Кобо Абэ - The Ark Sakura

“No — I really think I’ll hold off. Wherever and however I decide to go on living, it doesn’t make a hell of a lot of difference. Besides, professionally speaking, that’s what I’m for — responding to lies as if they were true, knowing full well they’re not. ”

“All right, then, I’ll call Komono.” I thought it was a bit reckless, but I couldn’t just abandon them. “I’ll talk to him for you.”

“I wouldn’t if I were you. You’re only going to make things worse. Thanks, but no thanks.”

“You’re right,” murmured the girl. “Believing it was true might make us happier in the end. ”

“We’re at home with lies, anyway. They’re us. We’re sakura, don’t forget.”

If that was the way they were going to be, let them. I had simply felt a duty to tell them of this chance to escape, in return for their help in getting me free. Still, it seemed unreasonable of him to keep the girl there too. All along I had dreamed of escaping with her, just the two of us; and if only the shill hadn’t interfered, she would have come. I was the one who had told the shill about this escape route; she had never opened her mouth.

“Why don’t you at least let her go free?”

“She is free. Stop talking that way.” He turned to her. “Right? You’re free, aren’t you?” He prodded her along, and she nodded hesitantly.

“Never mind that,” he said. “Do you know how the word sakura —cherryblossoms — came to be used for people like us? It comes from the expression ‘Blossom-viewing is free.’ In other words, it costs us nothing to do our shopping.”

I noticed he had stopped calling me Captain. So be it. I handed him the control panel, said what I had to say, and thus carried out what I took to be my duty.

“The key to the jeep is in it, right?”

The shill nodded as he accepted the control panel.

“That’s right.”

“They’ll have it in for you for letting me go.”

“Them? Have it in for me? No.”

“How are you going to explain? I don’t know about Komono, but that adjutant means business.”

“I’ll tell them you got all soft and squishy, and the toilet just swallowed you right up.”

“Who’s going to believe that?”

“They will. All right, go, will you? I’ll look after the ship. Not that I’m all that sure of myself. But now that the anchor’s up, it would be a shame to sink her so fast.”

“Sorry about that encyclopedia,” said the girl. “The last three volumes are soaking wet.”

She set my camera case down on the floor of the locker, sliding it back in with the toe of her shoe. Meaning to follow her, I tripped over her leg and fell forward, taking advantage of the situation to push her deeper inside the locker, covering her with my body. I couldn’t let this sudden intimacy daunt me; we had a long trip ahead of us, traveling together down this tunnel. We would warm each other as we waited for dawn, protecting each other from cold and darkness.

But my shoulders were hindered by the locker, and my torso hung tilted in the air. My shoulders measured seventeen inches across, and the locker a mere thirteen; there was no way I could get through facing straight ahead.

“Are you all right?” With a wry smile, the shill grasped my left shoulder and pulled, while pushing on my right shoulder, turning me ninety degrees.

My leg was still not what it should be. I felt myself go on crashing to the right, unable to retrieve my balance. The girl slipped out from beneath me. For some reason, the shill’s penlight went out. As I fell, I grabbed hold of the hem of her skirt. There was the sound of my shirt ripping in back; a couple of buttons popped off. Partly it was the fault of the inner construction of the locker, but mostly it had to do with the accumulation of fat on my stomach. My ribs banged against the camera case with a noise like someone pounding rice cakes. Pain flashed not so much there as in my knee and neck. Somebody was grasping my ankle and pushing it. I could feel myself slide with the camera case across the stone floor. Something fell on my back — a shoe. Where was the girl? I could feel her skirt in my hand, yet strangely I could not tell where she was.

“Take care. ” The voice was too far away.

The sound of the locker shelves moving, then the metallic click of the door closing. I pulled hard with the arm that held her skirt, and she came down against me. or so I expected, but to my chagrin, all that remained in my hand was the skirt itself. Had it come off? I could hardly bear to give her up. A moment later, I realized that what I had taken for her skirt was in fact a rubber work apron. When had that misapprehension occurred? She was free, I told myself. Of her own free will she had shut herself up in there. Or was I the one who had been shut up in here? For a while I lay where I was and rested, clinging to the case. Somewhere only a few feet away she was staring wide-eyed into the dark with those eyes that forced you to trust her, like it or not. But there was no meaning anymore in the units of distance between us. I got up, and immediately fell over again. I took off my shoes and tied them together, slung them around my neck, and started crawling down the tunnel on both hands and one knee, dragging my camera case behind me.

25

THE TRANSPARENT TOWN

It took a long time. I seem to have slept more than once along the way. The numbness in my leg subsided, and sensation returned to my knees; but by the time I reached the basement of the city hall, the sun was coming up. After waiting for people to start coming and going, I went outside.

Transparent rays of sun, the first I had seen in a long time, stained the streets and buildings red. The area was lively with the mingled flow of bicycles moving south along the riverside fish market, and commuters hurrying north to the station on foot. On a truck marked LIVE FISH, a small flag fluttered in the breeze, inscribed with the words FISH BEFORE PEOPLE. Another truck, waiting at a stoplight, proclaimed, WHEN I AM GONE AND THE CHERRIES BLOOM, LOVE WILL ALSO BLOOM.

Facing the black-glass walls of the city hall, I set up my camera, using the wide-angle lens, and focused. I meant to take a souvenir photograph of myself and the street, but everything was too transparent. Not only the light but the people as well: you could see right through them. Beyond the transparent people lay a transparent town. Was I transparent, then, too? I held a hand up to my face — and through it saw buildings. I turned around, and looked all about me; still everything was transparent. The whole town was dead, in an energetic, lifelike way. I decided not to think anymore about who could or would survive.

A NOTE ABOUT THE AUTHOR

Kobo Abe was born in Tokyo and grew up in Mukden, Manchuria, during World War II. In 1948 he received a medical degree from Tokyo Imperial University, but he has never practiced medicine. Abe is considered his country’s foremost living novelist. His books have earned many literary awards and prizes, and have all been best sellers in Japan. They include The Woman in the Dunes, The Face of Another, The Box Man, and Secret Rendezvous. Abe is also widely known as a dramatist. He lives in Tokyo with his wife, the artist Machi Abe.