Donna Tartt - The Little Friend

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The Little Friend: краткое содержание, описание и аннотация

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The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved and his family remains devastated. So it is that Robin’s sister Harriet - unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets out to unmask his killer. Aided only by her worshipful friend Hely, Harriet crosses her town’s rigid lines of race and caste and burrows deep into her family’s history of loss.

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Hely staggered back, let out a ghastly, wheezing little scream. But Farish only shoved past him and clomped up the stairs. He was jerking his head, talking in a clipped, angry voice (“… better not try it, better not …”) as if to some invisible but definite creature about three feet high which was scrabbling up the steps after him. All at once his arm flew out and slapped empty air: hard, as if making contact with an actual presence, some pursuing hunchbacked evil.

Hely had vanished. Suddenly a shadow fell over Harriet. “Who you?”

Harriet—badly startled—glanced up to find Danny Ratliff standing over her.

“Just happened to see it?” he said, hands on hips, tossing the hair out of his face. “Where was you when all this window-breaking was going on? Where’d she come from?” he said to his brother.

Harriet stared up at him, flabbergasted. From the sudden surprised flare of Danny Ratliff‘s nostrils she knew that her revulsion was written plain all over her face.

“Don’t look at me like that,” he snapped. Up close, he was wolfishly brown and thin, dressed in jeans and a skanky-looking long-sleeved T-shirt; his eyes—hooded, under heavy brows—had a mean, off-center cast that made her nervous. “What’s the matter with you?”

The preacher, who seemed quite agitated, glancing up and down the street, crossed his arms over his shirt-front and tucked his hands into his armpits. “Don’t worry,” he said, in his highpitched, over-friendly voice. “We ain’t gone bite you.”

As afraid as she was, Harriet could not help noticing the blotchy blue tattoo on his forearm, and wondering what the picture was supposed to be. What kind of a preacher had tattoos on his arms?

“What’s wrong?” the preacher said to her. “You’re afret of my face, aren’t you?” His voice was pleasant enough; but then, quite without warning, he caught Harriet by the shoulders and thrust his face in hers, in a manner suggesting that his face was something to be very afraid of indeed.

Harriet stiffened, less at the burn (glossy red, with the fibrous, bloody sheen of raw membrane) than at his hands on her shoulders. From beneath a slick, lashless eyelid, the preacher’s eye sparkled, colorfully, like a blue chip of glass. Abruptly, his cupped palm darted out, as if to slap her, but as she flinched his eyes lit up: “Uh uh uh ! “ he said, triumphantly. With a light, infuriating touch, he stroked her cheek with his knuckle—and, passing his hand in front of her, produced unexpectedly a bent stick of gum, which he twirled between his first and middle fingers.

“Ain't got much to say now, do you?” said Danny. “You was talking pretty good up there a minute ago.”

Harriet stared diligently at his hands. Though they were bony and boyish-looking, they were heavily scarred, the bitten nails rimmed in black, and covered with big ugly rings (a silver skull; a motorcycle insignia) like a rock star might wear.

“Whoever it was done this sure run off mighty fast.”

Harriet glanced up at the side of his face. It was hard to tell what he was thinking. He was looking up and down the street, and his eyes jumped around in a quick, jittery, suspicious way, like a bully on the playground who wanted to make sure that the teacher wasn’t looking before he hauled off and punched somebody.

“Ont it?” said the preacher, dangling the stick of gum in front of her.

“No thank you,” said Harriet, and was sorry the instant it was out of her mouth.

“What the hell are you doing out here?” Danny Ratliff demanded suddenly, wheeling as if she’d insulted him. “What’s your name?”

“Mary,” whispered Harriet. Her heart pounded. No thank you , indeed. Grubby though she was (leaves in her hair, dirt on her arms and legs), who was going to believe she was a little redneck? Nobody: rednecks, least of all.

“Hoo!” Danny Ratliff ‘s high-pitched giggle was sharp and startling. “Can’t hear you.” He spoke fast, but without moving his lips much. “Speak up.”

“Mary .”

“Say Mary?” His boots were big and scary-looking, with lots of buckles. “Mary who? Who you belong to?”

A shivery little wind blew through the trees. Leaf-shadow trembled and shifted on the moonlit pavement.

“John—Johnson,” said Harriet, weakly. Good grief , she thought. Can’t I do better than that ?

“Johnson?” the preacher said. “Which Johnson is that?”

“Funny, you look like one of Odum’s to me.” Danny’s jaw muscles worked, furtively, on the left side of his mouth, biting down on the inside of his cheek. “How come you out here all by yourself? Ain't I seen you down at the pool hall?”

“Mama …” Harriet swallowed, decided to start over. “Mama, she ain’t …”

Danny Ratliff, she noticed, was eyeing the expensive new camp moccasins Edie had ordered for her from L. L. Bean.

“Mama ain’t allow me to go there,” she said, awkwardly, in a small voice.

“Who is your mama?”

“Odum’s wife is past on,” said the preacher, primly, folding his hands.

“I ain’t askin you, I ast her .” Danny was gnawing at the side of his thumbnail and staring at Harriet in a stony way that made her feel very uncomfortable. “Look at her eyes, Gene,” he said to his brother, with a nervous toss of his head.

Congenially, the preacher stooped to peer into her face. “Well, derned if they’re not green. Where you get them green eyes from?”

“Look at her, staring at me,” said Danny shrilly. “Staring like that. What’s the matter with you, girl?”

The Chihuahua was still barking. Harriet—off in the distance—heard something that sounded like a police siren. The men heard it, too, and stiffened: but just then, from upstairs, rang a hideous scream.

Danny and his brother glanced at each other, and then Danny bolted for the stairs. Eugene—too shocked to move, able to think of nothing but Mr. Dial (for if this caterwauling failed to bring Dial and the sheriff, nothing would)—passed a hand over his mouth. Behind, he heard the slap of feet on the sidewalk; he turned to see the girl running off.

“Girl!” he shouted after her. “You, girl!” He was about to go after her when up above, the window sailed up with a crash and out flew a snake, the white of its underbelly pale against the night sky.

Eugene jumped back. He was too startled to cry out. Though the thing was stomped flat in the middle and its head was a bloody pulp, it filliped and twitched in convulsions on the grass.

Loyal Reese was all of a sudden behind him. “This isn’t right,” he said to Eugene, looking down at the dead snake, but Farish was already pounding down the back stairs with fists clenched and murder in his eyes and before Loyal—blinking like a baby—could say another word Farish swung him around and punched him in the mouth and sent him staggering.

“Who you working for?” he bellowed.

Loyal stumbled backward and opened his mouth—which was wet and bleeding thinly—and when nothing came out of it after a moment or two, Farish glanced quickly over his shoulder and then punched him again, this time to the ground.

“Who sent you?” he screamed. Loyal’s mouth was bloody; Farish grabbed his shirtfront and jerked him up to his feet. “Whose idea was this? You and Dolphus, y'all just thought you’d fuck with me, make some easy money, but y'all are fucking with the wrong person—”

“Farish,” called Danny—white as chalk, running down the stairs two at a time—“you got that .38 in the truck?”

“Wait,” said Eugene, panic-stricken—guns in Mr. Dial’s rental apartment? a dead body? “Y'all got it wrong,” he called, waving his hands in the air. “Everybody calm down.”

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