Donna Tartt - The Goldfinch

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The Goldfinch: краткое содержание, описание и аннотация

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A young boy in New York City, Theo Decker, miraculously survives an accident that takes the life of his mother. Alone and determined to avoid being taken in by the city as an orphan, Theo scrambles between nights in friends’ apartments and on the city streets. He becomes entranced by the one thing that reminds him of his mother, a small, mysteriously captivating painting that soon draws Theo into the art underworld.

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And then, before I knew it, it was over. “Theo,” said Ray, standing up and placing a meaty hand on my shoulder, “I want to thank you, buddy, for doing what you could for us.”

“That’s okay,” I said, jarred by how abruptly it had all come to an end.

“I know exactly how hard this was for you. Nobody but nobody wants to relive this type of stuff. It’s like—” he made a picture frame with his hands—“we’re putting together pieces of a jigsaw puzzle, trying to figure out what went on in there, and you’ve maybe got some pieces of the puzzle that nobody else has got. You really helped us a lot by letting us talk to you.”

“If you remember anything else,” said Morris, leaning in to give me a card (which Mrs. Barbour quickly intercepted and tucked in her purse), “you’ll call us, won’t you? You’ll remind him, won’t you, miss,” he said to Mrs. Barbour, “to phone us if he has anything else to say? The office number’s right on that card but—” he took a pen from his pocket—“you don’t mind, can I have it back for a second, please?”

Without a word, Mrs. Barbour opened her bag and handed the card back to him.

“Right, right.” He clicked the pen out and scribbled a number on the back. “That’s my cell phone there. You can always leave a message at my office, but if you can’t reach me there, phone me on my cell, all right?”

As everyone was milling around the entrance, Mrs. Swanson floated up and put her arm around me, in the cozy way she had. “Hi there,” she said, confidentially, as if she were my tightest friend in the world. “How’s it going?”

I looked away, made an okay, I guess face.

She stroked my arm like I was her favorite cat. “Good for you. I know that must have been tough. Would you like to go to my office for a few minutes?”

With dismay, I noticed Dave the psychiatrist hovering in the background, and behind him Enrique, hands on hips, with an expectant half-smile on his face.

“Please,” I said, and my desperation must have been audible in my voice, “I want to get back to class.”

She squeezed my arm, and—I noticed—threw a glance at Dave and Enrique. “Sure,” she said. “Where are you this period? I’ll walk you down.”

ix.

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BY THEN IT WAS English—last class of the day. We were studying the poetry of Walt Whitman:

Jupiter shall emerge, be patient, watch again another night, the Pleiades shall emerge,

They are immortal, all those stars both silvery and golden shall shine out again

Vacant faces. The classroom was hot and drowsy in the late afternoon, windows open, traffic noises floating up from West End Avenue. Kids leaned on their elbows and drew pictures in the margins of their spiral notebooks.

I stared out the window, out at the grimy water tank on the roof opposite. The interrogation (as I thought of it) had disturbed me greatly, kicking up a wall of the disjointed sensations that crashed over me at unexpected moments: a choking burn of chemicals and smoke, sparks and wires, the blanched chill of emergency lights, overpowering enough to blank me out. It happened at random times, at school or out on the street—frozen in mid-step as it washed over me again, the girl’s eyes locked on mine in the queer, skewed instant before the world blew apart. Sometimes I’d come to, uncertain what had just been said to me, to find my lab partner in biology staring at me, or the guy whose way I was blocking in front of the cold-drinks case at the Korean market saying look kid, move it, I aint got all day.

Then dearest child mournest thou only for Jupiter?

Considerest thou alone the burial of the stars?

They had shown me no photographs I recognized of the girl—or of the old man either. Quietly, I put my left hand in my jacket pocket and felt around for the ring. On our vocabulary list a few days before we’d had the word consanguinity: joined in blood. The old man’s face had been so torn up and ruined I couldn’t even say exactly what he’d looked like, and yet I remembered all too well the warm slick feel of his blood on my hands—especially since in some way the blood was still there, I could still smell it and taste it in my mouth, and it made me understand why people talked about blood brothers and how blood bound people together. My English class had read Macbeth in the fall, but only now was it starting to make sense why Lady Macbeth could never scrub the blood off her hands, why it was still there after she washed it away.

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BECAUSE, APPARENTLY, SOMETIMES I woke Andy by thrashing and crying out in my sleep, Mrs. Barbour had started giving me a little green pill called Elavil that she explained would keep me from being scared at night. This was embarrassing, especially since my dreams weren’t even full-blown nightmares but only troubled interludes where my mother was working late and stranded without a ride—sometimes upstate, in some burned-out area with junked cars and chained dogs barking in the yards. Uneasily I searched for her in service elevators and abandoned buildings, waited for her in the dark at strange bus stops, glimpsed women who looked like her in the windows of passing trains and just missed grabbing up the telephone when she called me at the Barbours’ house—disappointments and near-misses that thumped me around and woke me with a sharp hiss of breath, lying queasy and sweaty in the morning light. The bad part wasn’t trying to find her, but waking up and remembering she was dead.

With the green pills, even these dreams faded into airless murk. (It strikes me now, though it didn’t then, that Mrs. Barbour was well out of line by giving me unprescribed medication on top of the yellow capsules and tiny orange footballs Dave the Shrink had prescribed me.) Sleep, when it came, was like tumbling into a pit, and often I had a hard time waking up in the morning.

“Black tea, that’s the ticket,” said Mr. Barbour one morning when I was nodding off at breakfast, pouring me a cup from his own well-stewed pot. “Assam Supreme. As strong as Mother makes it. It’ll flush the medication right out of your system. Judy Garland? Before shows? Well, my grandmother told me that Sid Luft used to always phone down to the Chinese restaurant for a big pot of tea to knock all the barbs out of her system, this was London, I believe, the Palladium, and strong tea was the only thing that did the trick, sometimes they’d have a hard time waking her up, you know, just getting her out of bed and dressed—”

“He can’t drink that, it’s like battery acid,” said Mrs. Barbour, dropping in two sugar cubes and pouring in a heavy slug of cream before she handed the cup over to me. “Theo, I hate to keep harping on this, but you really must eat something.”

“Okay,” I said sleepily, but without moving to take a bite of my blueberry muffin. Food tasted like cardboard; I hadn’t been hungry in weeks.

“Would you rather have cinnamon toast? Or oatmeal?”

“It’s completely ridiculous that you won’t let us have coffee,” said Andy, who was in the habit of buying himself a huge Starbucks on the way to school and on the way home every afternoon, without his parents’ knowledge. “You’re very behind the times on this.”

“Possibly,” Mrs. Barbour said coldly.

“Even half a cup would help. It’s unreasonable for you to expect me to go into Advanced Placement Chemistry at 8:45 in the morning with no caffeine.”

“Sob, sob,” said Mr. Barbour, without looking up from the paper.

“Your attitude is very unhelpful. Everyone else is allowed to drink it.”

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