floated to the surface with them, like one of those paper pellets from Chinatown that bloom and swell into flowers when dropped into a glass of water.

Adrift in an air of charged significance, doubt struck me: was it a real memory, had he really spoken those words to me, or was I dreaming? Not long before my mother died, I’d woken convinced that a (nonexistent) schoolteacher named Mrs. Malt had put ground glass in my food because I had no discipline—in the world of my dream, a perfectly logical series of events—and I’d lain in a muddle of worry for two or three minutes before I came to my senses.

“Andy?” I said, and then leaned over and peered at the lower bunk, which was empty.

After lying wide-eyed for several moments, staring at the ceiling, I climbed down and retrieved the ring from the pocket of my school jacket and held it up to the light to look at the inscription. Then, quickly, I put it away and dressed. Andy was already up with the rest of the Barbours, at breakfast—Sunday breakfast was a big deal for them, I could hear them all in the dining room, Mr. Barbour rambling on indistinctly as he sometimes did, holding forth a bit. After pausing in the hall, I walked the other way, to the family room, and got the White Pages in its needlepoint cover from the cabinet under the telephone.

Hobart and Blackwell. There it was—clearly a business, though the listing didn’t say what sort. I felt a bit dizzy. Seeing the name in black and white gave me a strange thrill, as of unseen cards falling into place.

The address was in the Village, West Tenth Street. After some hesitation, and with a great deal of anxiety, I dialed the number.

As the phone rang, I stood fiddling with a brass carriage clock on the table in the family room, chewing my lower lip, looking at the framed prints of water birds over the telephone table: Noddy Tern, Townsend’s Cormorant, Common Osprey, Least Water Rail. I wasn’t quite sure how I was going to explain who I was or ask what I needed to know.

“Theo?”

I jumped, guiltily. Mrs. Barbour—in gossamer-gray cashmere—had come in, coffee cup in hand.

“What are you doing?”

The phone was still ringing away on the other end. “Nothing,” I said.

“Well, hurry up. Your breakfast is getting cold. Etta’s made French toast.”

“Thanks,” I said, “I’ll be right there,” just as a mechanical voice from the phone company came on the line and told me to try my call again later.

I joined the Barbours, preoccupied—I had hoped that at least a machine would pick up—and was surprised to see none other than Platt Barbour (much bigger and redder in the face than the last time I’d seen him) in the place where I usually sat.

“Ah,” said Mr. Barbour—interrupting himself mid-sentence, blotting his lips with his napkin and jumping up—“here we are, here we are. Good morning. You remember Platt, don’t you? Platt, this is Theodore Decker—Andy’s friend, remember?” As he was speaking, he had wandered off and returned with an extra chair, which he wedged in awkwardly for me at the sharp corner of the table.

As I sat down on the outskirts of the group—three or four inches lower than everyone else, in a spindly bamboo chair that didn’t match the others—Platt met my gaze without much interest and looked away. He had come home from school for a party, and he looked hung over.

Mr. Barbour had sat down again and resumed talking about his favorite topic: sailing. “As I was saying. It all boils down to lack of confidence. You’re unsure of yourself on the keelboat, Andy,” he said, “and there’s just no darn reason you should be, except you’re short of experience on single-hand sailing.”

“No,” said Andy, in his faraway voice. “The problem essentially is that I despise boats.”

“Horsefeathers,” said Mr. Barbour, winking at me as if I were in on the joke, which I wasn’t. “I don’t buy that ho-hum attitude! Look at that picture on the wall in there, down in Sanibel two springs ago! That boy wasn’t bored by the sea and the sky and the stars, no sir.”

Andy sat contemplating the snow scene on the maple syrup bottle while his father rhapsodized in his dizzying, hard-to-follow way about how sailing built discipline and alertness in boys, and strength of character as in mariners of old. In past years, Andy had told me, he hadn’t minded going on the boat quite so much because he’d been able to stay down in the cabin, reading and playing card games with his younger siblings. But now he was old enough to help crew—which meant long, stressful, sun-blinded days toiling on deck alongside the bullying Platt: ducking beneath the boom, completely disoriented, doing his best to keep from getting tangled in the lines or knocked overboard as their father shouted orders and rejoiced in the salt spray.

“God, remember the light on that Sanibel trip?” Andy’s father pushed back in his chair and rolled his eyes at the ceiling. “Wasn’t it glorious? Those red and orange sunsets? Fire and embers? Atomic, almost? Pure flame just ripping and pouring out of the sky? And remember that fat, smacking moon with the blue mist around it, off Hatteras—is it Maxfield Parrish I’m thinking of, Samantha?”

“Sorry?”

“Maxfield Parrish? That artist I like? Does those very grand skies, you know—” he threw his arms out—“with the towering clouds? Excuse me there, Theo, didn’t mean to knock you in the snoot.”

“Constable does clouds.”

“No, no, that’s not who I mean, this painter is much more satisfying. Anyway—my word, what skies we had out on the water that night. Magical. Arcadian.

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