J. Ballard - Concrete island

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A 35-year-old architect is driving home from his London office when his car swerves and crashes onto a traffic island lying below three converging motorways. Uninjured, he climbs the embankment to seek help, but no one will stop for him and he is trapped on the island, where he remains.
"Visionary of both style and substance… the literary equivalent of Salvador Dalí or Max Ernst."-The Washington Post Book World
"Ballard's novels are complex, obsessive, frequently poetic, and always disquieting chronicles of nature rebelling against humans, of the survival of barbarism in a world of mechanical efficiency, of ethropy, anomie, breakdown, ruin… The blasted landscapes that his characters inhabit are both external settings and states of mind."-Luc Sante

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It's all there – count it. Go on! _Count__ it!'

Maitland opened the wallet and glanced at the bundle of damp notes. Calming himself, he started again.

'Jane, I can help you. What do you want?'

'Nothing from you.' She had found a piece of gum and was chewing on it aggressively. 'You're the one who needs help. You were screwed up by being on your own too much. Let's face it, you're not really unhappy with your wife. You like that cool scene.'

Maitland waited for her to finish. 'All right, maybe I do. Then help me get away from here.'

She stood in front of him, blocking his path to the door, eyes furious.

'You're making these assumptions all the time! No one owes you anything, so stop all this want, want, want! You crashed your car because you drove too fast, now you're complaining about it like a child. We only found you last night…'

Maitland avoided her fierce gaze, and pulled himself along the wall to the doorway. This deranged young woman needed someone to be angry with – the old tramp was too dim, but he himself, starving and half-crippled by a broken leg, made the perfect target. The first show of gratitude was enough to set her going…

As he passed her she stepped forward and took his arm. She slipped it around her small shoulders. Like a dance-hall instructress leading a helpless novice, she steered him towards the stairs.

Maitland stepped into the bright sunlight. The long grass seethed around his legs, greeting him like an affectionate dog. Fed by the spring rain, the grass was over four feet deep, reaching to Maitland's chest. He leaned unsteadily against the young woman. The high causeway of the overpass spanned the air a hundred yards to the east, arid he could see the concrete caisson on which he had scrawled his messages. The island seemed larger and more contoured, a labyrinth of dips and hollows. The vegetation was wild and lush, as if the island was moving back in time to an earlier and more violent period.

'The messages I wrote – did you wipe them off?'

'Proctor did. He never learned to read and write. He hates words of any kind.'

'And the wooden trestles?' Maitland felt no resentment towards either Proctor or the young woman.

'He straightened them – right after the crash, while you were still stunned in the car.'

She supported him, standing against his shoulder, one hand pressed against his stomach. The scent of her warm body contrasted with the smell of the grass and the automobile exhaust gases. Maitland sat down on a truck tyre lying on the ground. He gazed at the high wall of the motorway embankment. The newly seeded grass was growing more densely on the surface. Soon it would hide all traces of his accident, the deep ruts left by the tyres of his car, the confused marks of his first struggles to climb the embankment. Maitland felt a brief moment of regret that he was leaving the island. He would have liked to preserve it for ever, so that he could bring Catherine and his friends to see this place of ordeal.

'Jane…'

The young woman had gone. Twenty yards away, her strong head and shoulders moved above the grass as she strode towards the air raid shelters.

13 The fire signal

'Jane! Come here… _Jane__!

His weak voice, almost a scold, faded into the seething grass. Maitland stood up and swung himself after her, hopping on his left leg. Choking with anger, he leaned against the shuttered pay-box. As he calmed himself he massaged his stomach, feeling the hard edge of his rib cage. At least he had received some food from the girl.

Fifteen feet from him, on the roof of a ruined outhouse, was a rusty metal pipe, one end bend into a crude handle. The crutch! Maitland hobbled across the stony ground, dragging his injured leg after him. His long arms hauled his body over the broken brickwork of the out-house. He reached up and seized the exhaust pipe.

Sitting with it in his hands, he caught his breath. He waved the crutch at the passing cars, glad to feel again the polished plates of rust, familiar hand-holds of survival. This battered piece of tubing was his first tool – and weapon, he reflected, thinking of Proctor. The tramp had not yet put in an appearance, but Maitland scanned the grass and nettle banks, certain that he was lurking somewhere in the undergrowth.

His confidence returning, Maitland climbed down from the roof of the outhouse. He steadied himself on the crutch, standing upright again. His trousers hung in rags from the waistband, but he felt strong and determined. When he pressed his skull he could feel barbs of pain at the loosened sutures. The concussion and fever had cleared, leaving him with no more than a light continuous headache.

Maitland looked up at the motorway embankments. He knew that he was probably strong enough to climb the earth slopes, but Proctor would be watching him, waiting for Maitland to make a move. Another physical confrontation with the tramp would set him back several days. Somehow he must get the girl to help him. She alone had any authority over Proctor.

Maitland swung himself back to the ruined cinema. Pressing through the grass, he reached the stairwell and lowered his injured leg down the steps to the basement room.

He sat on the bed in the half-light, breaking the rusks in his hands. The child's food cut his mouth, and he chewed carefully on the sharp spurs of sweet toast. He reached out with the crutch and pulled the girl's suitcase towards him. He searched through the dresses and underwear, thinking that she might, conceivably, own some small weapon.

At the bottom of the case, in the debris of make-up tubes, hairpins and used tissues, was a packet of fading snapshots. Curious about her background, Maitland spread the photographs out on the bed. One showed a strong-faced adolescent girl, clearly Jane, standing protectively beside a faded middle-aged woman with glazed eyes on the frayed lawn of a small sanatorium. In another she was visiting a fairground, arm-in-arm with a heavy-set man twenty years older than herself. Maitland assumed that the man was her father, but a wedding photograph showed Jane, proudly six months pregnant, standing in a church beside the man, the fey-looking mother hovering in the background like a deranged ghost.

A second man appeared in the series, a dapper figure of about fifty in an old but well-made suit, posed beside a white Bentley in the drive of a large Victorian house. Her father, Maitland decided, or perhaps another middle-aged lover. What had happened to the child?

Maitland gathered the photographs together and put them back into the case. From an empty tissue-box he took out a brown paper bag. Inside it were the materials of a pot-smoker's kit – scraps of burnt silver foil, detached filter stubs, loose tobacco from broken cigarettes, a small block of hashish, cigarette papers and a roller, and a box of matches.

Replacing the paper bag, Maitland weighed the matchbox in his hand. His eyes moved swiftly around the room. From the packing case he pulled out the paraffin stove. He swirled the contents in the half-light, listening to the soft liquid sound.

Ten minutes later, Maitland hobbled on the crutch towards the ruined outhouse. The red blanket was draped over one shoulder, and in his free hand he carried the paraffin stove. He pulled himself on to the roof and sat down on the shallow tiled slope, arranging the stove and blanket beside him. After making certain that neither Proctor nor the young woman was approaching, he tied a corner of the blanket to the crutch, and soaked the loose end of the woollen fabric in the paraffin from the stove. Along the motorway the flow of Sunday afternoon traffic was intermittent. Maitland watched, matchbox in hand, controlling his eagerness. A line of saloon cars appeared, hemmed in behind an airline coach and a fuel tanker moving abreast through the overpass tunnel.

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