Donna Tartt - The Goldfinch

My hand had been flying in reckless jerks and starts across the paper. But at the end of the page while reaching for another, I stopped, appalled. What I’d experienced as weightlessness, a sort of sweeping, last-chance glide, was not at all the eloquent and affecting farewell I’d imagined. The handwriting sloped and slopped all over the place and was not intelligent or coherent or even legible. There had to be some much briefer, and simpler, way to thank Hobie and say what I had to say: namely, that he shouldn’t feel bad, he’d always been good to me and done his best to help me, just as my mother and I had done our best to help this baby pit bull, who—it was actually a pertinent point, only I didn’t want to spin the story out too long—for all her sweet-tempered qualities had been incredibly destructive in the days leading to her death, she’d pretty much destroyed the whole apartment and ripped our sofa to pieces.

Maudlin, self-indulgent, tasteless. My throat felt as if the lining had been scraped out with a razor.

Off comes the upholstery. Look here: we have woodworm. We’ll have to treat it with Cuprinol.

The night I’d overdosed in Hobie’s upstairs bathroom, expecting not to wake up and waking up anyway with my cheek on the trippy old hexagonal floor tile, I’d been amazed at exactly how radiant a pre-war bathroom with plain white fittings could be when you were looking at it from the afterlife.

The beginning of the end? Or the end of the end?

Fabelhaft. Having the best fun ever.

One thing at a time. Aspirins. Cold water from the minibar. The aspirins rasped and stuck in my chest, like swallowing gravel, and I pounded trying to get them down, the booze had made me feel a whole lot sicker, thirsty, confused, fish hooks in my throat, water trickling absurdly down my cheeks, gasping and wheezing, I’d opened the wine as a treat (supposedly) but it was going down like turpentine, burning and razoring around in my stomach, should I run a bath, should I call down for something hot, something simple, broth or tea? No: the thing was simply to finish the wine or maybe just go right ahead and start in on the vodka; somewhere online I’d read that only two per cent of attempted suicides by overdose were successful, which seemed like an absurdly low number although one unfortunately borne out by previous experience. It aint gonna rain no mo’. That was somebody’s suicide note. It was only a farce. Jean Harlow’s husband, who killed himself on their wedding night. George Sanders’s had been the best, an Old Hollywood classic, my father had known it by heart and liked to quote from it. Dear World, I am leaving because I am bored. And then, Hart Crane. Pivot and drop, shirt ballooning as he fell. Goodbye everybody! A shouted farewell, jumping off ship.

I no longer considered my body my own. It had ceased to belong to me. My hands, moving, felt separate, floating of their own accord, and when I stood it was like operating a marionette, unfolding myself, rising jerkily on strings.

Hobie had told me that when he was a young man he drank Cutty Sark because it was Hart Crane’s whiskey. Cutty Sark means Short Skirt.

Pale green walls in the piano room, palm trees and pistachio ices.

Ice-coated windows. Unheated rooms of Hobie’s childhood.

The Old Masters, they were never wrong.

What did I think, what did I feel?

It hurt to breathe. The packet of heroin was in the night table on the other side of the bed. But though my dad, with his unflagging love for show-biz hell, would have adored the whole set up—dope, dirty ashtray, booze and all—I couldn’t quite bear the thought of being found sprawled out in my complimentary hotel robe like a has-been lounge singer. The thing to do was clean up, shower and shave and put on my suit so I didn’t look too seedy when they found me and only then, at the last, after the night chambermaids were off duty, take the Do Not Disturb sign off the door: better if they found me first thing, I didn’t want them to find me from the smell.

It felt like a lifetime had come and gone since my night with Pippa and I thought how happy I’d been, rushing to meet her in the sharp-edged winter darkness, my elation at spotting her under a streetlamp out in front of Film Forum and how I’d stood on the corner to savor it—the joy of watching her watch for me. Her expectant watching-the-crowd face. Me she was watching for: me. And the heart-shock of believing, for only a moment, that you might just have what could never be yours.

Suit from the closet. Shirts all dirty. Why hadn’t I thought to send one out? My shoes were waterlogged and wrecked which added a final sorry note to the picture—but no (pausing muddled in the middle of the room), was I going to lay myself out fully dressed, shoes and all, like a corpse on a slab? I’d broken out in a cold sweat, shivers and chills again, the whole routine. I needed to sit down. Maybe I was going to have to re-think the whole presentation. Tear up the letters. Make it look like an accident. Much nicer if it looked like I was on my way to some mysterious dress-up party, just having a bump on the way out—sitting on the edge of the bed, little too much, black sparklers and fizz-pops, keeling over deliciously. Whoops.

White wings of tumult. Running jump into the infinite.

Then—at a blare of trumpets—I started. The liturgical chant had given way to a burst of inappropriately festive orchestration. Melodic, brassy. A wave of frustration boiled up in me. Nutcracker Suite. All wrong. All wrong. A full-blooded Seasonal Extravaganza wasn’t at all the note to go out on, dashing orchestral number, March of the Something Something, and all at once my stomach heaved, violent pitch right into my throat, it felt like I’d swallowed a quart of lemon juice and the next thing I knew almost before I could lurch for the wastebasket it was all coming up in a clear acid gush, wave after wave after yellowy wave.

After it was over, I sat on the carpet with my forehead resting on the sharp metal edge of the can and the kiddie-ballet music sparkling along irritatingly in the background: not even drunk, that was the hell of it, just sick. In the hallway I could hear a gaggle of Americans, couples, laughing, saying their loud goodbyes as they parted for their respective rooms: old college friends, jobs in the financial sector, five-plus years of corporate law and Fiona entering first grade in the fall, all’s well in Oaklandia, well goodnight then, God we love you guys, a life I might have had myself except I didn’t want it. That was the last thing I remember thinking before I made it swaying to my feet and switched the annoying music off and—stomach roiling—threw myself face down on the bed like throwing myself off a bridge, every lamp in the room still blazing as I sank away from the light, blackness closing over my head.

iv.

WHEN I WAS A boy, after my mother died, I always tried hard to hold her in my mind as I was falling asleep so maybe I’d dream of her, only I never did. Or, rather, I dreamed of her constantly, only as absence, not presence: a breeze blowing through a just-vacated house, her handwriting on a notepad, the smell of her perfume, streets in strange lost towns where I knew she’d been walking only a moment before but had just vanished, a shadow moving away against a sunstruck wall. Sometimes I spotted her in a crowd, or in a taxicab pulling away, and these glimpses of her I treasured despite the fact that I was never able to catch up with her. Always, ultimately, she eluded me: I’d always just missed her call, or misplaced her phone number; or run up breathless and gasping to the place where she was supposed to be, only to find her gone. In adult life these chronic near misses pulsed with a messier and much more painful anxiety: I would be stricken with panic to learn, or remember, or be told by some implausible party that she was living across town in some terrible slum apartment where for reasons inexplicable I had not gone to see her or contacted her in years. Usually I was frantically trying to hail a cab or make my way to her when I woke up. These insistent scenarios had a repetitive and borderline-brutal quality that reminded me of the wound-up Wall Street husband of one of Hobie’s clients who, when he got in a certain mood, liked to tell the same three stories of his Vietnam war experience over and over with the same mechanical wording and gestures: same rat-a-tat of gunfire, same chopping hand, always in the exact same spot. Everyone’s face got very still over the after-dinner drinks when he spieled off into his routine, which we’d all seen a million times and which (like my own ruthless loop of searching for my mother, night after night, year after year, dream after dream) was rigid and invariable. He was always going to stumble and fall over the same tree root; he would never make it to his friend Gage in time, just as I would never manage to find my mother.