Salman Rushdie - Midnight's children
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- Название:Midnight's children
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On training manoeuvres, when Ayooba Shaheed Farooq scrambled after the buddha as he followed the faintest of trails across bush rocks streams, the three boys were obliged to admit his skill; but still Ayooba, tank-like, demanded: 'Don't you remember really? Nothing? Allah, you don't feel bad? Somewhere you've maybe got mother father sister,' but the buddha interrupted him gently: 'Don't try and fill my head with that history. I am who I am, that's all there is.' His accent was so pure, 'Really classy Lucknow-type Urdu, wah-wah!' Farooq said admiringly, that Ayooba Baloch, who spoke coarsely, like a tribesman, fell silent; and the three boys began to believe the rumours even more fervently. They were unwillingly fascinated by this man with his nose like a cucumber and his head which rejected memories families histories, which contained absolutely nothing except smells… 'like a bad egg that somebody sucked dry,' Ayooba muttered to his companions, and then, returning to his central theme, added, 'Allah, even his nose looks like a vegetable.'
Their uneasiness lingered. Did they sense, in the buddha's numbed blankness, a trace of 'undesirability'?-For was not his rejection of past-and-family just the type of subversive behaviour they were dedicated to 'rooting out'? The camp's officers, however, were deaf to Ayooba's requests of 'Sir sir can't we just have a real dog sir?'… so that Farooq, a born follower who had already adopted Ayooba as his leader and hero, cried, 'What to do? With that guy's family contacts, some high-ups must've told the Brigadier to put up with him, that's all.'
And (although none of the trio would have been able to express the idea) I suggest that at the deep foundations of their unease lay the fear of schizophrenia, of splitting, that was buried like an umbilical cord in every Pakistani heart. In those days, the country's East and West Wings were separated by the unbridgeable land-mass of India; but past and present, too, are divided by an unbridgeable gulf. Religion was the glue of Pakistan, holding the halves together; just as consciousness, the awareness of oneself as a homogeneous entity in time, a blend of past and present, is the glue of personality, holding together our then and our now. Enough philosophizing: what I am saying is that by abandoning consciousness, seceding from history, the buddha was setting the worst of examples-and the example was followed by no less a personage than Sheikh Mujib, when he led the East Wing into secession and declared it independent as 'Bangladesh'! Yes, Ayooba Shaheed Farooq were right to feel ill-at-ease-because even in those depths of my withdrawal from responsibility, I remained responsible, through the workings of the metaphorical modes of connection, for the belligerent events of 1971.
But I must go back to my new companions, so that I can relate the incident at the latrines: there was Ayooba, tank-like, who led the unit, and Farooq, who followed contentedly. The third youth, however, was a gloomier, more private type, and as such closest to my heart. On his fifteenth birthday Shaheed Dar had lied about his age and enlisted. That day, his Punjabi sharecropper father had taken Shaheed into a field and wept all over his new uniform. Old Dar told his son the meaning of his name, which was 'martyr', and expressed the hope that he would prove worthy of it, and perhaps become the first of their family members to enter the perfumed garden, leaving behind this pitiful world in which a father could not hope to pay his debts and also feed his nineteen children. The overwhelming power of names, and the resulting approach of martyrdom, had begun to prey heavily on Shaheed's mind; in his dreams, he began to see his death, which took the form of a bright pomegranate, and floated in mid-air behind him, following him everywhere, biding its time. The disturbing and somewhat unheroic vision of pomegranate death made Shaheed an inward, unsmiling fellow.
Inwardly, unsmilingly, Shaheed observed various cutia units being sent away from the camp, into action; and became convinced that his time, and the time of the pomegranate, was very near. From departures of three-men-and-a-dog units in camouflaged jeeps, he deduced a growing political crisis; it was February, and the irritations of the exalted were becoming daily more marked. Ayooba-the-tank, however, retained a local point of view. His irritation was also mounting, but its object was the buddha.
Ayooba had become infatuated with the only female in the camp, a skinny latrine cleaner who couldn't have been over fourteen and whose nipples were only just beginning to push against her tattered shirt: a low type, certainly, but she was all that there was, and for a latrine cleaner she had very nice teeth and a pleasant line in saucy over-the-shoulder glances… Ayooba began to follow her around, and that was how he spied her going into the buddha's straw-lined stall, and that was why he leaned a bicycle against the building and stood on the seat, and that was why he fell off, because he didn't like what he saw. Afterwards he spoke to the latrine girl, grabbing her roughly by the arm: 'Why do it with that crazy-why, when I, Ayooba, am, could be-?' and she replied that she liked the man-dog, he's funny, says he can't feel anything, he rubs his hosepipe inside me but can't even feel, but it's nice, and he tells that he likes my smell. The frankness of the urchin girl, the honesty of latrine cleaners, made Ayooba sick; he told her she had a soul composed of pig-droppings, and a tongue caked with excrement also; and in the throes of his jealousy he devised the prank of the jump-leads, the trick of the electrified urinal. The location appealed to him; it had a certain poetic justice.
'Can't feel, huh?' Ayooba sneered to Farooq and Shaheed, 'Just wait on: I'll make him jump for sure.'
On February loth (when Vahya, Bhutto and Mujib were refusing to engage in high-level talks), the buddha felt the call of nature. A somewhat concerned Shaheed and a gleeful Farooq loitered by the latrines; while Ayooba, who had used jump-leads to attach the metal footplates of the urinals to the battery of a jeep, stood out of sight behind the latrine hut, beside the jeep, whose motor was running. The buddha appeared, with his eyes as dilated as a charas-chewer's and his gait of walking-through-a-cloud, and as he floated into the latrine Farooq called out, 'Ohe! Ayooba, yara!' and began to giggle. The childsoldiers awaited the howl of mortified anguish which would be the sign that their vacuous tracker had begun to piss, allowing electricity to mount the golden stream and sting him in his numb and urchin-rubbing hosepipe.
But no shriek came; Farooq, feeling confused and cheated, began to frown; and as time went by Shaheed grew nervous and yelled over to Ayooba Baloch, 'You Ayooba! What you doing, man?' To which Ayooba-the-tank, 'What d'you think, yaar, I turned on the juice five minutes ago!'… And now Shaheed ran-full tilt!-into the latrine, to find the buddha urinating away with an expression of foggy pleasure, emptying a bladder which must have been filling up for a fortnight, while the current passed up into him through his nether cucumber, apparently unnoticed, so that he was filling up with electrkity and there was a blue crackle playing around the end of his gargantuan nose; and Shaheed who didn't have the courage to touch this impossible being who could absorb electricity through his hosepipe screamed, 'Disconnect, man, or he'll fry like an onion here!' The buddha emerged from the latrine, unconcerned, buttoning himself with his right hand while the left hand held his silver spittoon; and the three child-soldiers understood that it was really true, Allah, numb as ice, anaesthetized against feelings as well as memories… For a week after the incident, the buddha could not be touched without giving an electric shock, and not even the latrine girl could visit him in his stall.
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