Уолтер Мосли - John Woman

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John Woman: краткое содержание, описание и аннотация

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A convention-defying novel by bestselling writer Walter Mosley, John Woman recounts the transformation of an unassuming boy named Cornelius Jones into John Woman, an unconventional history professor — while the legacy of a hideous crime lurks in the shadows.
At twelve years old, Cornelius, the son of an Italian-American woman and an older black man from Mississippi named Herman, secretly takes over his father’s job at a silent film theater in New York’s East Village. Five years later, as Herman lives out his last days, he shares his wisdom with his son, explaining that the person who controls the narrative of history controls their own fate. After his father dies and his mother disappears, Cornelius sets about reinventing himself — as Professor John Woman, a man who will spread Herman’s teachings into the classrooms of his unorthodox southwestern university and beyond. But there are other individuals who are attempting to influence the narrative of John Woman, and who might know something about the facts of his hidden past.
Engaging with some of the most provocative ideas of recent intellectual history, John Woman is a compulsively readable, deliciously unexpected novel about the way we tell stories, and whether the stories we tell have the power to change the world.

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John nodded while wondering about the man he faced. He could read most people simply by engaging with them for a few minutes, no more. But every now and then he ran across someone who defied his intuitive abilities.

“President Luckfeld says that you want to audit the class.”

“It would be an honor,” Pepperdine said. His skin had a platinum patina, not the drab worn color of gray age but a deep vibrancy that matched his bright smile.

“Have you studied history before?”

“Only as an elective in the school of hard knocks.”

“What’s your profession, Willie?”

“Distilling money into meaning.”

“Whoa,” the young professor declared. “I’ve never heard that particular phrase before. What does it mean?”

“I try to get people to see the world for what it is, not what they expect it to be. Once they know where they stand, what they can and cannot do, their choices often... shift.”

Pepperdine looked to be fifty so he was probably sixty. Both brutality and subtlety radiated from him. John wanted to ask if he’d ever killed someone but this, he knew, came from his own desire to share the guilt for Chapman Lorraine.

Two wrongs, he thought.

“You’re welcome in my class at any time, Willie Pepperdine.”

“The class description says that your students are expected to create a personal history,” the auditor offered.

“Yes.”

“I might not have the time for that. I can do the reading though. I read on long flights.”

“You travel often?”

Pepperdine nodded and stood up.

“I’ve taken up enough of your time, Professor. There must be a new class coming soon.”

“No. I, um, I always get a classroom that doesn’t have anything scheduled for at least an hour and a half after. My lectures often exceed the allotted time.”

“I should be going anyway, have to be in Ho Chi Minh City in thirty-six hours.” Pepperdine wasn’t a tall man, five eight at most. His shoes were made from red-brown leather and probably cost at least a week’s salary of any professor on the campus. He moved at a leisurely pace with no limp or hesitation.

John remained in his fourth-row desk-chair for long minutes wondering why a man like Pepperdine would pay such close attention to him and his class.

These thoughts led naturally to a life crafted to be undetectable. If he was a ghost then maybe Willie was a ghost hunter like they had on reality TV.

The idea of ghost hunters further distracted John. He thought that the sham television shows were little different from history classes. The history department was the ghost hunter of the university. Actually most researchers were in pursuit of knowledge even more unlikely than poltergeists.

“John?” She was standing at the doorway wearing a gray dress-suit that complemented her short gray hairdo. John found it impossible to imagine Annette Eubanks as either young or old. She seemed like the image, even the icon, of some human trait that had been minted on an ancient silver coin.

“Ms. Eubanks,” he said. “Are you lost?”

“I saw that your class was scheduled from one to five. I was just going to look in and wave but then there was no class.”

“It’s a seventy-five-minute Tuesday Thursday period but I try to find a time slot that allows me to go over.”

“You can’t organize your lectures to fit into the time allowed?”

Allowed.

“There is no such thing as equality or perfection,” John replied trying to sound as if the words were from a quote, “except in the theoretical disciplines of math and sometimes physics.”

“Some of us enjoy the illusion of order,” she said walking toward the rows of desks.

“What can I do for you, Annette?” John asked when she’d reached the first tier.

“You received the departmental summons,” she stated.

“Like a parking ticket?”

Annette Eubanks curled up her lip, maybe unconsciously.

“You shouldn’t make light of department procedure, Professor Woman.”

“I’ve never heard of a departmental summons, Ms. Eubanks.”

“We expect you to deliver your paper to the review board at some point this semester.”

“Written History; Reconstruction, Deconstruction or Just Plain Destruction?”

Eubanks’s lip curled again.

“That’s not much time,” John said.

“You’ve had a year.”

“Whitman worked on Leaves of Grass for years,” John offered, “and then spent the rest of his life rewriting.”

“You compare yourself to America’s premier poet?”

“Why not?”

Looking into the unfiltered hatred of her eyes John thought, not for the first time, that his character was not designed for the life he’d embarked upon. He should be making this professor like him, ingratiating himself with the faculty.

“We would also like you to present a preliminary talk about your paper at the next departmental brown-bag lunch.”

“Really? That’s tomorrow isn’t it?”

“You can’t pretend you didn’t know. These requests were put in your box.”

“My box?”

“Faculty mail.”

“Oh. I never pay any attention to that. I figure if anything is important enough somebody’ll tell me face-to-face.”

“Consider yourself told.”

He was standing in the doorway of 18 Southeast Green Garden Path when John arrived at 3:48.

“Mr. Malik.”

“Professor,” Johann Malik said.

“Nice to see you.”

John took out his electronic key-card and held it against the black ceramic pad under the doorknob. He heard the click, pulled open the gold-green door and ushered the sour-faced student in.

The room was small, the size of two broom closets, with a ceiling that was sixteen feet high. John kept no books, papers or knickknacks in his office. There was one metal filing cabinet painted drab green, a walnut desk with a reclining office chair and three hardback chairs for visitors. A green metal trash can sat in a far corner.

John went around the desk and sat in the fabric-padded black office chair.

“How can I help you, Mr. Malik?”

“I need to talk to you about your class.”

“What about it?”

“Why you want to lock us in a box like that? Like some prison warden.”

“Us? Box?”

“Black people, man. Here you gonna say that slavery was fate, then tell me to love it.”

John enjoyed this interpretation. The political activist angle was always a monkey wrench in the delicate gears of historical investigation.

“I merely provided one of many physical analyses of the past and future world. Would you have me tell you to walk into a room with men who hate you, men who could obliterate your soul, without a warning and at least some means to defend yourself?”

“You the one giving ammunition to them,” Malik argued. “You’re telling them that they’re not guilty by saying that destiny made us what we are.”

“That’s one way of looking at it.”

“That’s the only way.”

“Then let me ask you a question.”

“What?” The solitary word bristled with violence.

“Imagine yourself on the edge of a high cliff. A group of your enemies happen by and throw you off the side. Then you’re falling, falling for what seems like forever. Instinctively all you can think of is how to back away from that moment in time, back to the hour before you arrived at the edge. But this is not a child’s game. You can’t take it back. The only hope you have is that you survive the fall. And, even if you live, you will never be able to go back.”

“That’s just some talk,” Malik said, disgusted.

“This is a university,” John said lightly. “That’s what we do here. We talk. Through discussion, debate and disagreement we come up with answers that, if we’re lucky, can be used as tools in the fabrication of our temporary survival.”

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