Salman Rushdie - Midnight's children
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- Название:Midnight's children
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Tomorrow I'll have a bath and shave; I am going to put on a brand new kurta, shining and starched, and pajamas to match. I'll wear mirrorworked slippers curling up at the toes, my hair will be neatly brushed (though not parted in the centre), my teeth gleaming… in a phrase, I'll look my best. ('Thank God' from pouting Padma.)
Tomorrow, at last, there will be an end to stories which I (not having been present at their birth) have to drag out of the whirling recesses of my mind; because the metronome musk of Mountbatten's countdown calendar can be ignored no longer. At Methwold's Estate, old Musa is still ticking like a time-bomb; but he can't be heard, because another sound is swelling now, deafening, insistent; the sound of seconds passing, of an approaching, inevitable midnight.
Tick, tock
Padma can hear it: there's nothing like a countdown for building suspense. I watched my dung-flower at work today, stirring vats like a whirlwind, as if that would make the time go faster. (And perhaps it did; time, in my experience, has been as variable and inconstant as Bombay's electric power supply. Just telephone the speaking clock if you don't believe me-tied to electricity, it's usually a few hours wrong. Unless we're the ones who are wrong… no people whose word for 'yesterday' is the same as their word for' tomorrow' can be said to have a firm grip on the time.)
But today, Padma heard Mountbatten's ticktock… English-made, it beats with relentless accuracy. And now the factory is empty; fumes linger, but the vats are still; and I've kept my word. Dressed up to the nines, I greet Padma as she rushes to my desk, flounces down on the floor beside me, commands: 'Begin.' I give a little satisfied smile; feel the children of midnight queueing up in my head, pushing and jostling like Koli fishwives; I tell them to wait, it won't be long now; I clear my throat, give my pen a little shake; and start.
Thirty-two years before the transfer of power, my grandfather bumped his nose against Kashmir! earth. There were rubies and diamonds. There was the ice of the future, waiting beneath the water's skin There was an oath: not to bow down before god or man. The oath created a hole, which would temporarily be filled by a woman behind a perforated sheet. A boatman who had once prophesied dynasties lurking in my grandfather's nose ferried him angrily across a lake. There were blind landowners and lady wrestlers. And there was a sheet in a gloomy room. On that day, my inheritance began to form-the blue of Kashmiri sky which dripped into my grandfather's eyes; the long sufferings of my great-grandmother which would become the forebearance of my own mother and the late steeliness of Naseem Aziz; my great-grandfather's gift of conversing with birds whkh would descend through meandering bloodlines into the veins of my sister the Brass Monkey; the conflict between grandpaternal scepticism and grandmaternal credulity; and above all the ghostly essence of that perforated sheet, which doomed my mother to learn to love a man in segments, and which condemned me to see my own life-its meanings, its structures-in fragments also; so that by the time I understood it, it was far too late.
Years ticking away-and my inheritance grows, because now I have the mythical golden teeth of the boatman Tai, and his brandy bottle which foretold my father's alcoholic djinns; I have Ilse Lubin for suicide and pickled snakes for virility; I have Tai-for-changelessness opposed to Aadam-for-progress; and I have, too, the odours of the unwashed boatman which drove my grandparents south, and made Bombay a possibility.
… And now, driven by Padma and ticktock, I move on, acquiring Mahatma Gandhi and his hartal, ingesting thumb-and-forefinger, swallowing the moment at which Aadam Aziz did not know whether he was Kashmir! or Indian; now I'm drinking Mercurochrome and stains the shape of hands which will recur in spilt betel-juice, and I'm gulping down Dyer, moustache and all; my grandfather is saved by his nose and a bruise appears on his chest, never to fade, so that he and I find in its ceaseless throbbing the answer to the question, Indian or Kashmiri? Stained by the bruise of a Heidelberg bag's clasp, we throw our lot in with India; but the alienness of blue eyes remains. Tai dies, but his magic hangs over us still, and makes us men apart.
… Hurtling on, I pause to pick up the game of hit-the-spittoon. Five years before the birth of a nation, my inheritance grows, to include an optimism disease which would flare up again in my own time, and cracks in the earth which will-be-have-been reborn in my skin, and ex-conjurer Hummingbirds who began the long line of street-entertainers which has run in parallel with my life, and my grandmother's moles like witchnipples and hatred of photographs, and whatsitsname, and wars of starvation and silence, and the wisdom of my aunt Alia which turned into spinsterhood and bitterness and finally burst out in deadly revenge, and the love of Emerald and Zulfikar which would enable me to start a revolution, and crescent knives, fatal moons echoed by my mother's love-name for me, her innocent chand-ka-tukra, her affectionate piece-of-the-… growing larger now, floating in the amniotic fluid of the past, I feed on a hum that rose higherhigher until dogs came to the rescue, on an escape into a cornfield and a rescue by Rashid the rickshaw-wallah with his Gai-Wallah antics as he ran-full-tilt!-screaming silently, as he revealed the secrets of locks made in India and brought Nadir Khan into a toilet containing a washing-chest; yes, I'm getting heavier by the second, fattening up on washing-chests and the under-the-carpet love of Mumtaz and the rhymeless bard, plumping out as I swallow Zulnkar's dream of a bath by his bedside and an underground Taj Mahal and a silver spittoon encrusted with lapis lazuli; a marriage disintegrates, and feeds me; an aunt runs traitorously through Agra streets, without her honour, and that feeds me too; and now false starts are over, and Amina has stopped being Mumtaz, and Ahmed Sinai has become, in a sense, her father as well as her husband… my inheritance includes this gift, the gift of inventing new parents for myself whenever necessary. The power of giving birth to fathers and mothers: which Ahmed wanted and never had.
Through my umbilical cord, I'm taking in fare dodgers and the dangers of purchasing peacock-feather fans; Amina's assiduity seeps into me, and more ominous things-clattering footsteps, my mother's need to plead for money until the napkin in my father's lap began to quiver and make a little tent-and the cremated ashes of Arjuna Indiabikes, and a peepshow into which Lifafa Das tried to put everything in the world, and rapscallions perpetrating outrages; many-headed monsters swell inside me-masked Ravanas, eight-year-old girls with lisps and one continuous eyebrow, mobs crying Rapist. Public announcements nurture me as I grow towards my time, and there are only seven months left to go.
How many things people notions we bring with us into the world, how many possibilities and also restrictions of possibility!-Because all of these were the parents of the child born that midnight, and for every one of the midnight children there were as many more. Among the parents of midnight: the failure of the Cabinet Mission scheme; the determination of M. A. Jinnah, who was dying and wanted to see Pakistan formed in his lifetime, and would have done anything to ensure it-that same Jinnah whom my father, missing a turn as usual, refused to meet; and Mountbatten with his extraordinary haste and his chicken-breast-eater of a wife; and more and more-Red Fort and Old fort, monkeys and vultures dropping hands, and white transvestites, and bone-setters and mongoose-trainers and Shri Ramram Seth who made too much prophecy. And my father's dream of rearranging the Quran has its place; and the burning of a godown which turned him into a man of property and not leathercloth; and the piece of Ahmed which Amina could not love. To understand just one life, you have to swallow the world. I told you that.
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