Donna Tartt - The Goldfinch

Здесь есть возможность читать онлайн «Donna Tartt - The Goldfinch» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 2013, ISBN: 2013, Издательство: Hachette Digital, Inc., Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Goldfinch: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Goldfinch»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

A young boy in New York City, Theo Decker, miraculously survives an accident that takes the life of his mother. Alone and determined to avoid being taken in by the city as an orphan, Theo scrambles between nights in friends’ apartments and on the city streets. He becomes entranced by the one thing that reminds him of his mother, a small, mysteriously captivating painting that soon draws Theo into the art underworld.

The Goldfinch — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Goldfinch», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Staring at my shoes. Shoes shoes shoes. All I could think, when I’d put them on a few hours before I hadn’t killed anybody.

“Because—Potter, Potter, think about this. Listen for one moment please. What if I was a stranger—someone you did not know or trust? If you were driving from garage now with stranger? Then your life would be chained with a stranger’s forever. You would need to be very very careful with this person, long as you live.”

Cold hands, cold feet. Snackbar, Supermarkt, spotlit pyramids of fruit and candy, Verkoop Gestart!

“Your life—your freedom—resting on a stranger’s loyalty? In that case? Yes. Worry. Absolutely. You would be in very big trouble. But—no one knows of this thing but us. Not even Gyuri!”

Unable to speak, I shook my head vigorously at this, trying to catch my breath.

“Who? China Boy?” Boris made a disgusted noise. “Who’s he going to tell? He is underage and not here legally. He does not speak any proper language.”

“Boris”—leaning forward slightly; I felt like I was going to pass out—“he’s got the painting.”

“Ah.” Boris grimaced with pain. “ That is gone, I’m afraid.”

“What?”

“For good, maybe. I am sick over that—sick in my heart. Because, I hate to say it—Woo, Goo, what’s his name? After what he saw—? All he will think about is himself. Scared to death! People dead! Deportation! He does not want to be involved. Forget about the picture. He has no idea of its true value. And if he finds himself in any kind of fix with the cops? Rather than spend one day in jail even? All he will want is to get rid of it. So—” he shrugged woozily—“let’s hope he does get away, the little shit. Otherwise very good chance the ptitsa will end up thrown in canal—burned.”

Streetlights glinting off the hoods of parked cars. I felt disincarnate, cut loose from myself. How it would feel to be back in my body again I couldn’t imagine. We were back in the old city, cobblestone rattle, nocturne monochrome straight out of Aert van der Neer with the seventeenth century pressing close on either side and silver coins dancing on black canal water.

“Ach, this is closed,” groaned Boris, jerking to a stop again, backing up the car, “we must find another way.”

“Do you know where we are?”

“Yes—of course,” said Boris, with a sort of scary disconnected cheerfulness. “That’s your canal over there. The Herengracht.”

“Which canal?”

“Amsterdam is an easy city to get around,” Boris said, as if I hadn’t spoken. “In the old city all you have to do is follow the canals until—Oh, God, they closed this off too.”

Tonal gradations. Weirdly enlivened darks. The small ghostly moon above the bell gables was so tiny it looked like the moon of a different planet, hazed and occult, spooky clouds lit with just the barest tinge of blue and brown.

“Don’t worry, this happens all the time. They are always building something here. Big construction messes. All this—I think is for a new subway line or something. Everyone is annoyed by it. Many accusations of fraud, yah yah. Same in every city, no?” His voice was so blurry he sounded drunk. “Roadwork everywhere, politicians getting rich? That is why everyone rides a bike, it is quicker, only, I am sorry, I am not riding a bicycle anywhere one week before Christmas. Oh no—” narrow bridge, dead halt behind a line of cars—“are we moving?”

“I—” We were stopped on a pedestrian footbridge. Visible pink drops on the rain-splashed windows. People walking back and forth not a foot away.

“Get out of the car and look. Oh, hang on,” he said impatiently before I could pull myself together; throwing the car into Park, getting out himself. I saw his floodlit back in the headlights, formal and staged-looking amidst billows of exhaust.

“Van,” he said, throwing himself back in the car. Slamming the door. Taking a deep breath, bracing his arms out straight against the steering wheel.

“What is he doing?” Glancing side to side, panicked, half expecting some random pedestrian to notice the bloodstains, rush at the car, bang at the windows, throw open the door.

“How should I know? There are too many cars in this fucking city. Look,” said Boris—sweating and pale in the lurid tail lights of the car in front of us; more cars had pulled up behind, we were trapped—“who knows how long we will be here. We are only few blocks from your hotel. Better you should get out and walk.”

“I—” Was it the lights of the car in front of us that made the water drops on the windshield look quite so red?

He made an impatient flicking movement of the hand. “Potter, just go,” he said. “I don’t know what is going on with this van up here. I’m afraid the traffic police will show up. Better for us both if we are not together just now. Herengracht—you cannot miss it. The canals here run in circles, you know that, don’t you? Just go that way—” he pointed—“you will find it.”

“What about your arm?”

“It’s nothing! I’d take off my coat to show you except is too much trouble. Now go. I have to talk to Cherry.” Pulling his cell phone from his pocket. “I may have to leave town for a little while—”

“What?”

“—but if we don’t speak for a bit, don’t worry, I know where you are. Best if you don’t try to call me or get in touch. I’ll be back soon as I can. Everything will be okay. Go—clean up—scarf around the neck, up high—we will speak soon. Don’t look so pale and ill! Do you have anything on you? Do you need something?”

“What?”

Scrabbling in his pocket. “Here, take this.” Glassine envelope with a smeared stamp. “Not too much, it is very very pure. Size of a match head. No more. And when you wake up, it will not be quite so bad. Now, remember—” dialing his phone; I was very conscious of his heavy breathing—“keep your scarf high up at your neck and walk on the dark side of the street as much as you can. Go!” he shouted when still I sat there, so loudly that I saw a man on the pedestrian walk of the bridge turn to look. “Hurry up! Cherry, ” he said, slumping back in his seat in visible relief and beginning to babble hoarsely in Ukrainian as I exited the car—feeling lurid and exposed in the ghastly wash of headlights from the stalled vehicles—and walked back over the bridge, the way we’d come. My last sight of him, he was talking on the phone with the window rolled down and leaning out, in extravagant clouds of auto fume, to see what was going on with the stalled van ahead.

xiv.

картинка 190

THE SUBSEQUENT HOUR, OR hours, of wandering the canal rings hunting for my hotel were as miserable as any in my life, which is saying something. The temperature had plunged, my hair was wet, my clothes were soaked, my teeth were chattering with cold; the streets were just dark enough that they all looked alike and yet not nearly dark enough to be roaming around in clothes bloodied from a man I’d just killed. Down the black streets I walked, fast, with oddly confident-sounding heel taps, feeling as uneasy and conspicuous as a dreamer wandering naked in a nightmare, staying out of the streetlights and trying hard to reassure myself, with dwindling success, that my inside-out coat looked perfectly normal, nothing unusual about it at all. There were pedestrians on the street, but not many. Afraid of being recognized, I’d removed my glasses since I knew from experience that my glasses were my most distinctive feature—what people noticed first, what people remembered—and though this was unhelpful in terms of finding my way it also gave me an irrational sense of safety and concealment: illegible street signs and fogged streetlamp coronas floating up isolated out of the dark, blurred car lights and holiday tracers, a feeling of being viewed by pursuers with an out-of-focus lens.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Goldfinch»

Представляем Вашему вниманию похожие книги на «The Goldfinch» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Goldfinch»

Обсуждение, отзывы о книге «The Goldfinch» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x