Salman Rushdie - The Satanic Verses

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No book in modern times has matched the uproar sparked by Salman Rushdie's The Satanic Verses, which earned its author a death sentence. Furor aside, it is a marvelously erudite study of good and evil, a feast of language served up by a writer at the height of his powers, and a rollicking comic fable. The book begins with two Indians, Gibreel Farishta ("for fifteen years the biggest star in the history of the Indian movies") and Saladin Chamcha, a Bombay expatriate returning from his first visit to his homeland in 15 years, plummeting from the sky after the explosion of their jetliner, and proceeds through a series of metamorphoses, dreams and revelations. Rushdie's powers of invention are astonishing in this Whitbread Prize winner.
From Publishers Weekly Banned in India before publication, this immense novel by Booker Prize-winner Rushdie ( Midnight's Children ) pits Good against Evil in a whimsical and fantastic tale. Two actors from India, "prancing" Gibreel Farishta and "buttony, pursed" Saladin Chamcha, are flying across the English Channel when the first of many implausible events occurs: the jet explodes. As the two men plummet to the earth, "like titbits of tobacco from a broken old cigar," they argue, sing and are transformed. When they are found on an English beach, the only survivors of the blast, Gibreel has sprouted a halo while Saladin has developed hooves, hairy legs and the beginnings of what seem like horns. What follows is a series of allegorical tales that challenges assumptions about both human and divine nature. Rushdie's fanciful language is as concentrated and overwhelming as a paisley pattern. Angels are demonic and demons are angelic as we are propelled through one illuminating episode after another. The narrative is somewhat burdened by self-consciousness that borders on preciosity, but for Rushdie fans this is a splendid feast.
Review "A glittering novelist – one with startling imagination and intellectual resources, a master of perpetual storytelling." – V.S. Pritchett, "Abundant in enchanting narratives and amazingly peopled,
is both a philosophy and an Arabian nights entertainment. What wit, what real warmth in Rushdie’s thousand-eyed perceptions of the inferno within us and the vainglory of our aspirations! His ambitions are huge, and his creativity triumphantly matches them...A staggering achievement, brilliantly enjoyable." – Nadine Gordimer
"A masterpiece." – Bill Bruford,
"Swift's Gulliver's Travels, Voltaire's Candide, Sterne's Tristam Shandy.... Salman Rushdie, it seems to me, is very much a latter day member of their company." – "Further evidence of Rushdie’s stature as one of the most original, imaginative, perplexing, and important writers of our time." – "A novel of metamorphoses, hauntings, hallucinations, revelations, advertising jingles jokes… Rushdie has the power of description, and we succumb." – Victoria Glendinning, "An exhilarating… populous, loquacious, sometimes hilarious, extraordinary contemporary novel… a roller coaster ride over a vast majority of the imagination" – Angela Carter, "A truly original novel…sustained at headlong pace by the author whose powers of invention and construction, command of every variety of English and Anglo-Indian idiom, sense of desperate comedy, and within of intellectual reference have been well-exercised before, but neber on such a scale." – Hyam Maccoby,

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His nose informed him that the sanatorium, or whatever the place called itself, was also beginning to stink to the heavens; jungle and farmyard odours mingled with a rich aroma similar to that of exotic spices sizzling in clarified butter – coriander, turmeric, cinnamon, cardamoms, cloves. ‘This is too much,’ he thought firmly. ‘Time to get a few things sorted out.’ He swung his legs out of bed, tried to stand up, and promptly fell to the floor, being utterly unaccustomed to his new legs. It took him around an hour to overcome this problem – learning to walk by holding on to the bed and stumbling around it until his confidence grew. At length, and not a little unsteadily, he made his way to the nearest screen; whereupon the face of the immigration officer Stein appeared, Cheshire-Cat-like, between two of the screens to his left, followed rapidly by the rest of the fellow, who drew the screens together behind him with suspicious rapidity. ‘Doing all right?’ Stein asked, his smile remaining wide. ‘When can I see the doctor? When can I go to the toilet? When can I leave?’ Chamcha asked in a rush. Stein answered equably: the doctor would be round presently; Nurse Phillips would bring him a bedpan; he could leave as soon as he was well. ‘Damn decent of you to come down with the lung thing,’ Stein added, with the gratitude of an author whose character had unexpectedly solved a ticklish technical problem. ‘Makes the story much more convincing. Seems you were that sick, you did pass out on us after all. Nine of us remember it well. Thanks.’ Chamcha could not find any words. ‘And another thing,’ Stein went on. ‘The old burd, Mrs. Diamond. Turns out to be dead in her bed, cold as mutton, and the other gentleman vanished clear away. The possibility of foul play has no as yet been eliminated.’

‘In conclusion,’ he said before disappearing forever from Saladin's new life, ‘I suggest, Mr. Citizen Saladin, that you dinna trouble with a complaint. You'll forgive me for speaking plain, but with your wee horns and your great hoofs you wouldna look the most reliable of witnesses. Good day to you now.’

Saladin Chamcha closed his eyes and when he opened them his tormentor had turned into the nurse and physiotherapist, Hyacinth Phillips. ‘Why you wan go walking?’ she asked. ‘Whatever your heart desires, you jus ask me, Hyacinth, and we'll see what we can fix.’

*

‘Ssst.’

That night, in the greeny light of the mysterious institution, Saladin was. awakened by a hiss out of an Indian bazaar.

‘Ssst. You, Beelzebub. Wake up.’

Standing in front of him was a figure so impossible that Chamcha wanted to bury his head under the sheets; yet could not, for was not he himself...? ‘That's right,’ the creature said. ‘You see, you're not alone.’

It had an entirely human body, but its head was that of a ferocious tiger, with three rows of teeth. ‘The night guards often doze off,’ it explained. That's how we manage to get to talk.’

Just then a voice from one of the other beds – each bed, as Chamcha now knew, was protected by its own ring of screens – wailed loudly: ‘Oh, if ever a body suffered!’ and the man-tiger, or manticore, as it called itself, gave an exasperated growl. That Moaner Lisa,’ it exclaimed. ‘All they did to him was make him blind.’

‘Who did what?’ Chamcha was confused.

‘The point is,’ the manticore continued, ‘are you going to put up with it?’

Saladin was still puzzled. The other seemed to be suggesting that these mutations were the responsibility of – of whom? How could they be? – ‘I don't see,’ he ventured, ‘who can be blamed…’

The manticore ground its three rows of teeth in evident frustration. ‘There's a woman over that way,’ it said, ‘who is now mostly water-buffalo. There are businessmen from Nigeria who have grown sturdy tails. There is a group of holiday makers from Senegal who were doing no more than changing planes when they were turned into slippery snakes. I myself am in the rag trade; for some years now I have been a highly paid male model, based in Bombay, wearing a wide range of suitings and shirtings also. But who will employ me now?’ he burst into sudden and unexpected tears. ‘There, there,’ said Saladin Chamcha, automatically. ‘Everything will be all right, I'm sure of it. Have courage.’

The creature composed itself. ‘The point is,’ it said fiercely, ‘some of us aren't going to stand for it. We're going to bust out of here before they turn us into anything worse. Every night I feel a different piece of me beginning to change. I've started, for example, to break wind continually ... I beg your pardon... you see what I mean? By the way, try these,’ he slipped Chamcha a packet of extra-strength peppermints. ‘They'll help your breath. I've bribed one of the guards to bring in a supply.’

‘But how do they do it?’ Chamcha wanted to know.

‘They describe us,’ the other whispered solemnly. ‘That's all. They have the power of description, and we succumb to the pictures they construct.’

‘It's hard to believe,’ Chamcha argued. ‘I've lived here for many years and it never happened before...’ His words dried up because he saw the manticore looking at him through narrow, distrustful eyes. ‘Many years?’ it asked. ‘How could that be? – Maybe you're an informer? – Yes, that's it, a spy?’

Just then a wail came from a far corner of the ward. ‘Lemme go,’ a woman's voice howled. ‘O Jesus I want to go. Jesus Mary I gotta go, lemme go, O God, O Jesus God.’ A very lecherous-looking wolf put its head through Saladin's screens and spoke urgently to the manticore. ‘The guards'll be here soon,’ it hissed. ‘It's her again, Glass Bertha.’

‘Glass... ?’ Saladin began. ‘Her skin turned to glass,’ the manticore explained impatiently, not knowing that he was bringing Chamcha's worst dream to life. ‘And the bastards smashed it up for her. Now she can't even walk to the toilet.’

A new voice hissed out across the greeny night. ‘For God's sake, woman. Go in the fucking bedpan.’

The wolf was pulling the manticore away. ‘Is he with us or not?’ it wanted to know. The manticore shrugged. ‘He can't make up his mind,’ it answered. ‘Can't believe his own eyes, that's his trouble.’

They fled, hearing the approaching crunch of the guards’ heavy boots.

*

The next day there was no sign of a doctor, or of Pamela, and Chamcha in his utter bewilderment woke and slept as if the two conditions no longer required to be thought of as opposites, but as states that flowed into and out of one another to create a kind of unending delirium of the senses... he found himself dreaming of the Queen, of making tender love to the Monarch. She was the body of Britain, the avatar of the State, and he had chosen her, joined with her; she was his Beloved, the moon of his delight.

Hyacinth came at the appointed times to ride and pummel him, and he submitted without any fuss. But when she finished she whispered into his ear: ‘You in with the rest?’ and he understood that she was involved in the great conspiracy, too. ‘If you are,’ he heard himself saying, ‘then you can count me in.’ She nodded, looking pleased. Chamcha felt a warmth filling him up, and he began to wonder about taking hold of one of the physiotherapist's exceedingly dainty, albeit powerful, little fists; but just then a shout came from the direction of the blind man: ‘My stick, I've lost my stick.’

‘Poor old bugger,’ said Hyacinth, and hopping off Chamcha she darted across to the sightless fellow, picked up the fallen stick, restored it to its owner, and came back to Saladin. ‘Now,’ she said. I'll see you this pm; okay, no problems?’

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